Lovely China
Author: Tsunami
The house is not mine, but the dust is mine;
The disease is not mine, but the pain is mine;
The night is not mine, but the dream is mine;
The grave is not mine, but death is mine;
winter is not mine, but the cold is mine;
The city is not mine, but the congestion is mine;
the rain is not mine, but the disaster year is mine;
the food is not mine, but the hunger is mine;
Love is not mine, but loneliness is mine;
The sky is not mine, but flying is mine;
Time is not mine, but aging is mine;
The diploma is not mine, but the knowledge is mine;
The movie is not mine, but the plot is mine;
the sun is not mine, but the shadow is mine.
Besides, there is a lovely China.
Extended information:
Cultural reflection
Lovely China is an extremely sharp opposition, as precise as a scalpel, which cuts through the chest and time. Among these poems, which are both contradictory and unified, the tsunami reflects the difficulties of our real life at a close distance from the pressure and embarrassment of reality.
In the helpless self-mockery and self-mockery, it even tends to be a cruel psychological "self-abuse" and emotional whipping, which makes you feel pain, makes you reflect and forge ahead in pain, and shows the strength of youth and the will to life with a more positive attitude towards life.
At the same time, we should also see that the appearance of "Tsunami Style" is not only people's deep concern about the return of poetry to life, but also a real expectation for the "immediacy" of poetry as an existing life.
In this sense, The Lovely China is an excellent work that effectively reveals and identifies the humanistic ecology of an era in the form of poetry, and it is a pioneer work that strongly appeals to the humanistic spirit.