Spring outing in Qiantang River
Tang Dynasty: Bai Juyi
From the north side of Gushan Temple to the west side of Jiating, the lake is just level with the embankment, with low clouds and waves on the lake.
Several early orioles raced to the sunny tree, and their new swallows were carrying mud in their nests.
Colorful spring flowers will gradually fascinate people's eyes, and shallow spring grass can barely cover the horseshoe.
I love the beauty on the east bank of the West Lake, and I can't get enough of it, especially the white sand embankment under the green poplar.
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This is a famous poem describing the beauty of the West Lake. This poem captures the characteristics of the local environment and seasons, and depicts the West Lake, which has just put on a spring coat, as full of business and just right.
The first poem sticks to the theme and always writes about the lake. The previous sentence points out the location of Qiantang Lake and the surrounding "uneven towers". The use of two place names shows that the poet is walking and watching. On the front of the latter sentence, the lake is as bright as water: at the beginning of spring, the water surface is flush with the embankment, and the white clouds in the air are connected with the rippling waves on the lake, which is a typical water state of Jiangnan Spring Lake.
Couplets from static to dynamic, from panoramic freehand brushwork to detailed meticulous painting. First, write down what you can see when you look up. Yingying is singing and swallows are dancing, showing the vitality of spring. Both the oriole and the swallow are messengers of spring, and the warbler's voice is euphemistic, spreading the good news of spring returning to the earth; Swallows are hardworking, inspiring people to start working in spring. They all write the vitality of early spring. The word "several places" summarizes Ying Ge's call to the other and the poet's modality of seeking sound from left to right. The doubt about the word "whose family" shows the poet's delicate psychological activities and makes readers have rich associations.
Writing with a neckband overlooks the flowers and plants you see. Because it's early spring, and it's not the season for flowers to bloom, what we see is not colorful flowers, but a cluster of flowers in the east and a cluster in the west, which is described by the word "chaos". Spring grass does not grow luxuriantly, only it is not as long as horseshoe, so it is described by a word "shallow". The "gradual desire" and "talent" in this association are also the feelings and judgments of the poet's observation and appreciation, which makes the objective natural scenery become the scenery in the eyes with the poet's subjective feelings and infect readers.
These two couplets describe the scenery of the West Lake in detail, and express Yingying Yan's new arrival with "early", "new", "struggle" and "pecking". Using "chaos", "shallowness", "gradual desire" and "talent" to describe the thriving trend of flowers and plants accurately and vividly reveals the early spring weather that the poet felt while walking, giving people a fresh feeling. Xie Lingyun, a former poet, said, "Spring grass grows in the pool and willow turns into songbirds in the garden", which is wonderful in ancient and modern times and greatly appreciated because he wrote the joy of love at first sight when the four seasons change. The above two couplets of Qiantang Spring Tour are quite similar in artistic conception, but the white poems are more widely spread. William wrote about the poet's favorite sandbar in the east of the lake. Qiantang Lake, which runs through Bai Causeway, is located in the east of the lake and can win the whole lake. I saw that under the shade of Populus cathayana, the flat and slender white sand embankment was lying in the blue waves, and the people riding on the embankment were knitting and enjoying the beauty of spring. In the meantime, the poet enjoyed the lakes and mountains and was relaxed and happy. "Lack of action" means that the natural scenery is beautiful and the poet is still alive.
This poem is like a short and pithy travel note, from Gushan and Jiading to Hudong and Bai Causeway. Along the way, in the beautiful scenery of lakes and mountains, green mountains and green waters, the poet feasted his eyes, sang and danced, and was intoxicated by the birds and flowers. Finally, he reluctantly left along the white sand embankment under the shade of willows. My ears are still echoing the hymns of spring played by all things, and beautiful poems full of the interest of natural integration flow in my heart involuntarily.
Predecessors said that "Lotte's poems are full of emotions, which enter people's liver and spleen, follow things, and are everywhere" (Su Hua), and that "Lotte's poems are extremely profound and lovely, and they often take what is in front of them as their own words, while others have not done it" (China). The language of this poem is simple, fresh and natural, and carefully selected shots are written into the poem by line drawing. Vivid image, that is, the scene is emotional, and the author's joy when he visited the lake in the early spring with abundant business is worthy of the above comments.
Appreciation of Ancient Poems on Spring (Ⅱ)
Early spring in the east of the city
Tang Dynasty: Juyuan Yang
The poet Jing Qing is in the Spring Festival, and the green willows and yellow are half uneven.
If you stay in the forest, then you are a flower watcher when you go out.
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This poem expresses the author's love for early spring. The whole poem is cleverly conceived, although only the second sentence really describes the spring scenery, and the description of the spring scenery only summarizes the panorama of early spring with a willow bud. Although the latter part describes the usual grand occasion of enjoying flowers in mid-spring, it actually reflects the uniqueness of early spring and the poet's vision.
This poem is about the poet's love for the scenery in early spring. The first two sentences highlight the meaning of "early spring" in the title of the poem. The first sentence is the poet's praise for the early spring scenery when he visited the east of the city. There are two meanings here, indicating that the fresh scenery that poets like is in early spring; At the same time, it also shows that this fresh early spring scenery can best stimulate the poet's poetry. A word "Qing" is used appropriately. This refers not only to the fresh and gratifying scenery in early spring itself, but also to the fact that this kind of scenery has just begun to emerge and has not attracted people's attention, so the environment is very quiet.
