Ancient poems about romantic events, including appreciation, brief introduction of poets, and preferably translation.
Jiang Xue Liu Zongyuan Tang Baishan has no birds, and a thousand paths have no footprints. A boat on the river, a fisherman wearing his webworm moth; Fishing alone is not afraid of snow and ice. In a lonely boat, an old man dressed in hemp fiber and hat was fishing alone on the cold river covered with heavy snow. [Analysis] Most of Liu Zongyuan's landscape poems describe a relatively cold realm, in order to express his anguish and indignation when he was persecuted and relegated. This poem depicts a fisherman fishing alone in a cold river, expressing the indomitable character of the poet Yongzhen despite his loneliness after the failure of innovation. The first two sentences "There are no birds in a hundred mountains and no footprints in a thousand paths" describe the snow scene, while "Qian Shan" and "Wanjing" are all exaggerations. There must be birds in the mountains and people on the road; But "birds fly away" and "people disappear" The poet used the scene of birds traveling far away to render a desolate and lonely realm. Although the word "snow" is not used directly, readers seem to see the overwhelming snow and feel the biting cold. This is a reflection of the bad political environment at that time. Three or four sentences "a boat, a bamboo cloak, an old man fishing in the cold river-snow" depict the image of a fisherman fishing alone in the cold river. In a place where there is heavy snow and almost no life, there is a lonely boat carrying a fisherman in hemp fiber and fishing alone on the snowy river. This fisherman's image is obviously a portrayal of the poet himself, which expresses the poet's lofty spirit of perseverance and integrity despite his loneliness after the failure of political reform. Appreciation: First of all, it creates a rigorous and cold artistic realm. Literally, the phrase "a boat, a bamboo cloak" seems to be the focus of the author's description, occupying the main position of the picture. The fisherman sat alone in the boat, wearing a bamboo hat and fishing for a long time. The words "loneliness" and "independence" have shown that he is far away from the world, and even revealed his lofty and refined personality characteristics. The theme of the author's performance has been revealed here, but the author's interest is not enough, which carefully creates a vast expanse and silent artistic background for fishermen: the distant mountains stand tall and the trails are vertical and horizontal, but there are no birds in the mountains and the trails are nowhere to be found. Why is nature, which used to be boiling and noisy and full of vitality everywhere, so dead? A heavy snow swept through Qian Shan and covered the path. Birds can't fly, people can't. The cold brought by ice and snow has created a white and desolate world. This background strongly sets off the lonely and thin figure of the fisherman. How cold and lonely his mood should be at this moment! Here, the author describes the climate and scenery of fishermen when they fish by means of comparison and rendering. With a light pen, a light touch and a few words, it gives people a clean and cold lyrical atmosphere. His brushwork reaches the heavens and the earth, from the summit to the rivers, covering Wan Li. Shen Deqian commented that "clarity and preciseness have completely disappeared". Grain Rain said that "the snow scene is as good as it is now". What they mean is roughly the creation of the realm of this poem. Secondly, it vividly reflects the author's psychological state of being unwilling to be elected and feeling lonely after being relegated to Yongzhou. Zheng Gu, who was later than Liu Zongyuan, once wrote Occasionally in the Snow: "The tea in the monk's house is wet and the wine in the karaoke room is weak. When the river came to Kanhua in the evening, the fisherman came back with a clean coat. " Even though he wrote a poem about a fisherman in the snow, his writing is very ordinary, but it lacks realm. The author did not integrate his subjective consciousness and distinctive personality, so Su Shi criticized him for "learning Chinese in the village" and praised Liu Zongyuan's last two sentences, saying, "Is there a gap in human nature?" Almost from heaven, out of reach! Su Shi's so-called "humanity" refers to the poet's emotional casting. The antonym of "there is a gap in human nature" is "there is no gap in human nature", which means that it has reached the highest realm of scene blending. We know that Liu Zongyuan was repeatedly denounced after the failure of "Yongzhen Innovation", but he always maintained a tenacious mental state. His "Eight Notes on Yongzhou" is about the scenery in the backcountry, with the theme as the main theme and deep placement. Every grass and tree shows his extremely lonely feelings. His lofty and refined personality is also displayed incisively and vividly. The fisherman in this poem is in a lonely and cold world, but he goes his own way and walks quietly in a lonely and deserted place. Isn't it admirable for its weather vane, its heroism and its unshakable mentality? Zhang, a contemporary poet of Liu Zongyuan, wrote "Fishing Songs", saying: "Egrets fly in front of Cisai Mountain, and peach blossoms are flowing and mandarin fish are fat. Green bamboo hat, green hemp fiber, oblique wind and drizzle don't have to go back. "Zhang Xuan's" Spring in bloom "is beautiful and quiet, revealing the ease and freedom of" smokers ". Unlike Zhang, Liu Zongyuan is a politician who insists on justice and stands on the soil full of contradictions and struggles. When he was sent into the cold and cool winter, people's mood was not just addicted to mountains and rivers. He also wrote a solemn and austere side, and his personality was particularly prominent. Finally, the structure of this poem is exquisite. The title of this poem is Jiang Xue. But the author didn't get to the point when he wrote it. He first wrote about the quietness and sadness of Qian Shan Wanjing. Birds don't fly, pedestrians don't see. Then, with a change of pen, the image of a person fishing in a lonely boat was introduced. It is a positive question that the word "cold river snow" was not written until the end. Read the whole article again at the end. A feeling of being suddenly enlightened arises spontaneously. Vast sky, vast land, its distant scenery is very charming. About the author: Liu Zongyuan (773-8 19), a native of Hedong (now Yongji County, Shandong Province). Outstanding thinker and essayist. The achievements of poetry are also very high. Jiande stayed at night in Meng Haoran Tang when my boat docked in the fog, and at dusk, the memories of the old days began. The vastness of the wilderness is deeper than trees, and the moon is very close to the moon. I moored my boat in a small continent shrouded in dusk, and the boundless dusk added a touch of homesickness to the wanderer. In the endless wilderness, the sky is lower than the trees in the distance, and the river is clearer, which makes the moon more pleasing ... Appreciation of the famous sentence-"How wide the sky is, how close the trees are, how clear the moon is! . "This poem is about a melancholy journey, and it is cleverly conceived. Start with the sentence "When my boat is moored in the fog", write down that the boat is moored in the small sandbar of Jiande River and ready to stay. The second sentence, "The sun is fading and old memories begin", describes the poet's mood at this moment. The word "new" makes people feel that the original poet has endless old worries, but today, more new worries have emerged. This laid the lyrical tone of the whole poem. But where are the new concerns? The author didn't make it clear, but he gave us a vivid sunset scenery by the river: the vast Yuan Ye and the drooping sky seemed to cover everything; In the clear river, there is only one bright moon, rippling beside the boat. In this vast wilderness river, only the bright moon can accompany lonely and wandering words. The bright moon gave him comfort and added more new worries. " Worry is the eye of poetry, and the whole poem shows the author's superb artistic conception around the word "worry" Appreciation: This is a poem describing the twilight in Qiu Jiang. Write about staying overnight first, and then add sunset sorrow; Then I wrote that the universe is vast and quiet, and the bright moon is closer to people. A hidden, a present, virtual and real alternate, two sets off, complement each other, forming a special artistic conception. Although there is no word "sorrow" in the poem, the Qingjiang River is wild and the "autumn colors" are distinct, which naturally gives people a touch of sadness. The whole poem is light and elegant, containing but not revealing; Natural outflow, natural charm, quite distinctive. This is a poem that expresses the idea of travel. Jiande River refers to the section of Xin 'an River that flows through Jiande (now Zhejiang). This poem is not set in the background of pedestrians or ships, but in the background of boating at dusk. Although there was a word "sorrow", he immediately turned his brush strokes to the description of the scenery. It can be seen that it is