Tang Dynasty: Wang Bo
Wang Teng Linjiang Zhu and Ming Luan went dancing.
The painted building faces Nanpu Cloud, and the bead curtain rolls up the rain in the western hills at dusk.
The shadow of the idle cloud pool is long, and things change for a few years.
Where is the emperor in the cabinet today? The river is endless.
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The majestic Wang Tengting overlooks the sandbar in the middle of the river, and the gorgeous singing and dancing in Yuminglouan has long stopped.
In the morning, the light clouds in Nanpu pass by the painting building, and in the evening, the rain in the western hills blows on the bead curtain.
The reflection of white clouds in the pool floats leisurely every day, time flies and personnel changes. I don't know how many spring and autumn years have passed.
Where is Wang Teng who built this Wang Teng Pavilion now? Only the turbulent river outside the railing is empty and rushes to the distance.
This poem is attached to the author's famous preface to Wang Teng-ting, which outlines the content of the preface. The first part points out the general situation of Wang Teng Pavilion, and thinks about the grand banquet when it was built. Julian followed the second sentence to write that Nanpu painting building flew into the clouds, and the bead curtain of Xishan was involved in the rain, showing the elegance of the pavilion; When the neckline changes from space to time, it points out the length of time, which naturally gives birth to the feeling that the scenery changes seasons and the constellation shifts, thus leading to the tail couplet; William thinks that when people go to pavilions, the river will flow forever and the whole article will be closed. The whole poem begins to chant Wang Teng-ting from two dimensions: space and time, with vertical and horizontal brushwork, poor form, concise language and deep feelings. The high tolerance and grand realm can be said to be in the same strain as the preface to Wang Teng-ting, which complement each other.