1. Ancient poems about intertext
Ancient poems about intertext 1. Poems using intertextual rhetoric
The moon in Qin Dynasty is bright and the moon in Han Dynasty is closed Rhetoric is intertextuality. Intertextuality is two words (for example, "Qin and Han") that were originally meant to be said together, such as "the bright moon in Qin and Han Dynasties, the time in Qin and Han Dynasties," but due to the limitations of syllables and word count, one had to be omitted, so Omit the word "Han" in the front and the word "Qin" in the back. When explaining, the two words should be combined.
For example, in Wang Changling's "Crossing the Fortress", "the bright moon in Qin and the pass in Han" is a special structure in the poem. In fact, it means that the moon is the moon in ancient times, and the pass is the pass in ancient times. The words Qin and Han are used Refers to ancient times, that is, the bright moon in Qin and Han Dynasties and the pass in Qin and Han Dynasties, which is intertextual and meaningful. This is used in poetry.
For example, "Nineteen Ancient Poems": "Altair is far away, and the river is bright and beautiful." Saying that Altair is far away and Vega is bright is also intertextual, that is, Altair is far away, and the river is bright and beautiful. .
Another example from "Mulan Ci": "The male rabbit's feet are fluttering, and the female rabbit's eyes are blurred." Jumping in a fluttering manner, and blinking in a blurry manner, it is also intertextual, that is, the male rabbit's feet are fluttering, and its eyes are blurred. , the female rabbit's eyes are blurred and her feet are twitchy, so when the two rabbits are running on the ground, it is difficult to tell which one is female and which one is male.
There is not only intertextuality in poetry, but also intertextuality in articles. For example, "Wen Xin Diao Long·Shen Si": "Zijian Yuan Shou (picking up the paper) is like reciting orally, Zhong Xuan is holding up the pen like Suzhou Gou."
Cao Zhi picked up the paper and wrote like he was reciting it orally. As if, Wang Can picked up the pen and started writing as if he had already finished it. You can't write just by holding paper or pen, so here it is actually "Zijian raised his pen to support the tablet" and "Zhongxuan raised his pen to support the tablet", which are also intertextual.
1. The bright moon of the Qin and Han Dynasties and the close of the Qin and Han Dynasties - Wang Changling's "Out of the Fortress" 2. The male rabbit's feet are scratchy and the female rabbit's eyes are blurred - "Mulan Ci" 3. The general died in a hundred battles, and the strong man returned after ten years ——"Mulan Ci" 4. The master disembarked and was on board the boat - Bai Juyi's "Pipa Play" 5. Don't be happy with things, don't be sad with yourself - Fan Zhongyan's "Yueyang Tower" 6. Plant pines and cypresses on the east and west, and sycamores on the left and right - " "The Peacock Flying Southeast" 7. Behind the eaves under the shade of elms and willows, in front of the hall of peaches and plums - Tao Yuanming's "Returning to the Garden and Living in the Fields" 8. The Far-Away Altair, the Bright River Han Girl - "The Far-Away Altair" 9. Worry before the worries of the world; Afterwards, the world will be happy and happy - Fan Zhongyan's "Yueyang Tower" 10. The general's gray hair and husband's tears - Fan Zhongyan's "Autumn Thoughts" 11. Open the door of my east pavilion and sit on my bed in the west pavilion - "Mulan Poems" 12. The spring is fragrant and The drunkenness - Ouyang Xiu's "The Drunken Old Man's Pavilion" 13. The clamor goes to the east and west, and the thunder rushes to the north and the south - "The Snake Catcher" 14. The wood is prosperous and the spring starts to trickle - Tao Yuanming's "Return to Come" "Ci" 15. Buy horses in the east market, saddles in the west market, bridles in the south market, and long whips in the north market - "Mulan Ci" 16. Smoke cages with cold water and moon cages with sand - Du Mu's "Bo Qinhuai" 17. Searching in King Qi's house It's common, Cui Jiutang heard it a few times before. ——Du Fu's "The Year of Li Gui in the South of the Yangtze River" 18. The general's horn bow cannot be controlled, and the protective armor is too cold to wear.
——Cen Shen's "Bai Xuege Sends Magistrate Wu Back to the Capital" 19. Li Shenlin is shocked to the top. ——Li Bai's "Sleepwalking Tianmu's Song of Farewell"
Reference: /z/q872636261.htm.