The second sentence is followed by the first sentence, which is a concrete description of the scenery in early spring. In early spring, willow leaves sprout, with light yellow color, commonly known as "willow eyes". The word "talent" and "half" both imply "early". If you only write about the birth of willow leaves in general, although you also write Early Spring, you always feel dull and tasteless. The poet grasped the "semi-uneven" state, which made people feel as if they had just seen a few yellow willow eyes on the green branch, so fresh and lovely. This not only highlights the word "early", but also vividly depicts the charm of willow trees in early spring. Vivid brushwork contains the author's great joy and praise. In early spring, the climate is cold and the flowers have not yet bloomed. Only the new leaves of willow branches rush out of the cold, which is the most vital and brings people the news of spring at the earliest. Writing new willows just captures the characteristics of early spring scenery.
The god of early spring has written it, and if you elaborate, it will become a wart. The second part uses the word "if you are waiting" to write from the opposite side, and uses the beautiful scenery of Fangchun to set off the "clear sky Wan Li" in early spring. "Shanglin" means Shanglin Garden, so it is located in the west of Xi City, Shaanxi Province. It was built in the Qin Dynasty and expanded into the Han Palace Garden during the reign of Emperor Wu of the Han Dynasty. This poem is used to refer to the capital Chang 'an. Flowers are in full bloom and the scenery is extremely colorful; Tourists are like clouds, writing about the noise of the environment. But this kind of scenery is well known and has no freshness. This is in sharp contrast with the first couplet, which reflects the author's love for the fresh scenery in early spring.
This poem combines the scenery of the Qing Dynasty and the Qing Dynasty in one article, and its style is extremely light. Poetry is written from the perspective of a poet, which is both reasonable and interesting. It can also be regarded as a creative opinion: that is, a poet must be sensitive, strive to discover new things and write new realms, and cannot always repeat the old realms that he is already familiar with.
Appreciation of Ancient Poems of Singing Spring (Ⅲ)
late spring
Tang dynasty: Han Yu
Flowers and trees know that spring is about to pass, and they want to keep the pace of spring and pay more attention. (Grass Tree Works: Vegetation)
Even the fickle elm tree without beautiful colors is unwilling to be lonely, dancing with the wind and turning into snowflakes flying all over the sky.
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Here, it seems that it only personifies the beauty of late spring. In fact, it also implies that people should seize the opportunity to make progress and create valuable things. However, it is worth mentioning that, despite the lack of vegetation "talent", Populus davidiana is not so ignorant, but adds a landscape to late spring. Although it is not beautiful, it has made great efforts, and this spirit is commendable.
This is a poem describing the scenery in late spring. At first glance, it is just a common sight of a hundred flowers blooming, but further, it is not difficult to find that this poem is ingenious and unique. The poet doesn't write about the flowers falling and dying in late spring, but he writes about the plants staying in spring, presenting a colorful and moving scene: flowers and trees find that spring will come back, each according to his ability, colorful and flowery. Even Yang Shuhua and elm pods, which were originally full of color and flavor, were not to be outdone, and turned into snowflakes dancing with the wind, joining the ranks of staying in spring. The poem is nuanced, revealing secrets that predecessors have never obtained, opposing the feeling of ordinary poets dying in late spring, imitating the splendid situation of flowers and plants, and showing the elegance of late spring. A few strokes will give people an eyeful of scenery and a refreshing impression.
Speaking of it, it is quite interesting to renovate this poem in an ordinary way, and it also lies in the magical use of personification in the poem, combining people with flowers. Vegetation is a heartless thing, but it can know, understand and fight, and there are differences between talent and wisdom. Fantastic imagination is really rare in poetry. The last two sentences are particularly chewy, and readers can boldly imagine according to their own life experiences, which makes people think endlessly and have endless aftertaste.
After careful consideration, this collection of poems combines scenery with reason. We can understand the philosophy of life through the description of scenery: the poet describes the "known" scenery through "vegetation" and cherishes the beauty of spring, reflecting his own cherish of the beautiful scenery of spring. Facing the scene of late spring, the poet turned the common feeling of cherishing spring into subjective participation, and his mood was optimistic and innovative. You see, "Huayang Fishing Pod" does not hide from others because of "lack of talent", nor is it afraid of the ridicule of "teaching others to teach axes", which adds a lot of color to "late spring". This enlightens people that it is not terrible for a person to "have no talent and ideas". The important thing is to cherish time and seize it. "Spring" is not worthy of such a conscientious person.
Qian Zhonglian's Shi Ji is a poem written by Yuanhe in the eleventh year. Quote Zhu Yizun's Korean Poetry Criticism: "What do you mean? However, this is the case. " Indeed, in terms of describing the scenery in late spring, this poem can be described as sentimental, interesting and unconventional. The title of the poem is "Traveling South in Late Spring", which can be seen that it was written in the suburbs during a spring outing. Poets use anthropomorphic techniques, not to mention that people cherish spring, even grass trees know that spring is coming soon, so a hundred flowers blossom and each has its own beauty. Yang Shuhua and elm pods are unpretentious, flying like snow all over the sky. People say that plants are heartless, while poems tend to say that they know, or "fight" or "solve", which is vivid and interesting. This is the interesting thing about this poem.
However, the word "no talent" is quite strange and has caused a lot of speculation. Or advise everyone to study hard and not be as vain as Huayang; Or people are incompetent and can't write good articles; Or irony; Or praise Huayang, although not beautiful, but interesting and courageous. If this poem really has a moral, it should be the philosophy of life contained in it. Judging from Han Yu's life, he is not only the master of "the decline of eight generations of literature", but also the pioneer of the adventure poetry school, full of courage. He can appreciate the courage of "Huayang Yuyue". Maybe it's not ironic here, but I suddenly realized something when I watched Yang Huafei dance and gave you a little humorous interest. The beauty of poetry is also here.
The moral of this poem is different, and different life experiences and moods may have different understandings.