quite distinctive in material selection and performance. The first sentence of this poem, "when my boat is moving in the fog" and "moving the boat", means moving the boat to the shore; "Berth" means to stop the ship for the night. The ship docked at the edge of a misty continent in the middle of the river. On the one hand, it is a point, on the other hand, it also prepares for the scenery and lyrics behind. The second sentence "and the sun is getting dark, the old memories begin" and "sunset" are obviously related to "berth" and "smoke" in the previous sentence, because ships need to dock at sunset; It is also because of sunset and dusk that the water on the river appears foggy. At the same time, "sunset" is the cause of "new troubles", and "guest" refers to the poet himself. If we follow the format of the so-called inheritance and transformation in the old poem, it is rare for this second sentence to combine the two meanings in one sentence. Why does "Sunset" propose "New Worried Guests"? We can read a passage in the Book of Songs: "A gentleman is in service, I don't know when." Chickens live in the hustle and bustle, and at dusk, cattle and sheep come down and gentlemen serve. Why not think about it? "("Feng Wang Gentleman in Service ") It is written here that whenever the sun sets, chickens enter the cage and cattle and sheep return to the fence, she misses her husband serving abroad more. In this way, can't you understand the traveler's mood at this time? Originally, when the ship stopped, it should have a quiet rest for one night to eliminate the fatigue of the journey. Who knows that in the evening when birds return to the forest and cattle and sheep go down the mountain, the troubles of traveling suddenly arise. Next, the poet wrote down the scenery in a dialogue, as if to melt a sad heart into the empty world. So, Shen Deqian said, "In the second half, write the scenery, and the guests will worry about it themselves. "The third sentence says that at dusk, the sky is boundless and wild, and the distant sky looks lower than the nearby trees." Low "and" open "are interdependent and set off each other. The fourth sentence says that night has come, and the bright moon hanging high in the sky is reflected on the clear river, so close to the people on board, and "near" and "clear" are interdependent and set each other off. " How vast the world is, how close the trees are to heaven, and how close the moon is to the water! "This unique scenery can only be enjoyed by people on board. The second sentence of the poem points out that "the guest is worried about the new" These three or four sentences are like the poet's sorrow. In this vast and quiet universe, after some ups and downs, he finally found that there is another lonely moon so close to him at the moment! Lonely sadness seems to find comfort, and poetry comes to an abrupt end. However, although the words are stopped, the meaning is still unfinished. Imagine what the recent month will cause in the poet's mind at this moment. There seems to be a little joy and comfort, but after all, I can't dispel new worries. How much do you know about new troubles? "Thirty years of the emperor, two books and swords. Mountains and rivers seek five mountains, and dust makes Luo Jing tired "("Crossing from the Falling Moon "). The poet once rushed into Chang 'an with years of preparation and hope, but now he can only look for wuyue with a cavity of abandoned sorrow. At this moment, he, alone, can't help but feel the sadness of the journey, the yearning for his hometown, the frustration of his career, the disillusionment of his ideal, and the ups and downs of his life. "How close the moon looks in the water!" What we can see in this picture is the clear and calm river and the bright moon in the water accompanied by the poets on board; But what can't be seen in the picture and should be appreciated is that the poet's sadness has flowed into the ocean of thoughts with the river. This concealment, one reality and one emptiness, set each other off into interest and complement each other, which constitutes a person's artistic conception of staying at night in Jiande River, and his heart goes with the bright moon. Yes, isn't this kind of "staying" and "not staying" the meaningful expression of "recalling the old days at sunset"? "People have seven emotions and should feel things; Is it natural to feel things and sing? " (Liu Xie, Wen Xin Diao Long Ming Shi). It is in this "natural outflow" that Meng Haoran's short poems are integrated with scenes, thinking and environment, showing a natural charm, light interest and implicit artistic beauty.