Jia Jiangbo, 1988, from Gangu, Gansu. He is a member of China Calligraphers Association, a member of the Youth Working Committee of Gansu Book Association, a deputy director of the regular script committee of Gansu Youth Book Association, a member of Jiayuguan Youth Federation, a deputy secretary-general of Jiayuguan Book Association, and a graduate of the third western rookie cursive script class of China Book Association.
The first time I came into contact with calligraphy was before I went to school. Wang Jinshun's nave Couplet and Fei Xinwo's Four Screens were used at home.
But in the eyes and ears of my grandfather and father, I vaguely know that there are bones and flesh in the words. When I was a child, I always wondered where the bones were.
Now that I think about it, this should be my earliest rhetorical question and reflection on calligraphy. However, the most systematic and in-depth thing is that Qiu Jin, the ice god, attended a series of rookie training courses at the Western Book Fair of China Book Association in Yanshi, Henan.
Through a month's study, investigation and communication, I have a more comprehensive and systematic understanding of calligraphy and deeply realize the importance of learning classics.