Su Shi's Comments on Qin Poetry (Qin Poetry Su Shi)

1. Qin Poetry Su Shi's Qin Poetry-Su Shi (Song) If there is a piano sound, why not put it in the box? If the sound of the piano comes from your hands, why can't you hear it? Appreciating the Tang Dynasty, Wei Zuoshi wrote "Listening to the Sound Host of Jialing River": "Drilling rocks and rushing, it is called the jade trace of ancient gods.

At night, the mountain shop is noisy and it is uncomfortable to stay alone. The water is still from the clouds, but the stone is silent.

How to stimulate the two phases, and the thunder turns into an empty mountain? The door is old, so I feel sorry for it. "The writer's confusion and understanding of the relationship between water and stone is just like Su Shi's fingers on the piano.

This is actually a profound philosophical problem, because in Buddhism's view, everything is caused by karma and combination, and things exist only because of their connection. That is, as the fifth volume of the so-called "Big Four" and "Jin Guangming's Best King Classic" said: "For example, if an institution changes from an industry, fire, water and wind will become an entity.

If you follow this line, you will attract different fruits, and one fruit will harm one place, like four poisonous snakes in the same basket. "Jue Yuan Jing" said: "I often come here to study, and I am here now, in harmony with the Four Great Schools."

The Shurangama Sutra once explained what turbidity is: "Clear water is like pure water, that is, the relationship between dust and sand is blocked in essence, and the two bodies are different." Some people in the world throw dirt into clean water. The soil is lost, the water is clean, and the appearance is turbid, which is called turbidity. "

In other words, "turbidity" is formed by the interaction between dust and clear water. Another passage makes it more clear: "For example, the harp, harp and pipa have wonderful sounds, but they can't be made without wonderful fingers."

-This poem by Su Shi is simply the visualization of this passage. Literally, the annotation of poetry means that if the piano can make its own sound, why put it in a box without music? If the sound comes from the hair of your fingers, why can't you hear the music directly through your ears and close to your fingers? Su Shi's thinking in this poem is: How does the piano sound? In fact, the piano can play beautiful music, which depends not only on the piano but also on people's fingers. The coexistence of human fingers and piano is the material basis of piano sound. Only when the two complement each other can beautiful music be played. Because the steel wire is different in thickness, when you press different keys, the mallet will hit the corresponding steel and make different sounds.

This poem is very philosophical and full of meditation. Buddhism regards nothingness, life as extinction, and pursues silence, seclusion and irreducibility, and joy is really nothingness. So, music doesn't matter whether it's true or not. It should be based on "the harmony of silence and joy, self-satisfaction and harmony" and "the self-awareness, the supremacy of nature", and the self-satisfaction and anti-enlightenment of Zen should be realized through inner feelings.

Shen Shen denies the relationship between the piano finger and the sound of music, and its thought is similar to that in the Shurangama Sutra that "the sound is immortal, life and death are separated, so it is often true". It is worth noting that the relationship between the piano and the sound mentioned in the poem on Shen is also a problem of image and meaning in piano music, implying the meaning of "forgetting the words with pride", which is similar to Tao Yuanming's "but knowing the piano is interesting, why bother to play on the string?"

"Meaning" is one of the most emphasized aesthetic categories in traditional Guqin aesthetics. Qin Le's thought of "meaning" was first put forward in Volume V of History of Han Poetry: Confucius played the piano under Xiangzi, and Xiangzi said, "The master can enter."

Confucius said, "Autumn has its songs, but there are no numbers." Once, he said, "Master can enter."

Yue: "Autumn can get its number, but not its meaning." Once, he replied, "Master can enter."

Yue: "Autumn gets what it wants, but not what it wants." Once, he replied, "Master can enter."

