A kind mother, a thread in the hands of a wanderer. I'm afraid I'll be late for *2 *3.
Who said an inch of grass *4 hearts *5, reported three Chunhui *6!
Precautions:
* 1, vagrant: a person who travels far away. Yin said. Go it alone indoors
*2. Professor: Soon.
*3. Italian fear: worry.
*4, inch grass: grass, metaphor for children.
*5, inch grass heart: the child's heart.
*6, Sanchunhui: refers to the kindness of loving mothers. Sanchun: Spring lasts for three months. Formerly known as Meng Chun in the first month of the lunar calendar, mid-spring in February and Ji Chun in March; Hui, sunshine; Describe maternal love as the warm sunshine in spring.
*6, return: come back, go home.
Translation:
The kind mother has a needle and thread in her hand.
In order to make new clothes for children who travel far away.
Before she left, she was busy sewing.
Worried that the child will come back late.
Who can say that a son is as filial as grass,
Can repay the kindness of such a loving mother as Chunhui!
About the author: Meng Jiao (75 1-8 14), born in Wu Kang, Huzhou (now Deqing, Zhejiang) in the Tang Dynasty, is a Han nationality. There are more than 500 existing poems, among which the short five-character ancient poems are the most, and there is no rhyme. His masterpiece is Wandering Sons.
His ancestral home is Pingchang (now northeast of Linyi, Shandong). He lives in Luoyang (now Henan). When his father Ting Jun was a lieutenant in Kunshan County, he was born in the suburbs. Meng Jiao lived in poverty in his early years and traveled to Hubei, Hunan and Guangxi. When Zhang Jianfeng was guarding Zhenyuan Xuzhou, the suburbs went to pay homage. At the age of 46 (45), he began to enter the Jinshi, and there is a poem "After the Senior High School Entrance Examination": "There was no limit to boasting in the past, but now there is no limit to debauchery; Spring breeze is proud of horseshoe disease, and you can see Chang 'an flowers all in one day. ".Then return to the east and go to Bianzhou (now Kaifeng, Henan) and Yuezhou (now Shaoxing, Zhejiang). In the seventeenth year of Zhenyuan (80 1), he served as Liyang Wei. When he was in office, he didn't serve Cao Cao. He often took pleasure in writing poems and was fined half a salary. At the beginning of the Yuan Dynasty, Henan people Yin and Zheng Yuqing tried their best to help them compete for land and water transportation in Henan and settled in Luoyang. At the age of 60, his mother died. Zheng Yuqing guarded the apricot garden and acted as a staff officer, trying to evaluate things. Jiao was invited to Ganxiang (now Lingbao, Henan Province) and died of sudden illness. Meng Jiao's friend, Han Yu, and others raised money 100 yuan for his camp burial, and Zheng Yuqing sent someone to 300 yuan, "for the widow to rely on permanently". Zhang Ji married Mr Yao Zhen privately.
In the Tang Dynasty, people thought that Meng's poems were a kind of "Yuanhe style", "Yuanhe has fallen" and "learning is too exciting for Meng Jiao" (supplemented by Li Zhao's Tang Shi). At the end of the Tang Dynasty, Zhang Wei wrote a picture of the poet's subject and object, and regarded it as a "lonely and bitter owner". Song Dynasty poets Mei and Xie Ao, Qing Dynasty poets Hu Tianyou, Jiang Kun and Xu Chengyao were all influenced by him. After Han Yu and Li Guan, there are also some related works, such as Xiu, Huang Tingjian, Fei Zhou, Pan Deyu, Liu Xizai, Chen Yan, Qian Zhenqian and Xia Jingguan. There are Su Shi, Wei Tai, Yan Yu, Yuan Haowen and Wang Kaiyun who hold derogatory views. Both he and Jia Dao are famous for their bitter songs. Su Shi called it "thinness on an isolated island" (Yu Wen in Sacrifice to Liu Zi), and later commentators took Meng Jiao and Jia Dao as the representatives of bitter poets. Yuan Haowen even ridiculed him as a "poet prisoner" ("Thirty Poems"). The current Biography of Meng Dongye's Poems is 10, which was compiled and published by the Northern Song Dynasty. Huang Pilie Shu in the Northern Song Dynasty is no longer visible. Lv Xinyuan's shadow copy of the chicken bone pavilion in Song Dynasty belongs to Japan today. There are two popular books: Ji Gu Library Book and Xiaomin Zhu Mo Book. Four series of Ming Hong in Ye Tibetan were photocopied in Hangzhou. 1959, People's Literature Publishing House published Hua Chen's Revision of Meng Dongye's Poems, with Meng Jiao's chronicle and memorial collection. Annotations include Chen Yanjie's Meng Dongye's Poems and Xia Jingguan's Selected Poems and Comments on Meng Jiao. For deeds, please refer to Mr. Han Yu's Epitaph, Biographies of the Old and New Books of the Tang Dynasty, Chronicle of Mr. Meng Dongye in Xia Jingguan and Chronicle of Tang Meng Jiao in Huachen. bxcvb
Meng Jiao wrote the most ancient poems: short stories and five ancient poems. Some of these poems reflect the reality and expose the crimes of the buffer region, such as for women, for emotion, fighting for one side, hurting spring and so on. Some people care about people's sufferings and resent the inequality between the rich and the poor, such as "Weaving Maid Poems" and "Singing to People in Cold Regions". Some show the deep affection of flesh and blood, such as wandering, making love, apricot mourning and so on. Some of them describe landscapes, such as The Banquet between Ruzhou Nantan and Lv Zhongcheng, Youkou and Wang Waiya's Twenty-one Liuxi, Shilaishi, Hanxi, Seeing Your Majesty off to the Tiantai, Aixia and Visiting Zhong Nanshan. Some people write about their frustrated official career and attack the style of downplaying the world, such as Lodi, Li Yangqiu Ji, being injured and choosing friends. While others complain about their poverty and lament their old illnesses, such as autumn, lamenting life and old hatreds. However, poems such as "going out is an obstacle, who wants the world to be wide" ("To Cui Chunliang") reflect the hardships of the world and also show the author's extreme state of mind. The artistic style of Meng Shi's poems is either longer than simple description, without using words and allusions, and the language is plain and unpretentious while avoiding mediocrity and simplicity; Or think hard and carve miracles. These two styles of poetry have many excellent works with profound thoughts and novel words. But some poems are too stiff and dry, lacking natural taste. He is as famous as Jia Dao, and both of them are famous for their bitter songs. Zhang Wei, a poet in the Tang Dynasty, called his poems "lonely" and Su Shi called them "cold country and thin country". Later, some commentators called Meng and Jia representatives of bitter poets. Today's biography of Meng Dongye's poems is 10. People's Literature Publishing House published Hua Chen's Revision of Meng Dongye's Poems. Xia Jingguan and Hua both have their own chronicles. Geng Jie was a poor man all his life, and his poems described the sufferings of the people and the cruel world. Language abstains from mediocrity and pursues a thin, hard and eccentric style. With the same name as Jia Dao, it is called "Bojiao Island".
