Smoke and waves leave me, and the moonlight makes clear skies is a sentence in which poem.

Author: Xu Beiting

Appearance: eight or five products

Description: Not mounted, the paper film and corners are slightly damaged, but it does not affect the mounting.

Screen size: 54x 100cm

The self-titled poem of this painting is thought-provoking: "Living in a plain water town for a long time is still a fisherman without a boat, full of smoke and waves, earning clear skies and moonlight." I also went to the grass pavilion on the shore, and the lake was full of autumn grain. At this time, I came to talk about poetry and was away for many years ... "

Xu Bei Pavilion (1908—— 1993) is also known as Miao Zun, Xu Xi and Miao Weng. Wujiang, Jiangsu, is a descendant of famous Confucian scholars Xu Jin Jiu and Xu Dayuan in Qing Dynasty. He studied China landscape painting since childhood, and studied under the famous painter Wu Guandai in Qing Dynasty from 65438 to 0928. /kloc-At the age of 0/7, many works were selected into the Collection of Modern Celebrity Paintings, and the long scroll of Li Cheng's landscape in the Song Dynasty copied in his early years was exhibited in Japan. 193 1, established Baima Painting Society in Suzhou and Shanghai, and its business is selling paintings. /kloc-0 settled in Beijing in April, 1934, and held several solo exhibitions. 1939 to hire a Chinese painting tutor from the Institute of Art and Literature of Peking University College of Literature. For more than 50 years, he has devoted himself to art education and Chinese painting creation, attracting many scholars. 1983 Beijing TV station recorded and broadcasted a documentary with the theme of "Flowers are brighter and more fragrant". 1984 CCTV recorded and broadcasted a documentary with the theme of "Painter Xu Beiting", which was interviewed by a reporter from Yugoslavia Nantong News Agency. 1987 held a solo exhibition in Hong Kong in May. In February, 1988, the 60th anniversary art exhibition of Xu Beiting was held in Beijing Central Art Museum. Landscape works are fresh in composition, bit by bit, profound in traditional skills, and pay attention to ink and wash effects. He has published monographs such as China Landscape Painting Law and Landscape Painting Composition. He used to be a member of China Artists Association, a member of China Calligraphers Association, a professor of Beijing Arts and Crafts School, honorary president of Beijing Chinese Painting Research Association, distinguished professor of China Calligraphy and Painting Correspondence University, vice president of Beijing Qingyun Poetry and Painting Association, president of Yanjing Baima Painting Society, and consultant of China Senior Painting and Calligraphy Research Association.