Gaoshan, whose real name is Gao Bingshan, 1957, is from Cangzhou, Hebei. His cursive script and seal script are integrated, ancient and magical, and his
Gaoshan, whose real name is Gao Bingshan, 1957, is from Cangzhou, Hebei. His cursive script and seal script are integrated, ancient and magical, and his unique artistic technique gives people beautiful artistic enjoyment. The following is what I arranged for you, I hope it will be useful to you!
appreciate
Picture 1
Picture 2
Picture 3
Picture 4
Brief introduction of mountain people
Gao Bingshan, 1957, born in Cangzhou, Hebei. When he was a child, he moved to Heilongjiang with his father and graduated from Mudanjiang Normal School. Now living in Beijing, specializing in calligraphy creation research. As a teenager, Mr. Gao Shan loved calligraphy, assiduously copied the works of famous calligraphers and painters, and became attached to calligraphy. After studying and teaching, I often visit famous painters and calligraphers in Saibei and Jiangnan, trying to figure out hundreds of masterpieces of ancient and modern calligraphy and calligraphy inscriptions. I never leave my pen, and I don't want to transfer it. Then I studied and created outstanding brushwork art and unique composition, combining cursive script with seal script to give people beautiful artistic enjoyment. In 200 1 year, he won the highest sales prize in the National Award-winning Artists Expo and won many awards in the National Calligraphy Art Competition. His works have been published in many newspapers and magazines. Mr. Gao Shan's calligraphy works have won the favor and praise of domestic and foreign guests. At the invitation of CCTV, he wrote four characters "Cultural Beijing" for the second program. Mr. Gao Shan's calligraphy works are well-known at home and abroad, and he is sparing no effort to study the art of calligraphy in China, making persistent efforts and creating greater glories. Mr. Gao Shan is currently a member of Heilongjiang Calligraphers Association, Beijing Old People Calligraphy and Painting Association, president of Beijing Yuyuan Painting and Calligraphy Institute, member of China Art Researcher, member of China International Celebrity Painting and Calligraphy Institute, director of Kyushu Painting and Calligraphy Institute of China International Painting and Calligraphy Research Association, member of China Calligraphy Association and art consultant of Tsinghua Tongfang.
Essentials of calligraphy creation
1, meaning before writing and after writing.
The overall design of creating pages is to make an idea first, and then start writing, and writing has the characteristics of "unchanging", so only one book can be made after writing, which forms the principle of writing first and then writing. Therefore, the sages of calligraphy all emphasize the idea first, and then write books. Cai M, in the book, said: "If a husband wants to write, he must open his arms and feel free before writing." Mrs. Wei warned: "The former is intended to lose, and the former is intended to win." Wang Xizhi pointed out: "If a husband wants to write, he should learn ink first, concentrate on it, predict the font size, posture, straightness, vibration and connection of tendons and veins, do it intentionally before writing, and then write words." The book spectrum also said: "The heart is tireless, the hand does not forget to be familiar with the past and the future, and it is chic and elegant." It can be seen that calligraphy writing can only be done by hand at will, the pen rotates at will, the hand is smooth, the pen is not empty, and there is a reason for writing. "As for improvisation and writing a satisfactory book, it is obviously a misunderstanding to think that writing a book is' interesting first and then writing'. Because writing to your satisfaction does not necessarily conform to the rules of calligraphy art, even if it conforms to a certain method of calligraphy, it can only be a little progress in learning.
Step 2 choose a font
Calligraphy takes Chinese characters as the carrier * * *, also known as media * * *, and Chinese characters include fonts such as truth, line, cursive script, official script, seal script and regular script. When writing a book, you need to choose the most suitable font to write an article, and express the beauty of calligraphy art with the beauty of font form. The method of choosing a font is as follows: firstly, according to the theme of the book, choose the most suitable font, so that the font and meaning are coordinated and unified, and the beauty of form and meaning is mainly the font, which fully reflects the beauty of form and quality of calligraphy. For example, quaint literary meaning is matched with ancient fonts, and chic literary meaning is matched with scattered fonts. Secondly, according to the different needs of the book format-main hall, banner, plaque, etc., choose the appropriate font. Thirdly, according to the times, society, the direction of "second" and specific environment, choose fonts that people are more willing to see. At the same time, we should also consider the application of simplified Chinese characters. Zhou Enlai said in the report "The Task of Current Chinese Character Reform": "Calligraphy is an art, of course, it is not limited by the simplification of Chinese characters, so the simplification of Chinese characters will not have any adverse impact on the calligraphy art in China. Calligraphers are also welcome to write according to simplified characters and improve the artistic level of simplified characters." In short, the book should be considered comprehensively, so that it can easily conform to the situation of "guiding the situation according to the situation" and play an ingenious new effect. It can be seen that the view that the independence of calligraphy art is ignored and the content of words is regarded as the content of calligraphy, or that calligraphy is to shape glyphs and has nothing to do with the meaning of words is obviously incorrect and unreliable.
3. Vertical and horizontal frames
There are two types of pages: vertical and horizontal. Vertical width is generally called vertical width, which has two forms: one is vertical row and the other is horizontal column, which is called "vertical and horizontal row". The style of writing and the development of fonts have not changed much, and the arrangement is neat, clear and beautiful. It is suitable to write with fonts such as seal script, official script and regular script. Second, there are rows vertically and no columns horizontally, that is, there are rows without columns. The number of words per line is different, the font size is different, the word spacing is different, and the spacing is different, and the changes are harmonious and unified. In this distribution form, it is appropriate to write with lines and grass. As for the writing of banners, there are also two forms: one is horizontal writing, also known as "horizontal approval", mainly the writing of plaques, cards, titles, doorways and so on. The traditional writing method is to write from right to left, but now there is also a style of writing from left to right. The second is to form banners with short vertical lines, that is, hand scrolls, long scrolls and some inscriptions. Now, with great development, poems are written in such banners, mounted into axes, and tend to replace the vertical "nave". However, although the forms and methods of vertical and horizontal pages are different, the requirements for completeness, fluency and grandeur are the same. As for the statement that today's people regard random words without lines and columns as the third type of books, confuse them with cursive scripts and praise them as "natural beauty", it is obviously incorrect. Calligraphy is a high-order art of "learning from calligraphy", and the artistic beauty of calligraphy is not equal to the natural beauty. Pu Shu's macro theory of abandoning miscellaneous books and vulgar characters and maintaining the purity of calligraphy is thought-provoking.
4, the first word collar.
The first character of a calligraphy work has the function of commanding the whole character, and its importance and visibility are no less than the vanguard in the marching team, the playing of the timpani and the flying of the leading geese. "Book Score" points out that "one word is the end", which shows that such a word is the standard and scale of the whole article. Hins Cheung said in the book: "after the completion of the law, each font has its own control, one word controls two words, two words control three words, and so on;" One line manages two lines, two lines manage three lines, and a piece of paper is managed like this. "Therefore, in the process of calligraphy art creation, first of all, according to the brushwork and knot method of the font used, the body and mind of the first word should be written legally, standardized and flexibly, which has become the standard calligraphy style of the whole article. Then, according to the font type and style of the word, the whole word is written in an appropriate size, dense and well-proportioned, well-balanced, balanced, harmonious, and integrated. Thus, wonderful brushwork and ingenious new brushwork are integrated between the lines, which fully shows the formal beauty and quality beauty of calligraphy art.