"If you are injured, you will not be idle in the sky. If you love it and have it in your heart, it will make schools repair, make business more expensive than houses, and persuade farmers to teach ... "Soon," learning to build a ceremony and repair it, teaching it by the wind "will be rectified in China. The people live and work in peace and contentment, and the people are grateful, so this monument is named Zhang Menglong. Due to its positive contribution to learning, this monument can rank among the Confucian holy places-Confucius Temple.
Zhang Menglong's tablet is called Qing County Order Tablet, and almost all of the twelve characters are written. It is bold and graceful, slow and steady, calm and natural, and vigorous. Flexible size and extremely accurate control. Ups and downs, solemn atmosphere, escape between the lines. From the overall appreciation of the inscription, it is not difficult to see that it is not just concentrated on one word, but runs through from top to bottom.
The left and right, as well as the momentum throughout, are integrated. Such as Wei, the left pen is slightly lighter, the right pen is slightly heavier, and the vertical hook is to the right, while the land, that is, the left hand of the "Tao" part is aggravated and elongated, and the middle one is long and horizontal. Try to keep the pen to the left. This not only makes the word Lu feel more solemn, but also achieves a balance with the word Wei. This time, the word "day" under the word "land" is extremely tight, thinking that the word "county" is long and vertical, and the middle part of the word "county" continues to be tight. "If it is stored for a long time, its hair will become faster." ,
The vertical paintings beside the "craftsman" poured thousands of miles, swaying vigorously, stretching and flowing. Another example is the word "Fu", the left long part is left as a short vertical hook, the whole word is tightly closed, and the pen is square, which is even more magnificent. At the same time, it keeps growing momentum for the word "Jun", which makes the word "Jun" steep and more prominent. And "Jun", a thick and dignified long painting, crosses its left and right, and then, a long left suddenly emerges. Play long and far, and the heroism goes straight through the bottom of the pen. In this way, there is a strong contrast between "Fu" and "Jun", which not only avoids the similarity between "Fu" and "Jun", but also shows the solemnity, preciseness and elegance of "Jun", making people feel invincible.
The inscription breaks away from the convention in structure, and it is dense and well-organized, making the space bigger and more angular. Such as "Tai", "Zhang" and "Qing". In this way, the danger of the tablet is even stronger. No wonder Kang Youwei, the sage of stele study, praised in Guang Yi Zhou Shuang: "Where is the beauty of the stele when the word is between one inch and two inches? The words' Zhang Menglong Monument' and' Yang Halo Monument' are both two inches, which are the most abundant and powerful and can be used for reference by scholars. " Exquisite play, the special pen of the monument, just shows that the monument advocates the righteous virtues of the Raptors, such as "following good advice, obeying virtue, relying on benevolence" and "going deep into the people"; At the same time, it also shows the people's reverence for the monument owner.
The calligraphy of Zhang Menglong's inscription is almost the original font. The brushwork is based on both Fang and Fang. There are ups and downs, ups and downs, and everything is ready. Seemingly mediocre, it actually contains lightning. His brushwork, ranging from 2 1 min to 2 1 min, is calm and cheerful, such as cutting jade with broken gold, especially with the spirit of dragon leaping and tiger lying, vigorous and powerful. Its Tibetan front strokes and turns are clean and neat, and the central stroke has a three-dimensional sense, although it is thin and weak. Horizontal painting has a reverse entry and a flat exit, which also protects the tail from the front. There are box collections and box collections, such as horizontal paintings of "Ding" and "Yes". The vertical painting is strong and straight, and the hanging needle is exposed. Most horizontal and vertical paintings take an oblique and sharp posture when they put pen to paper, such as "middle" and "stone". Fiona Fang varies from place to place, such as triangle points as heavy as Mount Tai, elegant and chic dots, light and round long vertical points and so on. The official meaning is rich and diverse, ambitious, common and happy. Take a flat position, stretch and let go, stretch left and right, the curvature is not big, but the front is hidden and full, reaching the end of the pen, with great momentum, such as "spring" and "gold". The vertical hook has a large angle (greater than the right angle), and at the same time it has its own interests and great sense. This brushwork is one of the great charms of Zhang Menglong's tablet Zi Nai. The hook is ready to go, subtle and profound, with unique taste, such as "also" and "light". Its brushwork is simple and ingenious, vigorous and vigorous, containing the rhyme of seal script and official script, such as the "harmony" of "ancestor" and as round as seal script; The rhyme of "Hou" still exists; It is elegant and full of vitality, without any tacky. Kang Youwei said in Guang Yi and Zhou Shuang that "Zhang Menglong" took this as the extreme principle of Li Kai. He also said, "If you have the ability, you will have it." 』
The calligraphy structure of Yang's inscriptions is more exquisite. Many of Alina Zhang Veron's writing methods are also summarized as structural standards by later generations. Such as "building" land, "military" sky, "lang" land to the left, "cool" land to the right, "flat" land to the straight, "seven" land to enjoy, etc. ...