2. What are the poems that use intertextual rhetoric?
The rhetoric of "Qin Shi Mingyue and Han Shi Guan" is intertextuality. Intertextuality is two words (such as "Qin and Han"). To say it together, such as "the moon was bright during the Qin and Han Dynasties, the moon was at the Qin and Han Dynasties", but due to the limitation of syllables and word count, one had to be omitted, so the word "Han" was omitted in the front and the word "Qin" was omitted in the back. When speaking, the two words must be combined.
For example, in Wang Changling's "Crossing the Fortress", "The bright moon in Qin and the pass in Han" is a special structure in the poem. In fact, it means that the moon is the moon in ancient times, and the pass is the pass in ancient times. The words Qin and Han are used Refers to ancient times, that is, the bright moon in Qin and Han Dynasties and the pass in Qin and Han Dynasties, which is intertextual and meaningful. This is used in poetry.
For example, "Nineteen Ancient Poems": "Altair is far away, and the river is bright and beautiful." Saying that Altair is far away and Vega is bright is also intertextual, that is, Altair is far away, and the river is bright and beautiful. .
Another example from "Mulan Ci": "The male rabbit's feet are twitching, and the female rabbit's eyes are blurred." The twitching jumps and blurred eyes blink are also intertextual, that is, the male rabbit's feet are twitching, and the eyes are blurred. , the female rabbit's eyes are blurred and her feet are twitchy, so when the two rabbits are running on the ground, it is difficult to tell which one is female and which one is male.
There is not only intertextuality in poetry, but also intertextuality in articles. For example, "Wen Xin Diao Long·Shen Si": "Zijian aids the tablet (picking up the paper) as if he is reciting it orally, Zhong Xuan lifts the pen as if he is writing it."
Cao Zhi picked up the paper and wrote it as if he was reciting it orally. As if, Wang Can picked up the pen and started writing as if he had already finished it. You can't write just by holding paper or pen, so here it is actually "Zijian raised his pen to support the tablet" and "Zhongxuan raised his pen to support the tablet", which are also intertextual.
1. The bright moon of the Qin and Han Dynasties and the close of the Qin and Han Dynasties - Wang Changling's "Out of the Fortress" 2. The male rabbit's feet are scratchy and the female rabbit's eyes are blurred - "Mulan Ci" 3. The general died in a hundred battles, and the strong man returned after ten years ——"Mulan Ci" 4. The master disembarked and was on board the boat - Bai Juyi's "Pipa Play" 5. Don't be happy with things, don't be sad with yourself - Fan Zhongyan's "Yueyang Tower" 6. Plant pines and cypresses on the east and west, and sycamores on the left and right - " "The Peacock Flies Southeast" 7. Behind the eaves under the shade of elms and willows, in front of the hall of peaches and plums - Tao Yuanming's "Returning to the Garden and Living in the Fields" 8. The far-off Altair, the bright and clear river of Han women - "The Far-off Altair" 9. Worry before the worries of the world; Afterwards, the world will be happy and happy - Fan Zhongyan's "Yueyang Tower" 10. The general's gray hair and husband's tears - Fan Zhongyan's "Autumn Thoughts" 11. Open the door of my east pavilion and sit on my bed in the west pavilion - "Mulan Poetry" 12. The spring is fragrant and The drunkenness - Ouyang Xiu's "The Drunken Old Man's Pavilion" 13. The clamor goes to the east and west, and the thunder rushes to the north and the south - "The Snake Catcher" 14. The wood is prosperous and the spring starts to trickle - Tao Yuanming's "Return to Come" "Ci" 15. Buy horses in the east market, saddles in the west market, bridles in the south market, and long whips in the north market - "Mulan Ci" 16. Smoke cages with cold water and moon cages with sand - Du Mu's "Bo Qinhuai" 17. Searching in King Qi's house It's common, Cui Jiutang heard it several times before. ——Du Fu's "The Year of Li Gui in the South of the Yangtze River" 18. The general's horn bow cannot be controlled, and the protective armor is too cold to wear.
——Cen Shen's "Bai Xuege Sends Magistrate Wu Back to the Capital" 19. Li Shenlin is shocked to the top. ——Li Bai's "Sleepwalking Tianmu's Song of Farewell"
Reference materials: /z/q872636261.htm.
