1.
Invite for a drink
Dynasty: Tang Dynasty
Author: Li Bai
Have you ever noticed how the water of the Yellow River flows out of heaven and into the ocean, never to return?
Have you noticed that the lovely hair in the bright mirror in the high room, although it is silky black in the morning, has turned into snow at night.
Oh, let a man with spirit take risks where he wants to go, and never point his golden cup at the moon empty! .
Since God has given talents, let them be used! As for the money, although it is scattered, it will get together again.
Cook a sheep, kill a cow, sharpen your appetite, and let me, 300 bowls, take a big drink! .
Master Cen, Dan Qiusheng can drink and drink endlessly.
Let me sing you a song! Please listen to me. (ears open)
What are bells and drums, delicacies and treasures? I hope I will never wake up. (Less expensive: He Zugui; Never wake up again: I don't want to wake up/don't need to wake up)
Ancient sober people and sages were forgotten, and only great drinkers can be immortalized. (an ancient work: since ancient times; Pass only: only)
Chen bought a barrel of wine with 10 thousand gold coins at a banquet in the temple, and everyone laughed and said one-liners
Why do you say, my master, your money is gone? , to buy wine, we drink together! .
Five flower horses, Hsi Chin, give them to the boy in exchange for good wine. Whatever you want, sell eternal sorrow.
Distinguish and appreciate
Author: anonymous
Before the Tang Dynasty, the theme songs of Jiang Yuefu were mostly drinking songs and chanting songs. In this song, Li Bai "makes use of the topic" to drown his sorrows by drinking and express his anger. This poem vividly shows Li Bai's unruly character: on the one hand, he is full of confidence in himself and arrogant; On the one hand, after the twists and turns in the political future, it also shows the feeling of indulgence. The whole poem is full of heroic momentum, unrestrained feelings, fluent language and strong appeal.
Li Bai's wine poems can express his personality very well. Of course, these poems were written after Chang 'an's release, with deeper ideological content and more mature artistic expression. Into the Wine is his masterpiece.
"Jiang" was originally the tune of the piccolo cymbal song of Han Yuefu, and the song was called "Song of Drinking", so the old saying "Jiang, take the white" goes. The author's famous poem "Fill it in to express one's feelings" (a small supplement to the classification of Li Taibai's poems) was written in the eleventh year of Tianbao (752). At that time, he and his good friend Cen Can lived in Angelababy, another good friend of Songshan, and the three of them tasted the climbing banquet ("Appreciate Cen Can, find out, treat Yuan Danqiu with poetry": "Don't be thousands of miles away, treat wine with poetry." In the middle of Yuan Dynasty, Dan Qiu and Deng Ling gave a banquet in Bixiao. When I suddenly thought of me while drinking, I screamed and screamed. " )。 The joy of life is nothing more than making friends at cocktail parties, and the author is in the moment of "accepting talents from all over the world without meeting each other" (small), so he is full of untimely wine to arouse poetry and express it incisively and vividly.
At the beginning of the poem are two parallel long sentences, such as rushing to the reader with the wind and rain. "Didn't you see how the water of the Yellow River moved out of heaven and into the ocean, never to return?" Angelababy is not far from the Yellow River, so it's interesting to climb the mountain. The Yellow River has a long history and a great gap, such as falling from the sky, spilling thousands of miles and entering the sea eastward. Such a magnificent sight is absolutely invisible to the naked eye. The author's fiction, "from the Tao", is exaggerated. The last sentence says that the coming of the big river is unstoppable; The next sentence says that the river is gone and irreversible. One rises and one disappears, forming a breath, which is not available in short sentences (such as "The Yellow River falls into the sky and returns to the East China Sea"). Then, "you didn't see the lovely hair in the bright mirror of the high room, although it was silky black in the morning and turned into snow at night" is like a turbulent wave. If the first two sentences exaggerate the space category, they exaggerate the time category. Sigh that life is too short, not to hurt the boss bluntly, but to say "how cute the mirror lock on the shelf is", a gesture of grasping the head and watching the film and calling for help, just like painting. Describing the whole process of life from youth to aging as "morning" and "evening", shortening the short-lived things and making the strong waves stronger than the previous two sentences, is a kind of reverse exaggeration. Therefore, the first set of parallel long sentences is metaphorical-the river is gone forever, indicating that life is perishable, and it also has a comparative effect-while the great eternity of the Yellow River shows the smallness and fragility of life. This beginning can be said to be extremely sad, but it is not delicate. It can be said that it is a giant sadness with thrilling artistic power, and it is also caused by the sense of momentum at the beginning of long sentences. This opening technique is commonly used by the author, such as "I had to throw Bolt and me away from yesterday;": Today it hurts my heart even more "("A farewell letter to Xie Tiao Tower in Xuancheng "), Shen Deqian said:" This body is too white and self-centered ",which shows that it is quite original. This poem is a call for "not seeing you" (generally Yuefu poems are only used occasionally at the beginning or end of the article), which greatly enhances the emotional color of the poem. Poetry has the so-called big opening and closing, which can be described as big opening and closing.
