Author Zheng Chouyu Dynasty Modern
I walked through Jiangnan.
The appearance in the season is like the opening and falling of lotus flowers.
If the east wind does not come, catkins will not fly in March.
Your heart is like a little lonely city.
Like a bluestone street facing the night.
Without a sound, the spring curtain in March can't be lifted.
Your heart is a small closed window.
My dada horseshoe is a beautiful mistake.
I am not a returnee, I am a passer-by. ...
Cuo is a modern poem written in 1954 by Zheng Chouyu, a contemporary poet in Taiwan Province Province, China. The whole poem takes the image of a small town in the south of the Yangtze River as the center, and writes out people's feelings of missing their wives in the war years, which has profound implications. It is one of the representative works of modern lyric poetry and has been included in teaching materials at home and abroad for many times.
Extended data:
Zheng Chouyu's self-reported "mistake" stems from his childhood escape experience. When he was in primary school, War of Resistance against Japanese Aggression broke out in an all-round way. After graduating from the Army University, his father was sent to the front line of Hubei Anti-Japanese War and transferred to the troops in Zhang Zizhong, Xiangyang. He followed his mother through various escapes and saw many wounded soldiers along the way.
194865438+In February, he went to a village in the south of the Yangtze River, where he recalled the memory of his childhood escape. He artistically wrote these experiences as "mistakes". The hero of this poem is based on Zheng Chouyu's mother. The greatest feature of Mistake is the combination of narration, symbolism and contrast.
From the first section, in the narrative context, season, appearance and lotus shape the symbolic meaning of these words. In the first two sentences, a wanderer walked across the south of the Yangtze River in the first person, "I look like a lotus in the season". In poetry, "appearance" obviously refers to someone. As for this person's gender, it will naturally be recognized as "female" under the language and culture regulations.
The first half of the sentence "wait" and "season" give "face" narrative content and time limit; The second half sentence promotes and activates the stereotype metaphor of "face is like a flower". The poet is no longer willing to attach a static ontology with a static metaphor, and metaphor is transformed into two action States-opening and falling.
References:
Baidu Encyclopedia-Error