Yue: "Autumn has its people, but not its species." Once, he said, "If you look at it from a distance, it will be fun!"! It was dark, but it took a long time. Kings and princes of the world. It is just the king of text! " Shi Xiangzi left the table, bowed again and said, "Good! The teacher thought that Wang Wen's exercises were also. "

So Confucius knew King Wen by voice. This paper records the process of Confucius' learning Cao, from having fun (tune) to having its number (structure), its meaning (meaning), its person (being a man) and finally its appearance.

Here, the aesthetic category of "meaning" is applied to Guqin music for the first time, and obtaining the inner meaning of music is regarded as an important aesthetic stage. Since then, "Yi", as an aesthetic category, has always run through the later Qin theory, which has had a great influence on the traditional Guqin aesthetics.

There is a wonderful exposition in Jade Song's On the Qin, which puts forward the aesthetic proposition that "playing the piano should not be bitter" and holds that "the method of playing the piano is mostly based on complacency. Although I don't forget to sleep and eat, I will be poor if I can't play one or two songs. " In the Song Dynasty, Shen Kuo praised Yi Hai, a piano monk, for his superb piano skills, and said that "the art of the sea lies not in sound, but in sound, which is beyond anyone's reach" ("Meng Qian talks about writing without writing").

Tao Yuanming's proposition that "it's interesting to know the piano, why bother to play the strings" also thinks that the true meaning of music lies not in the sound itself, but outside the sound, which shows his pursuit of the meaning beyond the strings and affirms the beauty of "no strings". Therefore, Guqin aesthetics attaches importance to the relationship between image and meaning, and gradually forms a formula that values meaning over image in Guqin aesthetics, with the pursuit of meaning as the highest realm of Guqin performance.

If the piano is hair, why don't you put it in the box? If the sound of the piano comes from your hands, why can't you hear it? 1. "If there is sound on the piano, why not put it in the box?" If there is sound on the piano, why don't you put it in the box and make no sound? 2. "If the sound is on your finger, why not wear it on your finger to listen?" What does he mean: (Why). If the sound is on your finger, why not just listen to the sound made by your finger? 3. The question Su Shi pondered in this poem is: (Where did the piano sound come from), can you give him an answer with your own scientific knowledge? Many things complement each other, just like water and stones are still lives, but they can make sounds when they touch each other. If the piano can make its own sound, why does it lose music when it is placed in a box? If the sound comes from the hair of your fingers, why can't you hear the music directly through your ears and close to your fingers? Su Shi's thinking in this poem is: How does the piano sound? In fact, the reason why the piano can play beautiful music depends not only on the piano but also on people's fingers. Only when the two complement each other can beautiful music be played.

Qin Shi said, if there is a piano sound, why not put it in the piano box? If the sound of the piano comes from your hands, why can't you hear it? 1. "If there is sound on the piano, why not put it in the box?" If there is sound on the piano, why don't you put it in the box and make no sound? 2. "If the sound is on your finger, why not wear it on your finger to listen?" What does he mean: (Why). If the sound is on your finger, why not just listen to the sound made by your finger? 3. The question Su Shi pondered in this poem is: (Where did the piano sound come from), can you give him an answer with your own scientific knowledge? Many things complement each other, just like water and stones are still lives, but they can make sounds when they touch each other.

3. Regarding Qin's poem 1, Su Shi's Qin Shi "If there is a piano sound on the piano, why not put it in the box?"

If the sound is on your fingers, why not listen to it on your fingers? "3, Bai Juyi's" Walking in the Spring ""There is a light rain in the garden, and the new sunny day is easy to find.

Low wind washes the pool surface, and the setting sun removes the flower heart. Orchids are cloudy and spring water is dark.

It's better to save trouble and have a stringed piano. "4. Chang Jian's" Music on the River ""Jiang Ju Yu Qin, a string of clear.

The seven strings of Lingling are all over the ground, and the wood is full of melancholy clouds. It can make the river white and make the river deep.

I only know that the branches of buttonwood trees can be decorated with gold. "5, Wang Wei's" Bamboo House ""I am alone in the dense bamboo, playing the piano and humming a song.