3. Use intertextual rhetoric in ancient poems and give a brief explanation
1. Magpies are frightened by the bright moon, and cicadas sing in the breeze in the middle of the night.
(Xin Qiji's "Moon on the West River") Translation: Under the bright moon, in the breeze, the chirping of magpies and cicadas came. 2. A general will die in a hundred battles, and a strong man will return in ten years.
("Poetry of Mulan") Translation: The generals and warriors served in the army for ten years and experienced thousands of cruel battles. Some died, and some returned victorious. 3. When you are looking at the window, you need to trim your hair, and when you are looking at the mirror, you are wearing yellow flowers.
("Mulan Poems") Translation: Facing the window, facing the mirror, combing the cloud-like hair, and putting yellow flowers on the face. 4. The male rabbit’s feet are scratchy and the female rabbit’s eyes are blurry.
("Poetry of Mulan") Translation: The legs of the male rabbit and the female rabbit are confusing. 5. The light of the mountain is pleasing to the birds, and the shadow of the pond is empty of the human heart.
(Chang Jian's "Ti Po Shan Temple Hou Zen Yuan") Translation: The scenery of lakes and mountains makes birds happy and makes people get rid of distracting thoughts. 6. It is commonly seen in King Qi’s house, and Cui Jiutang heard it several times.
(Du Fu's "The Year of Li Gui in the South of the Yangtze River") We often meet in Prince Qi's house and in front of Cui Jiutang. (1) Phrase intertextuality means that the words in the front and back parts of a phrase form an intertext. When understanding, the words in the front and back parts must be put together.
For example: 1. Go to the country and miss your hometown. (Fan Zhongyan's "Yueyang Tower") 2. The spring is fragrant and the wine is strong.
(Ouyang Xiu's "The Drunkard's Pavilion") Example 1 "Going to the country to miss the hometown" is the condensed form of "Going to the country to miss the hometown, missing the country to miss the hometown", which can be translated as "Leaving the capital of the country and missing the hometown" Hometown"; Example 2 "The spring is fragrant but the wine is fragrant" is the condensed form of "The spring is fragrant and the wine is fragrant", which can be translated as "the spring water and the wine are both fragrant". (2) Single-sentence intertextuality means that the two parts before and after a sentence constitute intertextuality.
The so-called single-sentence intertextuality means that the two words before and after in the same sentence intertwine and complement each other in meaning. For example: 3. Smoke cage, cold water, moon cage and sand.
(Du Mu's "Bo Qinhuai") 4. The bright moon of Qin time is close to the Han time. (Wang Changling's "Out of the Fortress") Example 3 should be understood as: the smoke covers the cold water and the sand; the moonlight covers the sand and the cold water.
If you understand this sentence as: "Smoke covers the cold water, moonlight covers the sand", it would be completely wrong, and the meaning cannot be explained. Example 4 consists of two parts: "Mingyue in the Qin Dynasty" and "Guan in the Han Dynasty". The former refers to "Han" and "Guan", and the latter refers to "Qin" and "Mingyue". It can be understood as "the bright moon and the pass in the Qin and Han Dynasties" .
(3) Couple sentence intertext refers to the intertext composed of two sentences before and after it. Its characteristic is that the two sentences before and after echo each other, complement each other, and imply each other. When understanding, the two sentences before and after must be understood. Put it together. For example: 5. Make noises to the east and west, and rush to the north and south.
(Liu Zongyuan's "The Snake Catcher") 6. Thousands of miles of ice, thousands of miles of snow drifting. (Mao Zedong's "Qinyuan Spring Snow" 7. The flower path has never been swept by visitors, and the gate is now open for you.
(Du Fu's "The Guest Arrives") Example 5 These two sentences are intertextual and cannot be said It becomes "calling in the east and west, harassing in the north and south". It should be understood as "calling in the east and west, harassing in the north and south" and "harassing in the north and south". "North and South" are interpenetrating and explaining each other, and they are combined in meaning. Example 6 is a condensed form of "Thousands of miles of ice, thousands of miles of snow drifting"
Example 7 should be understood as. "The flower path was not swept by guests, but now it is swept by you; the gate is opened by you now, but it was never opened by guests." (4) Multi-sentence intertextuality is composed of words in three or more sentences. , combined to create meaning.
For example: 8. Buy horses in the east market, buy saddles in the west market, buy bridles in the south market, and buy whips in the north market.
The antitheses of "East City", "West City", "South City" and "North City" can be understood as "(going to) the markets in the east, west, south and north to buy horses, saddles, bits, reins and long whips", showing Mulan The excitement before the war.
