What is the meaning of Wang Wei's ancient poem "Taoyuan Star"?

A fisherman is drifting, enjoying the mountains in spring, and the peach trees on both sides lead him to an ancient source. Looking at the brightly colored trees, he never considered the distance until he came to the end of the blue stream, and suddenly-strange people! . The secret operation of Yamaguchi began in Shaanxi, but then it opened the door again on a wide and flat road. Far away, he faced endless clouds and nearly a thousand scattered flowers. The woodcutter told him his name in Chinese. These people all wore clothes from the Qin Dynasty. Juren lives in Wulingyuan, in farms and gardens, just like a world. In the moonlight, the Panasonic room is in Longjing, until the sunrise makes the low altitude full of chickens and dogs barking. ... hearing the news of a stranger, people gathered together and everyone invited him home and asked him where he was born. Sweep bloom in plain sight, and fish and firewood take the water at dusk. At first, people asked, since then, they have lived happily in distant places like angels. People in the cave don't know what's going on outside. Outsiders only look at the thick mountains and clouds. The fisherman didn't realize his great luck and began to consider the connection between the country, the family and the secular. He found his way out of the cave again, passed through mountains and rivers, and planned to come back later. At that time, he had told his relatives. He studied every step he took and kept it firmly in mind, forgetting that cliffs and peaks might have different appearances. At that time, I only remembered that the mountain was deep and Qingxi had been to Yunlin several times. But now, there are spring floods and floating peaches everywhere. Which way should we go to find the hidden source? .

Attention Tianjin: Ferry. No one: I can't see people unconsciously.

We and Yu: where mountains and water bend. Broad vision: refers to broad vision.

Cloud tree: Cloud trees are connected. Save, collect. Scattered bamboo: refers to flowers and bamboo everywhere.

Ke Qiao: It refers to fishermen. The ancient fishing reef is also called. Chinese name: refers to the name of the dynasty since the Han Dynasty. Wulingyuan: This refers to the Peach Blossom Garden, which is said to be in the southwest of Taoyuan County, Hunan Province, and belonged to Wuling County in the Jin Dynasty.

Outside the world: outside the world.

L: The window of the house.

Vulgar: refers to fishermen. Taohuayuan people regard themselves as fairyland, so they refer to foreign fishermen as vulgar guests.

Du Yi: refers to the native place of Taoyuan people. Min Lane: Street Lane. Refuge: Relocation to avoid disaster.

You Yan: Go around and have fun.

Peach blossom water: spring water. The river overflowed when the peach blossoms bloomed.

The analysis of this poem comes from the story of Taoyuan and Yuanming's Peach Blossom Garden. However, there are significant differences between Wang Wei's poems and Tao Yuanming's poems. In Yuan Ming's works, people in Taoyuan came here to escape the tyranny of the Qin Dynasty. They farm and live in Taohuayuan, isolated from the world, but they are human beings, not immortals. Taohuayuan is Tao Yuanming's ideal society. In Wang Wei's poems, it is God, not man, who lives in the Peach Blossom Garden. You see, "the bright moon lives in Panasonic, and the dog barks at sunrise", floating with a fairy spirit; "They left this world a long time ago. They came here to seek asylum and even asked the immortal why he didn't return it," but bluntly asked him to become an immortal. In this way, Peach Blossom Garden has become an illusory fairyland, not an ideal society that may exist in Yuanming's mind. Undoubtedly, Wang's poems weaken the ideological significance. But one thing is worth noting: Wang Wei's Peach Garden is full of a very quiet atmosphere; The 19-year-old poet yearns for this paradise, which proves that Wang Wei's ambition of seclusion has a long history; The quiet atmosphere in this poem is similar to the artistic conception of Wang Wei's poems in his later years.