Tie the green suburban road and have a bird's eye view of the Cangjiang River.
As the sun rises, the scenery floats among the grass.
Tao Li took a different road, while Sang Yu took a dark one.
Dongdu has _ set, and it is said that it is watching the green field. Notes in Selected Works, this poem Xie _ The original title of this episode is "Cao Mian, Xu Du gives birth to Hsinchu". Xu Mian, named Xiuren, is a friend of Xie _. Peony: That is, at dawn, the words "The Book of Songs, Zheng Feng, Female Crow, and Shi Shuo Peony" indicate that the time is slightly later than the crow of chickens (it should be said that "peony" was before the crow of chickens, when the sky was about to dawn, and the peony was covered with "stars are shining"). Hsinchu, that is, Xinting Bamboo. The new exhibition hall is built in Wu Dong, on the outskirts of the capital, Jiankang. This is a travel poem. The original title briefly explains the origin, specific time and place of this poem, which provides a reliable basis for appreciation. The poem "A new pavilion, a new pavilion" written by Xu Mian is very harmonious.
It was a spring morning, and when the genius was shining, the poet had come to Xintingzhu outside the city. When he stopped to take a nap and looked back at the dawn in the suburbs, he couldn't help but feel heartache and was deeply attracted by the blurred spring scenery. So that speech was a poem, full of admiration from the beginning: "Wan Luo Jia Xing, spring is full of Huangzhou!" " Wanluo: refers to Wanxian and Luoxian counties. Wanxian County is the seat of Nanyang County, which was called "Southern Capital" in Han Dynasty. Luoyang was the capital of the Eastern Han Dynasty. These two places were both the most prosperous cities at that time, so the ancients once wrote a poem "Driving Circus to Wan Luo" ("Ancient Poems: Climbing the Tombs with Cuibai"). Huangzhou refers to the capital of Jiankang. In peony tourism, it is still dim, and you can't see the scenery of "Spring is full of empire". Therefore, the poet said that the scenery in Beijing is full of spring, and the spring scenery can be compared with the prosperous ancient capital of Han Dynasty, out of admiration and a spiritual yearning. It is precisely because of the elegance of "wandering in Wanluojia" and the magical attraction of "spring is full of imperial States" that poets are singing and driving in the suburbs. When it comes to the point, leisure and ambition can be seen. From the perspective of composition, the first couplet is a kind of foreshadowing, which implicitly explains the purpose of travel-entertainment and aimlessness. So the second couplet suddenly jumped into the way of traveling and drew a lot of pictures of Cangjiang books. The poet stopped in the eastern suburbs and looked at the Yangtze River in the distance, but he saw light in the east, and the dawn of dawn gently painted a boundless color on the Yangtze River. The word "overlooking" is the most vivid. When the poet suddenly looked back, the color of the endless river suddenly entered his mind, conveying a sense of being suddenly enlightened. Therefore, the dawn of Cangjiang stood in front of the poet with its unique overall image and infected the poet with its profound connotation. The mighty Yangtze River, rolling eastward, symbolizes rich and eternal life, making the picture full of vigorous and boundless colors.
The third part turns to the description of the morning scenery in the suburbs of Beijing. "Bird's Eye" may be an accidental move, but it was suddenly attracted, so I simply stopped and stayed to enjoy the scenery in the suburbs of Beijing. At this time, a red sun Ran Ran rises, and the river is illuminated by thousands of rays. From a distance, the river is surging and sparkling, as if the sun is moving on the water; The green grass, bathed in the fiery morning glow, is full of vitality in the morning light and spring, and looks lovely from a distance, just like the spring scenery emerging on the grass and green leaves. This picture is clear, beautiful, delicate, novel and most attractive. The sunshine is only bright and warm, and there is no sense of "movement", but the poet is ingenious and writes the sense of "movement" of "Japanese China" through the reflection of the flooding river; As for the "scenery", it is a virtual scene, which cannot be accurately referred to, but the poet accurately captures and vividly shows it through the concrete image of spring grass. Therefore, the words "dynamic" and "floating" are exquisitely worded and vividly expressed, and the pen reveals infinite love. The fourth chapter is Tao Li, and Sang Yu is the shadow road. Although there are idioms before, once they are included in the poet's unique feeling of visiting the suburbs, they are fresh and lovely. The third part mainly focuses on the natural scenery of mountains and rivers, and the fourth part focuses on the rural scenery of farmers. It is worth noting that although the second, third and fourth seasons are devoted to scenery, they also cover up the changes of time. Couplets were written by Cang Jiangdong, still in the twilight of dawn; It is self-evident that the triple writing of "Japan-China" and "scenery"; In Silian, it is already "Sang Yu Shade Road Week", and Sang Yu is covered with trees and boulevards. It's sunny and full of spring. The flow of time is very obvious. Writing in this way not only makes the triple scene have its own characteristics, but also shows its unique characteristics in a subtle way; Moreover, he secretly wrote the image that the poet stopped in the suburbs and lost himself in time, which showed his feelings of lingering in spring and loving nature.
At the end of the link, the charm is all in the sentence "Let's go back to the green field". The poet has enjoyed the spring scenery and lingered in it. It seems that he is still not satisfied and his way home is far away. From time to time, he still looked at the endless green fields and sprinkled them on a piece of spring scenery. The tour is coming to an end, but my eyes are still extending and my mood is still lingering. The end of this trip means the further expansion of the realm of poetry and the further deepening of poetry. It is this reverse deficit between scenery and emotion, between things and heart that makes the whole poem present a style of endless words and feelings, with a long history of thoughts and feelings and endless charm.
This poem shows superb scenery skills. Xie _ doesn't describe the whole process of tourism in Beijing suburbs one by one like Xu Mian's Maidan Out of the New Pavilion, but concentrates on writing, or draws a lot, or depicts it in detail, and writes the spring scenery in Beijing suburbs from the east to the sunrise, which is fresh and pleasing to the eye. It is most appropriate to send small poems on the spot in this way. It can be seen that Xie has profound sentence-making cultivation. In terms of scenery writing, the poet is completely immersed in the beautiful scenery of spring in the suburbs of Beijing. He didn't say a word, but he flashed infinite yearning and infinite lingering. Let people appreciate the beauty of poetry and feel the poet's delicate heart of loving nature. The whole poem is short in length, steady in antithesis and elegant in melody, showing the distinctive characteristics of "Yongming Style".