Comment: This is an ode to maternal love. This poem eulogizes the great beauty of human nature-maternal love.
In the first two sentences of the poem, the person written is mother and son, and the thing written is thread and clothes, but it points out the love of flesh and blood between mother and son. The two sentences in the middle focus on the actions and attitudes of loving the mother, showing the mother's deep affection for her son. Although there are no words and no tears, it is full of pure love, which is exciting and makes people cry. The last two sentences are the sublimation of the first four sentences. Using the metaphor of popular image, we pinned our fervent feelings on this naked child. How can we repay our children like maternal love and grass in spring?
With fresh, smooth, plain and plain language, the whole poem is full of rich and mellow poetry, which has touched the heartstrings of many readers for thousands of years and caused thousands of wanderers to sing.
Meng Jiao was poor all his life, and he didn't get the humble position of Liyang County Commandant until he was fifty years old. Naturally, the poet didn't take such a small official to heart, and he still only looked at the scenery and sang hymns, but no one asked about his official duties. The county magistrate only gave him half a salary. Under this heading, the author notes that "Mu Ying Li Shang Zuo" is his work when he lived in Liyang. In the poem, an ordinary and great beauty of human nature, maternal love, is sung affectionately and truly, which has aroused the admiration of countless readers and won popularity for thousands of years. Plan to oppose deep maternal love and bathe children all the time. However, for Meng Jiao, a wanderer who has been displaced all the year round, the most unforgettable moment is the painful moment of separation between mother and child. This poem describes the ordinary scene of loving mother sewing clothes at this time, but it shows the poet's deep feelings. The first two sentences, "thread in the hand of a kind-hearted mother makes clothes for her wayward son's body", are actually two phrases, not two sentences. In this way, from people to things, the two most common things are highlighted, and the love of flesh and blood between mother and son is written. Then write two sentences about people's actions and attitudes, focusing on loving mothers. At this moment before departure, the old mother's stitches were so thin that she was afraid that her son would not come home for a long time and would sew the clothes more firmly. In fact, the old man's heart is not eager for his son to return safely at an early date! The affection of loving mother is revealed in the most subtle places in daily life. Simple and natural, kind and touching. There are neither words nor tears here, but a feeling of pure love overflows from this common scene, touching the heartstrings of every reader, making people cry and evoking the cordial associations and deep memories of children all over the world.
The last two sentences, based on the intuition of the parties, dig out the deep meaning of the next layer: "But how much affection there is in an inch of grass, I got three spring rays." Who said that? Some versions are Who knows and Who will, but it is best that Who said that according to the poem. The poet's rhetorical question is particularly meaningful. These two sentences are the sublimation of the first four sentences, the contrast of popular images, and the warm affection for children: how can a child like grass repay his mother's love as rich as the sunshine in spring? It really means "I want to repay kindness, I am very confused", and the feelings are so sincere and sincere.
This is an ode to maternal love. The poet, frustrated in his official career, experienced a cold world and a sad life, so he felt the value of family more and more. "Poetry is born from the heart, and sorrow should be the heart" (Su Shi's Reading Meng Jiao's Poems). Although this poem is not carved with algae paintings, it is fresh, smooth and unpretentious, which shows that its poetic flavor is rich and mellow.
This poem was written in Liyang. During the Kangxi period of the Qing Dynasty, two Liyang people sang such a poem: "My father's book is full of baskets, and the car is still lingering" (Shi Qisheng's "Writing My arms"); "How many tears have I shed, how many hands have I dyed, and how many clothes have I sewed" (Peng Gui's "My little brother came to the capital and felt very happy"). It can be seen that the deep impression left by Ode to a Wanderer is enduring.
I expressed my gratitude to my mother.
Style names of Yuefu poems
The word "Yuefu" originally refers to the official government in charge of music. Yuefu was originally an official position in charge of music in ancient times, in charge of music used in banquets and parades, and was also responsible for collecting folk poems and songs. As the name of poetic style, "Yuefu" first refers to the latter, and later it is also used to refer to poems that can be accompanied by music in Wei, Jin and Tang Dynasties and works with the theme of ancient Yuefu imitated by later generations.