In front of the blue sky and the egrets, the peach blossom water floods the family boat.
Hu'er went to exchange for the wine in the city, and the new one was like a hat.
This is a poem about painting. The first two sentences of this poem depict the scenery, and the last two sentences are narrative. The harmony and beauty of the scenery and the warmth of the people make the whole poem permeated with a joyful, simple and sweet feeling. breath.
The first sentence writes about the vision. The sky is blue, egrets are flying, and the poet uses light and elegant colors to give the whole article a bright background. The word "front" adds infinite vitality to the still and boundless blue sky.
The second sentence writes about the close-up scene. The peach blossoms are blooming, indicating that it is the season of spring in March: the spring water is rising sharply, the river waves are vast, fishing boats are rising and falling, and the waves are beating on the shore. Here, the poet also specifically pointed out that this is a "home boat". From this point of view, the river is the soil on which the fisherman makes a living, and the fishing boat is the house where the fisherman lives. Now that the fisherman is mooring his boat on the shore, he obviously has matters that need to be settled on the shore, so the following verses naturally arise.
In three or four sentences, the fisherman called his son to go to the city to get a drink, and the drink was the freshly caught delicious "chatou neck bream", which is also the Wuchang fish. This is an extremely ordinary scene. Most fishermen are addicted to alcohol, and it is common for people to exchange their fishing income for wine. The poet hopes to show the simplicity of bartering and the response between father and son through the description of these ordinary things. The family happiness and the fisherman's self-sufficiency and contentment.
Every line in the poem reveals the admiration for the fisherman's life and the praise of the natural scenery. It actually reflects the poet's yearning and desire for that peaceful, unrestrained state.
As a poem about painting, it obviously focuses on the interpretation of the picture. The language of this poem has a fresh, clear and smooth style, which is consistent with the picture and the theme.
Reference materials: 1. Qian Zhonglian. "Dictionary of Poetry Appreciation of Yuan, Ming and Qing Dynasties, Liao·Jin·Yuan·Ming": Shanghai Dictionary Publishing House, 1994-12-1: 183-184