It's too light for anyone to hear, except my partner, Mingyue. "6, Li Zhi's" Acacia hatred ""humanity is deep, not half-lovesickness.

The sea is still limited, and acacia is boundless. Take the piano to the high building, and the building will be full of empty moonlight.

Playing acacia, the string broke for a while. "7, Liu Yuxi's" Xiaoxiang God ""Spotted bamboo branches, spotted bamboo branches, tears are sent bit by bit.

Chuck wants to listen to the lyre, moonlit in Xiaoxiang. "。

4. There is a poem about Qin, 1. The piano plays a jasper tune, and the medicine refines white cinnabar.

2. The sound of the piano is old-fashioned all day long, locking the autumn moss marks.

3. Qin Shu is full of career, so it's not bad to only irrigate the garden.

4. Qin Jianxi has been around for a long time, and Bai Yunfei has been looking forward to it for a long time.

5. Qin, bed, tea and tripod depend on each other, and occasionally write for finding monks.

6. It is difficult to choose which talent to pity in the piano, and only drink a few glasses of wine for the night.

7. It's a pity to throw the shuttle when the piano moves.

8. Qin Yixin prefers Dan lead hand grinding.

9. Qin Gao will never see you again. What is a fairy?

10. Eighteen beats of the piano. Listen to these tears.

1 1. You should listen to the piano at night and be quiet.

12. Qin poetry is clear, but it can be quiet and successful.

13. Don't boast about the spring on the stone in the piano, try to listen to the murmur here.

14. Qin Jian is old, and her heroic spirit is still good.

15. Qin Shu Lianbo Guxixuan, a garden with long flowers and trees.

16. The piano can only be tuned when it meets a bosom friend.

17. Qin Ding made many friends and worked hard, and the fields were as ripe as Yu Ruijun.

18. Zhai Qin is as tall as Zhen Feng, but He Shan and Yan Bin did not compromise.

19. Qin Jian sighed for a short trip in his life and missed the Spring Festival Evening like an autumn cloud.

20. Qin He is a friend and is often eliminated.

2 1. Although the feelings between the harp and the harp are heavy, they are deep in the mountains.

22. The sound on the piano has not been played for a long time, and the ancient meaning in the piano will last forever.

23. Qin Shu is full of houses, and there is no shortage of voices of the Kim family.

24. Qin Xin chose Zhuo Wangsun to buy wine and frozen springs.

25. Qin Xin Yu Wen Dong Xuanxuan, Taurus Zhu Jin made a biography for you.

26. At the end of the piano book, give a New Year plum.

27. The piano sounds like a spring, and the shock wave is as strong as frost.

28. Since the piano has no strings, you don't need to play it, and you are proud of the official.

29. Qinghe Qingfeng has been lonely for a long time, and Gu Juzhong is angry with the silver hook.

30. The piano, books, pens and inkstones are all idle, and the room is not bad.

3 1. The piano and sword are long guests, and the poems and books are short of strategies.

32. Qin Shu Puttan, Sesshū Tōyō.

33. jathyapple's dragon soul plays the piano coldly, and the autumn wind makes the ghost sword bold and unrestrained.

34. Qin Xin amused himself by cooking. Although he had a poor calf and nose, he was not the chief minister.

35. The piano was not blown by the wind in the room, and it was full of enthusiasm.

36. Qin poetry and landscape music are indifferent to the world.

37. Qin Xin no longer sends pineapples, but the water in Hejian Lake is flowing.

38. Come to me before the piano and sword. Like-minded people have a leisurely taste.

39. Qin Zun followed the history and became rich and poor.

40. I hope I can go back to my third house. I want to be a piano elder.

4 1. Qin Ming, wine and pleasure are two different things, and a glass is a thousand dollars.