In the specific structure of many words, it is unique, interesting and lasting. For example, although the structure of the word "Shu" is not unusual, the five points of the pen have their own gestures, and none of them are the same, breaking the stagnation that the word "Shu" is horizontally parallel and the two vertical lines are equally spaced because they closely guard the middle palace.
In general, the strokes of a word are horizontal or parallel, which is a requirement for neat and beautiful fonts. However, Zhang Wang Meng's tablet has another wonderful change. Horizontal paintings are generally inclined to the upper right, but when there are several horizontal paintings in a word, some of them are often horizontal and not parallel to others. Because of its clever handling, it is full of the beauty of unity and harmony in the disharmony of contradictions. For example, "Ping", the first horizontal painting is raised obliquely to the upper right, the next horizontal painting is basically horizontal, but the vertical painting is close to the right pen. Not only can you not see the deviation, but also strengthen the stability of the word potential, which is dangerous in the static state. "Wang" is different. The upper cross is concave in the middle and both ends are upturned; The middle is flat and slightly shorter; The lower transverse end is slightly drooping and the middle is convex. The posture of three horizontal paintings has its own interesting meaning. It is extremely difficult to write the word "Zhou" when three points are juxtaposed vertically, but it is unique in Zhang Menglong's tablet. The three vertical paintings all make vertical hook changes. The lower end of the vertical hook in the front painting is bent to the left, the lower end of the middle painting is slightly to the right, and the last painting is inclined to the right. At the same time, the length of the three vertical paintings increases in turn, the front hook is blunt and the upper end is flat, the lower angles of the rear two hooks decrease in turn, and the upper ends of the angles tilt to the left at three points. If you look closely again, you will find that the distance between the three vertical points and the three points also increases to the right in turn. This "realm" is beautiful and vast.
The structure of "bird" is more poetic. Left-handed and right-handed, trying to expand outward, its left-handed is unusually long, steep and thick, and the front part is slightly upturned; Slightly short, flat and energetic. The two paintings blend vertically, and the brushwork is full and very clever. The first horizontal painting of the "Yu" part is inclined to the right, which is extremely fine. The other three horizontal paintings are closely arranged in the upper right oblique position, arranged in parallel, with needles hanging vertically on the lower left, which are short and dot-like. The bottom of the vertical picture in the middle is gently mentioned to the right, indicating that the pen has not arrived yet. The right vertical hook is thicker and larger to maintain balance. The whole "Yu" department is tight, its position is raised, and it is more relaxed and strong. Savor it carefully, like a loving mother, and protect the chicks with an open mind. It wants to spread its wings and soar like an eagle. The whole word vibrates and has a strong three-dimensional sense. This is one of the structural styles of Zhang Menglong's calligraphy.
The left and right sides are far apart, echoing each other from a distance, and the body is as dense as the word "Bi" and "Yi". The direction, thickness, length and meaning of these two strokes, and even the Fiona Fang of the strokes, have nothing in common. But it's seamless and beautiful.
Through ingenious special ideas and unique brushwork skills, the specific stippling is extremely robust, highlighting the main strokes and making it a major part that affects the overall situation. In the abstract lines and concise structure, it reveals unique changes and profound charm, which is also a major feature of Zhang Menglong's monument, such as "small" and "no".
Take advantage of the vertical potential, the middle palace is tight, and the strokes around it are big. The strokes, which should be the center line and the left and right sides, have their own modality after special treatment, and then move their positions up and down, left and right skillfully, breaking the static harmonious state, forming a dense, natural and reasonable structural change, dynamically breaking the stagnation, showing the dynamic beauty of unity of opposites and seeking global balance. This is also a unique and valuable way to write the monument to Zhang Menglong, such as "sunflower", "summer", "min", "constant", "pawn", "truth" and "wood".
Furthermore, although the structure of Zhang Menglong tablet is dangerous and changeable, it is surrounded by a "heart-shaped" posture as a whole to highlight the broad and rich artistic conception of brushwork such as "blessing", "leaning" and "success". To the potential, the back potential, because the word follows the shape, so the two writing methods are used at the same time. In the tide, the back tide has a sense of comfort and tension. In the back tide, there are both fullness and abundance of the tide, showing the simplicity of the ancients such as "moon", "week", "ear" and "white". In the overall layout of the structure, Zhang Menglong's tablet is even more exquisite and should be regarded as an immortal work in calligraphy. If you set a central axis for each line of words and analyze it slowly, it is not difficult to find that the words on this tablet are rarely stable. The center of gravity of the word is not tilted to the left, that is, to the right. Connect the center of gravity of the characters, and you will see a wave-shaped dynamic arc diagram, which is coherent, scattered and rhythmic, and consists of Chinese characters with exquisite structure on the left and right sides. Like this, not only does it have no sense of inclination, but it also feels ups and downs, balanced and stable, refreshing and interesting. Kang Youwei said: "The structure of Zhang Menglong's tablet is the calligrapher's best, while the long and short pitches follow its own style. He also said that "Zhang Menglong" is "excellent structure and endless changes". Kang's reputation is not exaggerated.