2. Selected ancient poems about objects
Loushiming
Dynasty: Tang Dynasty
Author: Liu Yuxi
The mountain is not high, and the fairy is famous. The water is not deep, and the dragon is the spirit. I am a humble room, but I am virtuous. The moss on the stage is green, and the curtain grass is green. There is no Ding Bai who laughs and has a university. You can tune the pipa and read Jin Dian. There is no confusion, and there is no complicated form. Zhuge Lu in Nanyang and Ting Yun Pavilion in West Shu. Kong Ziyun: What's wrong?
enjoy
Author: anonymous
Inscription is a rhyming style carved on stones in ancient times, which is often used to praise virtue and warn yourself. Understand the meaning of the inscription and then understand the meaning of the question. By describing the living room, the author tries to describe the ugliness of the humble room. The center of "I am a humble room, but I am virtuous and fragrant" is actually to praise moral quality in the name of humble room and express moral conduct and the interest of the owner.
The humble room inscription began with mountains and rivers, and the water was not deep. As long as there is a dragon, you can be famous. Therefore, although you live in a humble place, you are "fragrant" because of your master's virtue. In other words, an inconspicuous room can of course be famous because of the existence of people with high moral quality, and its reputation will spread far and wide, and it will be engraved on a stone to remember. Ordinary landscapes give birth to dragons, and humble rooms can of course spread incense through people with high moral quality. This skill of using force is really wonderful, and it can also be described as the author's original creation. In particular, the fairy dragon is the crowning touch of the landscape, and the conception is wonderful. "I am a humble room, but I am virtuous and fragrant", from the landscape fairy dragon to the topic, the author directly turned to the topic, laying the foundation for the introduction. It also points out the reason why the humble room is not humble, which is the word "good faith"
From this point of view, the author wrote this essay after repeated thinking, which is definitely not a temporary inspiration. A quatrain can be an epiphany, but the seamless connection is the accumulation and repeated deliberation of usual skills. 4-7 sentences This article, carved on a stone under difficulties, has a strong tit-for-tat nature. Judging from the writing technique of the whole article, the whole article is done in one go by means of "comparison", not comparison. So what are the words "moss mark" and "smile" saying? The moss on the stone steps is (still) full of green, and the weeds on the wasteland are (still) green. What is the implication? I, Liu Yuxi, don't change my true colors anywhere. I associate with well-educated people, and there are no uneducated people. The author compares his independent personality to moss and weeds, which is a portrayal of integrity and an unyielding declaration.
3. Selected ancient poems about objects
A song of snow sent Tian Shuji Wu home.
Dynasty: Tang Dynasty
Author: Cen Can
The north wind swept across the earth and messed up Pennisetum, and the weather in August will be covered with heavy snow.
Suddenly, like a night wind blowing, like a pear tree in blossom.
Snowflakes fell into the curtains and wet them. The fur was not warm and the gold cup was too thin.
The general used cold hands to protect his hands. The armored steel was too cold to wear. (Difficult to do: still writing)
The desert freezes over/kloc-0.000 feet, with a crack, and the sky is full of darkness and melancholy.
In the manager's account, this wine is a farewell party, and the Huqin Pipa flute ensemble adds luster to this entertainment.
