Flowers are close to tall buildings and far away from my hometown. I am very sad. There are disasters everywhere in this country, so I climbed up to see them.
So is G incarnation.
The spring scenery of Jinjiang flooded in, and the clouds on the mountain, ancient, varied and changeable.
This is a good example.
The imperial court, like the North Star, will not change in the end, and the Western Hills of Kohl will not invade Tibet.
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However, I felt sorry for the sorrow of a long-lost emperor at dusk and talked with Fu Liang at sunset.
Vernacular:
It is shocking how difficult it is to climb the tall building and look at the flowers sadly.
When I boarded the building in this war, the world was like a cloud.
The sacred dynasty is like the North Star, and it is always lucky. Bandits invading rivers and mountains can only sigh in vain.
The poor late master can only go back to the temple, so let's recite Fu Liangyin at dusk.
Extended data:
First, the creative background
This poem was written by Du Fu in Chengdu in the spring of 764, the second year of Guangde in Tang Daizong. At that time, the poet had lived in Sichuan for the fifth year. In the first month of last year, loyalists recovered Henan and Hebei, and the Anshi rebellion was put down; In October, Tubo captured Chang 'an, set up a puppet, changed the title of the year, and fled Shaanxi for generations. Soon, Guo Ziyi regained its capital. At the end of the year, Tubo conquered Songsong, Uygur, Bao and other states (in present-day northern Sichuan), and then captured Jiannan, Xishan and other states.
Second, appreciate
The whole poem expresses the feelings of the scene, writing about mountains and rivers is related to the changes of society through the ages, and talking about personnel with the help of natural scenery, mutual penetration and mutual tolerance; His ci is a combination of natural scenery, national tragedy and personal feelings, which is extensive and profound, and embodies the poet's gloomy artistic style.
This seven-melody is very rigorous in beat. The two couplets in the middle are steady, and the neckline is a flowing pair, which has the pleasure of flying away. In terms of language, he is especially good at honing the fifth word of each sentence (except the last sentence).
It is particularly noteworthy that the word "near" in the first sentence and the word "dusk" in the last sentence play a prominent role in the conception of this poem. The whole poem is about the impression of climbing the building, pitching and looking at the mountains and rivers, all from the perspective of space; Sunset points out that the poet has been wandering for a long time.
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