He is separated from Xiaomi. He is a seedling of Xiaomi.
The line is decadent and the center is shaken.
People who know me worry me;
If you don't know me, what do you want?
Oh, my God, who is this?
When Xiaomi leaves, it is the ear of Xiaomi.
Walking is decadent and the center is drunk.
People who know me worry me;
If you don't know me, what do you want?
Oh, my God, who is this?
The separation of Xiaomi and Xiaomi's reality,
Walking decadent, center suffocation.
People who know me worry me;
If you don't know me, what do you want?
Oh, my God, who is this?
The Separation of Millet expresses the regret and sadness of the country's past ups and downs. "Preface to Mao Poems" said: "A person is sensitive. As for Zhou, Dr. Chow went to the Imperial Palace's ancestral temple, which was full of whole grains. The subversion of Zhou Min Room is unbearable, but it is a poem. " There are many people today. After the demise of the Western Zhou Dynasty, a scholar-bureaucrat of the Zhou Dynasty passed by the old capital and saw the former palace razed to the ground and planted crops. The crops are growing well, but the country is declining. The poet was deeply moved and wrote this sad poem.
The whole poem adopts the method of repeated superposition, the scenery is written layer by layer, and the emotion is strengthened layer by layer. The scenery that appears is "the seedling of millet", "the ear of millet" and "the fruit of millet" in turn. The position of crops is consistent with the growth process of crops: first, seedlings, then heading, and finally seeds. When the author expresses his deep affection, the order is "central shaking"-emotion is touched, "central drunkenness"-sadness reaches the point of insanity, central suffocation-sadness is hard to swallow, and emotion becomes stronger and more painful.
The whole poem is inspired by "the separation of two millet", and rows of lush rice seedlings sway with the wind, stirring the poet's mind; The poet's "walking" and wandering are like the posture of this seedling; At the same time, the poet's sadness is also growing like the growth of this seedling. So the poet sighed: "people who know me worry me;" If you don't know me, what do you want? "People who don't know" I "must be in the majority; What can people who know me do besides "worrying me"? At most, we can "walk decadent" together. The poet worried about the country and the people, learned from the bitter experience and finally asked heaven: Who caused this historical tragedy? Who will bear the historical responsibility for the demise of the Western Zhou Dynasty? The poet probably has his own answer in his heart. But he didn't make the answer clear, but used the way of asking questions, which produced a stronger artistic effect and left readers with room for thinking.
This poem has been sung for two thousand years, so that people call this kind of sadness "the sadness of parting". The artistic technique of this poem also has far-reaching influence. Jiang Kui, a poet in the Southern Song Dynasty, famously said, "Yangzhou is slow, Huaizuo is Du Ming". After Huma went to see the river, she abandoned the trees by the pool and went to great lengths to talk about the soldiers. Reading it reminds people of this "decadent walking" Chow Tai Fook.