We will give you a detailed introduction to A Dream in the South of the Yangtze River from the following aspects:
First, the full text of The Dream of Hanshan Temple Click here to view the details of The Dream of Hanshan Temple.
I used to spend time wandering around the world because I was used to being far away from home.
In front of the lamp, I feel the dream of Jiangnan and feel melancholy.
Two. notes
Sleeve.
Sleep: wake up.
Three. translate
I used to spend time wandering around the world because I was used to being far away from home.
Often wandering outside, accustomed to leaving their hometown relatives; Feel free to wave your sleeves and walk away.
In front of the lamp, I feel the dream of Jiangnan and feel melancholy.
Under the solitary lamp, I wake up as if I had just returned to Jiangnan; Feeling melancholy, I got up and left the house, only to see a bright moon hanging obliquely on the top of the mountain.
Fourthly, Wei Zhuang's other poems.
Homesickness, night thoughts on the balcony, gold, bodhisattva full, singing. V. Appreciation
This is a classic homesickness work.
In the Tang Dynasty, "going home" and "being an official" were a pair of contradictions that could never be solved. For the Tang people who are determined to make progress and have a high opinion of themselves, if they have no achievements, they would rather "get drunk and go to the ends of the earth" than go home easily, and they must persevere. This is why Wei Zhuang took "moving away from home" as a habit and became the normal state of life. Compared with other poets, Wei Zhuang seems to be more free and easy and more determined. He is "carefree, arrogant and extravagant", and the Tang people's mind, tolerance and ambition are completely lost, and there is no sense of sadness. Wei Zhuang, who traveled all over China, was a typical drifter in the troubled times of the late Tang Dynasty. This poem of his can best express the tolerance of the literati in the Tang Dynasty.
However, no one can overcome homesickness and fame, which will naturally make many poets turn this depression into a dream to express their confusion, contradiction and frustration in reality. Wei Zhuang's life is full of hardships. When he was studying, he cooked by the meter and paid by the scale, and suffered from chaos in his early days. His wandering experience and the pain of returning home are profound, which is vividly expressed in his poems.
"In front of the lamp, I feel the dream of Jiangnan, and the mountains are sad and the moon is oblique." The tragic meaning of the lonely lamp reveals the poet's loneliness and helplessness, and the addition of the image of "slanting moon" makes the poet's sadness undoubtedly revealed. It is a sad beauty, as if there is only one solitary lamp in the silent night. The author tried to find sustenance in the dark, but when he woke up, he was greeted by an oblique moon, which made people even more melancholy.
Wandering is a common opportunity in life, and it is not surprising in troubled times. He is good at understanding from the inner point of view. With his profound feelings and unique artistic expression, this human nature is particularly touching. The realm of the whole poem is straightforward and not deep, but there are emotional trends everywhere. That calm, that high spirit, that yearning, that sadness, and even that melancholy and confused sigh are all from the deep heart, looming, neither intense nor sad, heavy and profound, which makes people want to see Grace. In the dead of night, the poet was awakened by a good dream and filled with sadness. The sadness in his heart is not only the feeling of wandering in his life, but also the sadness of life. Wei Zhuang's graceful poetic style is typical of the late Tang Dynasty, which can be seen in this poem.
Poetry of the same dynasty
Sangu's Family, Warm Dishes, Farewell to Xu Kan, Mourning Poems, Jia Dao's Tomb Inscription, Tiantai Temple Couplet, Song of Eternal Sorrow, Memory of Jiangnan, Spring Tour in Qiantang and Ode to Mujiang.
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