42. The intestines of Qin Xin and concubine were still broken that night.

43. Drinking in the mountains and playing the piano in the cave.

44. Tang Qin sells wine wares and buys new backyard flowers.

45. Too few piano books and too many loose bamboos are also called poverty.

46. Most books are posted, and the piano monk and the string are combined into one.

47. When you are ready, turn on the medicine stove and get rid of the Qinting.

48. Just put on the shianqin pillow and put on the wine press.

49. Political idleness is a banquet, while piano building is a distant love.

50. Chuke wants to hear the grievances of the lyre, and it's midnight in Xiaoxiang.

5 1. Take the piano to the high building, and the building will be full of empty moonlight.

52. Jiang raised his hand with one heart and one string.

53. It's easier than pottery, but there is still a stringed piano.

54. If there is sound on the piano, why not put it in the box?

55. A good wife is like a harp.

56. A gentle and elegant woman is a friend of the harp.

57. You know how to fight wine, and I have a three-foot piano.

58. The piano plays the dragon's door and the jade pot is empty.

59. Although the piano has no ancient meaning, it is too lazy to sing poetry.

60. Looking at the historical sites in Qinchuan, seven cypresses are like fairies fighting against Luo.

6 1. Several Qin Zuns are still in Chai Men, and the urn has been forgotten to irrigate the garden.

62. Qin has been gone for a long time, and Taiwan Province is still thinking about it.

63. When will the old tour be clear?

64. Qin Xin chose Zhuo Wangsun to sell wine and frozen springs.

65. At the end of Qinshui East China Sea, confused smoke meets high autumn.

66. The harp was in the palace before, but it was quiet and good.

67. At present, homesickness is piling up.

68. The harp is on the moon, and the chess has been broken.

69. The book leaves the grass, but the piano hall is dusty.

70. Keep my Confucius and Qin, and the rescuer is dead.

7 1. I took the fairy pill and got rid of the troubles in the world. Before I played the pipa for the third time, I had achieved my goal.

72. Food returns without foreign affairs, and the piano hall opens the mountain.

73. Holding a child as a white cloud makes the piano sing clearly.

74. Qin Qingyue is a household, and people enter the room quietly.

75. Pan Baishi sits on the moon, and the sound of the piano is loose and lonely.

76. I leaned alone in the dense bamboo, playing the piano and humming a song.

5. There are 65,438+0 ancient poems about Qin: But let's drink to our guest who came back from the camp and play the savage pipa, guitar and harp "Farewell to Snow in the Field". Wu went home, Tang, leaning alone in the dense bamboo, and I played the pipa and hummed a bamboo pass, Tang, 3. Who will represent Qin, Han, 4, 4? Wei Pi 6: This poem is the most beautiful, but not listening to the piano, but listening to the pipa. Su Song Shi 7 I will pick up my pipa and play it, but, alas, who here will understand? In the midsummer, I took the fairy pill "Into the Wine Gold" in the south pavilion, and I was full of enthusiasm. Apart from the troubles in the world, I had achieved my Sulu Mountain Song, Lu Xuzhou, Tang Libai 1 1 burning books, and the piano cracked and painted, ruining the article. Qin hates Zheng Banqiao 12 Hu Wei has not returned. Why not sing Qin Shi in the box? Shi (14) plays the piano with his left hand, and the cloud master (see Dongpo in Qi 'an). Shi (15) is so drunk that I want to sleep and go away. The Ming Dynasty intentionally played the piano to Tang Li Bai (16), and the cloud was tin. And my Qin Ming answered the deputy prefect 18, Sugar Singing waved Han 19, and heel in Wuliu mocked Wang Liyang instead of drinking, and Tang Libai played 20 flutes and pipa, so he drank on credit with Jin Zun.

6. What do Su Shi's Qin poems mean? 1. The interpretation of Qin poetry refers to the production of a piece of music, which can't rely solely on the piano or fingers, but also needs people's thoughts, feelings and technical proficiency.

Piano is not difficult to master, everyone has fingers. However, due to the great differences in people's thoughts, feelings and playing techniques, whether the music played is pleasing to the ear is also very different. Two questions are used in the poem to arouse readers' thinking.

