Cui Shuqiang's major works

Alone:

Qi Thought and China's Calligraphy, 20 10, People's Publishing House, 548,000 words;

Writing with a Dragon Snake: Twenty Lectures on Calligraphy Culture, 2009, Wuhan University Press, 27438+00000 words;

Between Black and White: China Calligraphy Aesthetic Culture, 2008, Anhui Education Press, 6,543.8+0.7 million words;

Cui Shuqiang's Essays on Calligraphy, 2006, Shanghai Baijia Publishing House, 255,000 words.

Editor:

"Lotus Pond Rhyme", 20 10, Peking University Publishing House, 380,000 words;

Copying and Creation: A Collection of He Zi, Anhui Fine Arts Publishing House, 2002.

Participation:

Study on Epitaph of Sui and Tang Dynasties, 2003, Cultural Relics Publishing House.

Some papers:

Brick Calligraphy of Gaochang Tomb, China Calligraphy No.4,1999;

Study on Calligraphy of Unearthed Documents in Turpan, China Calligraphy, No.6, 2001;

The influence of epigraphy in Song and Qing Dynasties on calligraphy and its background analysis, Calligraphy Research, No.3, 2002;

A magazine and a community-Also on the historical significance of calligraphy in the late period of the Anti-Japanese War, China Calligraphy and Painting, No.9, 2003;

On the origin of Yan Zhenqing's calligraphy from Turpan documents and brick characters in Gaochang tomb, Calligraphy, No.8, 2003;

On the Characters and Calligraphy of Guodian Bamboo Slips, Calligraphy World, No.2, 2004;

Empathy in Aesthetic Images of Calligraphy, Calligraphy and Painting World,No. 12, 2005;

Life is art: the life spirit of China's calligraphy, Calligraphy,No. 10, 2007;

The Unsmooth Road of Calligraphy in China, Art Hundred Schools, No.3, 2008;

"It's more appropriate to use the unsmooth pen": Taking Lin Sanzhi as an example to discuss the brushwork concepts of "unsmooth" and "staying", Art of Calligraphy and Painting, No.5, 2008;

"Everything is different and cut into one phase": Re-discussion on the abstract characteristics of calligraphy, Calligraphy and Painting World, 2008,11;

On the "Stone Spirit" in China's Calligraphy, Art Hundred Schools, No.6, 2009;

The Beauty of Struggle —— Wang Duo's Calligraphy Life, China Collection,No. 12, 2009;

My perception of calligraphy, China Calligraphy, No.5, 2010;

In one go-on the thought of life integrity and connection in calligraphy creation, China Calligraphy No.7, 2010;

Calligraphy crash: a commercial stunt in an impetuous era, Art Watch, No.7, 2065438+00;

Origin and Evolution of Calligraphy Style, Book Spectrum (Hong Kong), 20 10, Summer Volume;

Characteristics of Chinese Painting and the Concept of Time and Space in Laozi and Zhuangzi's Philosophy, Rong Baozhai, No.6, 2010;

Art education should make up for "culture class", People's Daily, 201February 2 17.