"Reply" is boundless and implicit, meaning to the end of the pen. There is a problem with Ping Fu Tie, that is, there are too few words, and there are many words in it that we can't read clearly, and the academic circles also have different views on content reading. But its advantage is boundless, implicit, and the feeling of unexpected is very good.
On the one hand, we can expand the scope of Cao Zhang, know everything about Cao Zhang, and find some calligraphy symbols similar to the reply, thus increasing the creative resources based on the reply. On the other hand, we should grasp some vague, implicit and unexpected feelings when writing. When you really create, you'd better have your own things in your works, which is the aesthetic element of the times.
Wang Xianzhi cursive script, words are not connected, cursive script temperament flying. Zhang Xu, Huai Su and other cursive calligraphers appeared in the Tang Dynasty. Some broken lines in Wang Xizhi's Grass are as complete as regular script, while Wang Xianzhi changed the brushwork of his father's inner fear into extended and spinning lines.
In some places, his cursive script is tied with thread, and in some places, it is rarely or hardly connected, but the grass is particularly strong and the tension is very prominent, relying on the understanding and division of words and word spacing, and the lines are thick and open. This characteristic of flying grass is a good inspiration for us to learn cursive script. Writing cursive script should be casual and unconnected, dignified and flying, and these characteristics should be shown.