One heavy mountain, two heavy mountains, the mountains are far away, the sky is high and the smoke is cold, and the acacia maple leaves are Dan. Bloom is gone, the chrysanthemum is broken, and the goo

One heavy mountain, two heavy mountains, the mountains are far away, the sky is high and the smoke is cold, and the acacia maple leaves are Dan. Bloom is gone, the chrysanthemum is broken, and the goofy goose hasn't come back yet, which is a romantic leisure scene. Li Yu, Yi Chong Shan and Er Chong Shan in Sauvignon Blanc. The mountains are far away, the sky is high and the smoke is cold, and the acacia maple leaves are Dan. Chrysanthemum blooms, chrysanthemum remains, Sai Fei man has not returned, and romantic leisure scenes. Sauvignon Blanc is one of Li Yu's famous works in his early days. The content of epigrams and words wants to fit together, and they all write similar feelings. I don't agree with the long-standing definition of the female identity of the lyric hero in the word "He". Sometimes this inference often ignores the common side of human nature, "self-similarity, ancient and modern similarities", and the so-called "ruthlessness is not necessarily a true hero. How can Reiko Kobayakawa not be a husband?" Why care about the difference between men and women? The first sentence of "one mountain, two mountains" does not emphasize the meaning at the beginning. "The mountain is high and the road is far, the sky is high and the road is far" is in this heavy barrier. In this distant space, there is still mist and vast smoke, which sets off the suffering of acacia. The red maple leaf is not only a symbol of the season, but also a strong symbol of similar feelings. "Chrysanthemums bloom, chrysanthemums fall", and between bloom, it is another round of seasonal alternation. All the geese outside the Great Wall have flown south, and the missing man, why haven't you come back yet? This complaint contains many expectations. A piece of infatuation, all paid the west wind Leng Yue, so lonely!

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