In the evening, in front of the headquarters gate, heavy snow fell, the red flag froze, and the wind could not drag.
Luntai East Gate, welcome to the capital. Go, the mountain road is covered with snow.
Make an appreciative comment
Author: anonymous
Bai Xuege is the representative work of Frontier fortress, written in his second frontier fortress work. At this time, he was highly valued by Feng Changqing, the envoy of Anxi, and most of his frontier poems were written in this period. In this poem, with the poet's keen observation and romantic style, Cen Can depicts the magnificent scenery of the frontier fortress in the northwest of the motherland and the warm scene of envoys leaving Beijing in the frontier fortress barracks, showing the patriotic enthusiasm and sincere feelings of the poet and the border guards for their comrades.
The whole poem takes the change of snow scene in one day as a clue, and describes the process of bidding farewell to envoys in Beijing. It has an open mind and a good structure. * * * is divided into three parts.
The first eight sentences are the first part, describing the wonderful snow scene you saw when you got up in the morning and the sudden cold you felt. Friends are about to embark on the road back to Beijing, and the snow hanging on the branches turns into pear flowers in the eyes of the poet, with the arrival of beautiful spring. The first four sentences mainly write about the beauty of the scenery. Words such as "namely" and "suddenly like" vividly and accurately show the expression when you suddenly see the snow scene in the morning. After a night, the earth was wrapped in white and completely new. Then write four sentences about the cold after snow. The line of sight gradually shifted from outside the account to inside the account. The wind has stopped, and the snow is not heavy. The flying snowflakes seem to be fluttering leisurely, entering the bead curtain and wetting the military account. Poets choose daily activities such as living, sleeping, dressing and bowing to express coldness, just like choosing to watch snow in the morning to express strangeness. Although it was cold, the soldiers had no complaints. Moreover, it is "uncontrollable", it will train when it is cold, and it is still training with a bow. Writing cold on the surface is actually using cold to foil the inner heat of soldiers, which shows the optimistic fighting mood of soldiers.
The four sentences in the middle are the second part, which depicts the grandeur of the snow scene during the day and the grand occasion of the farewell party. "The sand sea deepens the ice depth, the clouds are bleak, and Wan Li condenses" depicts the overall image of heaven and earth in the snow with romantic exaggeration, which sets off the happy scenes below and embodies the positive significance of soldiers singing and dancing. "But we drink to the guest who came home from the camp and play the savage pipa, guitar and harp for him." A few words show the warmth and solemnity of farewell. In the commander-in-chief of China's army, a banquet was held, and all kinds of musical instruments were brought with all their money, singing and dancing, and drinking to the fullest. The banquet lasted until dusk. The first part of the inner enthusiasm, generated here, reached the climax of joy.
The last six sentences are the third part. They say goodbye to friends at night and set foot on the road home. "Until dusk, when the snow crushed our tent, our frozen red flag could not fly in the wind." The returning guests walked out of the tent in the dusk against the falling snowflakes, and the bright flags frozen in the air looked colorful in the snow. The unshakable and indomitable image of the flag in the cold wind is a symbol of soldiers. These two sentences, one moving and one static, one white and one red, set each other off and become interesting, with vivid pictures and bright colors. "I watched him cross the gate of the wheel tower and head east into the snow drift on Tianfeng Road." The snow was getting heavier and heavier, and the people who saw him off refused to go back. "Then he disappeared at the corner of the pass, leaving only hoofprint" expressed the soldiers' sincere feelings for their comrades in plain language, vivid words and subtle meanings. This part describes the feelings of saying goodbye to friends, and also shows the heroism of frontier soldiers.
This poem accurately, vividly and vividly creates a beautiful artistic conception with beautiful snow scenes, vigorous brushwork, free opening and closing structure and cadence. It is not only well-written melody, moderate relaxation, but also rigid and flexible, which is a rare frontier masterpiece. The whole poem is constantly changing the picture of snow, turning the scene into emotion, generous and tragic, full of vigor and vitality. It expresses the poet's feelings of seeing his friends off and the melancholy caused by their return to Beijing.