In fact, this is a complex aesthetic problem: the subjective and objective relationship that produces artistic beauty. 2. Originally published by Su Shi (Song Dynasty), Wu Zhen, the main book of Wuchang, told his good friend, Twelve Qin, that he was the same son as Mr. Gao Zhai Kong and wrote "Ode to Peace" as a sign.

I don't know Shen Jun, but reading his books is interesting. If I see him, I will hear the sound of his twelve harps. Yu came all the way from Mr. Gaozhai to taste his treasure. He is ignorant and doesn't know which generation it is.

Please tell your second son that the person who asks your husband for twelve pianos will wait for his piano and then make peace. Yuanfeng leap in June in six years.

If the piano is hair, why don't you put it in the box? If the sound of the piano comes from your hands, why can't you hear it? 3. A brief analysis of Su Shi's common poems. Most of the selected images are simple and clear, but they can touch the subtle and unspeakable philosophy and make people think deeply. The significance and writing of Su Shi's poem may be inspired by quoting Buddhist scriptures and Wei poems. The two sentences written by the poet in the form of Buddha's thirst are both a hypothesis and a rhetorical question, which shows that it is not enough to play beautiful tunes with the piano or dexterous fingers, and enlightens people that the success of any cause is the result of the combination of objective conditions and subjective initiative. This poem shows the poet's strong interest in exploring the true meaning of things and also shows the poet's simplicity.

7. There is 1 an ancient poem about Qin and Zhuliguan.

Tang Dynasty: Wang Wei

I leaned alone in the dense bamboo, playing the piano and humming a song.

It's too light for anyone to hear, except my partner, Mingyue.

Sitting alone in a quiet bamboo forest, sometimes playing the piano and sometimes whistling. Who knows I'm here in the jungle? Only a bright moon accompanied me quietly.

2. Answer Deputy Magistrate Zhang

Tang Dynasty: Wang Wei

With the passage of time, please give me peace and get rid of all kinds of things.

I think that there is no brilliant strategy to serve the country, only to retire to the mountains and forests.

Wide wind, the wind in the shade, the moon shining on the right to play the piano.

To know the truth about the poor, please listen to the fishing songs in the deep water.

People especially like quiet in their later years and are indifferent to everything in the world. I thought there was no brilliant plan to serve my country, but I just wanted to live in seclusion in the deep mountains of my hometown. Take off your clothes to enjoy the cool, Shan Gao Yueming, just playing the piano. If you ask the truth of poverty and access, please listen to the fishing songs in the depths of the water pool.

3. Qin Shi

Song Dynasty: Su Shi

If the piano is hair, why don't you put it in the box?

If the sound of the piano comes from your hands, why can't you hear it?

If the piano sound comes from the piano, why not put it in the box? If the piano comes from your hand, why can't you hear the sound in your hand?

4. Listen to the monk Jun of Shu playing the piano

Tang Dynasty: Li Bai

The sea embraces the land-melodious songs come from the distant Emei Mountain.

When I hear the sound of Matsutani, I wave my hand at will.

The sound of the bell rang, and it turned into a frosty bell. My heart was quiet, as if it had been washed with water.

Unconsciously, dusk enveloped the castle peak, and the autumn clouds were bleak, covering the dusk sky.

Monk Shu came from Mount Emei, far away, with a green lyre in his hand. Wave to me at will, just like hearing the sound of pine trees. The lingering sound flowed into the frost bell and calmed my heart, just like being washed by running water. Unconsciously, dusk enveloped the castle peak, and autumn clouds were hazy, covering the dusk sky.

5. "Listen to the piano"

Tang Dynasty: Liu Changqing

The lyre plays a cool tune and listens carefully, like a tumbling pine tree.

Although I like this ancient song very much, most people don't play it today.

The lyre plays a cool tune with ups and downs, and listening carefully is like the rolling sound of a pine tree. Although I like this ancient song very much, most people don't play it today.