4. Poems containing intertextual rhetoric
Example (1): Chaohui Xiyin. "Yueyang Tower" Fan Zhongyan (meaning "Chaohui Xiyin" and "Chaohui Xiyin" ". "Chao" and "Xi", "Hui" and "Yin" are intertextual.) Example (2): Don't be happy with things, don't be sad with yourself. "Yueyang Tower" Fan Zhongyan (meaning not to be happy with "things") You are happy because of "your environment" or "oneself" (personal encounters), and you are not sad because of "things" or "self".) Example (3) "Mulan Poetry" 1. Buy a horse in the east market and a saddle in the west market. , buy bridles in the southern market, buy long whips in the northern market. 2. Generals die in a hundred battles, and strong men return after ten years. 3. Open the door of my east pavilion, and sit on my bed in the west pavilion. 4. Fix your hair at the window, and apply yellow flowers to the mirror. Example (4): Thousands of miles of ice, thousands of miles of snow drifting. "Qinyuan Spring Snow" by Mao Zedong (meaning "Thousands of miles of ice, thousands of miles of snow drifting." "Thousands of miles" and "Wanli" are intertextual.) Example (5): "Guan Canghai" Cao Cao's journey of the sun and moon, if it comes out of it; if the stars and Han are brilliant, if they come out of it. ("The journey of the sun and moon" and "the stars and stars are brilliant" are intertextual) Example (6): "Poetry of Horses" Li He The sand in the desert is like snow, and the moon in Yanshan Mountain is like a hook. How can I be like a gold-collared brain, walking quickly to enjoy the clear autumn. (Intertextuality between "Desert" and "Yanshan") Example (7) Don't be happy with things, don't be sad with yourself. Meaning: No Feeling happy or sad because of external good or bad and one's own gains and losses. Example (8) The punishment is not worthy of a doctor, and the courtesy is not worthy of common people. Example (9) A sour son and a hot girl.
5. Classical and representative poems containing intertextual rhetoric require familiarity
1. The clamor of East and West and the conflict between the North and the South Liu Zongyuan's "Snake Catcher"
< p> 2 Buy horses in the east market, saddles and bridles in the west market, bridles in the south market, and long whips in the north market. "Poetry of Mulan"3 Birds in thousands of mountains have disappeared, and all traces of people have been wiped out across thousands of paths. "Snow on the River" by Liu Zongyuan of the Tang Dynasty
4 Magpies are frightened by the bright moon, and cicadas sing in the breeze in the middle of the night. Song Dynasty Xin Qiji's "Moon over the Xijiang River"
5 I feel the flowers splashing with tears, and hate the other birds. "Spring View" by Du Fu of the Tang Dynasty
6 Pine and cypress are planted on the east and west, and sycamore trees are planted on the left and right. "The Peacock Flying Southeast"
7. The appearance of a sinking fish and a falling geese. The appearance of a closed moon that shys away flowers
8. The journey of the sun and the moon can be seen from within; the brilliant stars can be seen from within. Cao Cao's "Viewing the Sea"
6. Intertextual verses in "Mulan Poems"
Intertextual verses in "Mulan Poems":
(1) .Generals die in a hundred battles, and strong men return in ten years.
(2). Open the door of my east pavilion and sit on my bed in the west pavilion.
(3). Manage your temples by the window, and put yellow decals on the mirror.
(4). Buy horses in the east market, saddles and bridles in the west market, bridles in the south market, and long whips in the north market.
Intertextuality, also called intertextuality, is a rhetorical method often used in ancient poetry. Specifically, it is a form of mutual rhetoric: the upper and lower sentences or the two parts of a sentence each seem to say two things, but in fact they echo each other, elaborate on each other, complement each other, and say one thing. . A rhetorical method that expresses the meaning of a complete sentence by interweaving, interpenetrating, and complementing contextual meanings.
"Mulan Poetry" is a folk song of the Northern Dynasties. Song Guo Maoqian's "Yuefu Poetry Collection" is included in "Hengchui Songs·Lianggujiao Hengchui Songs".
This is a long narrative poem, which tells the story of a girl named Mulan, who disguised herself as a man, joined the army for her father, and made meritorious deeds on the battlefield. After returning to the court, she did not want to be an official, but just wanted to go home and be reunited. The story enthusiastically praises this woman's brave and kind qualities, her passion for protecting her family and her country, and her heroic and fearless spirit.