Zhu (1 130- 1200) has a dark personality, and the Chinese characters are the most important. In the evening, it is called "Huian" and "Huiweng", also called "Dunweng" and "Cangzhou Sick Old Man". Wuyuan (now Jiangxi) people, Jianyang (now Jiangxi) people, Jianyang (now Fujian) people. In the eighteenth year of Shaoxing (1 148), he was a scholar, and he was the master of Tongan in Quanzhou. In the fifth year of Xichun (1 178), in addition to knowing Nankang Army, he was promoted to tea and salt affairs in eastern Zhejiang. Passing through Jiangxi province, he was sentenced to be summoned to repair the secret pavilion and serve in the outer hall. Guangzong Dynasty, except Zhangzhou. Ning Zongchu, in addition to Huan, served the system and lectured, and promoted Nanjing Hongqing Palace in his own position. In the second year of Qingyuan (1 196), he left his post and went to the shrine. After that, I worked as a doctor and an official. Qingyuan died in six years at the age of seventy-one. At the beginning of Jiading, Shi "Wen". There is a biography of the history of Song Dynasty. For his deeds, please refer to Volume 1-2 and Volume 1-3 of the Statement written by Huang Gan. Since Song Dynasty and Yi Bangjia, there have been dozens of biographies and biographies written by later generations. Among them, The Chronicle of Zhu Zi written by Wang Qing proved the biographies of Cheng Hao and Cheng Yi in detail, and adopted the knowledge of Zhang Zai and Zhou Dunyi, which was the pinnacle of Neo-Confucianism in the Northern Song Dynasty. There are Zhu Wen Official Documents Collection 100 and Huian Ci 1 volume. Wang Yiqing and other poets in previous dynasties quoted the Reading Couplets Collection and said, "Mr. Hui 'an's ci is recited by many families. "Among them is Du Mu's poem" Water Tune "written on the ninth day of Qi Mountain's ascent. His heroic spirit looked down on Su Xin, and his charm made him serve Qin Liu and wash away his old headscarf. Baiyuzhai Thorn by Yakumo and Chen Tingzhuo: Shui Diao by Zhu Huiweng and Die Hua Lian by Zhen Xishan recorded in Ci Zong are not excellent works, but they are not boring, so we know that they are not corrupt scholars. "
● The title of the water tune implies Du Mu's Qishan poems.
Chu Hsi
Clouds surge on the river, and geese want to fly south.
Where can I use a pot as a guest?
The sky is green and foggy.
It's hard to meet a smile in the world. There are purple peony and Huang Ju, which can be inserted into my head.
The scenery is different today, and the life experience is different.
Reward the festival, you will be drunk, and you can't violate it.
Life is like mail, why complain?
Endless past lives, how many spring flowers and autumn moons, that is even more dangerous.
And ask Niu Shan guest, why alone with clothes.
Appreciation of Zhu Ci
According to the original content of a certain style, rewriting a sentence into another genre is called implicit inclusion. This word implies Du Mu's poem "Climbing Mount Qi in Nine Days".
When I read it for the first time, I felt that I transplanted the original poem sentence by sentence, but it was dull and far away. Repeatedly chanting experience, only to find that the spirit of artistic conception has been thoroughly remoulded.
Let's look at Du Muyuan's poem: "Jiangying geese fly at first, and carry the pot with them." It is difficult to write a pen in the world, and chrysanthemums must be inserted. Only by indulging in the Double Ninth Festival, there is no need to sigh and hate the afterglow of the sunset. This is the only situation throughout the ages. Why does Niu Shan want to be alone? " On the Double Ninth Festival, Du Mu climbed Qishan with his friends, and the beautiful scenery made this late Tang poet feel a rare joy. However, the setting sun touched the author's impermanence and sadness. In the Spring and Autumn Period, Qi Jinggong went to Niu Shan, and Linzi, the capital of Wangbei, said with tears: "Why not go here to die!" The poet regrets why he cried alone like Qi Jinggong, because life is impermanent and has always been like this, and who can be spared! Words seem broad-minded, but in fact they are gloomy and sad. Now look at this word. A river of autumn water, clouds all over the sky.
Wan Li is a swan in the sky, flying at the beginning of Chongyang. "Where are the guests with pots?" Ask. "The sky is green and foggy." Answer. I can't answer a verb, it's pure scenery, which gives people the feeling that people carrying wine up the mountain are dissolved in the green hills of Mishan, and the artistic conception is extremely ethereal. If you use the word "Shang" in the original poem "Share a pot with the guest", it will not be established. It's hard to smile when you live in the world. Today, when I am in the embrace of nature, I naturally smile. What's more, it's full of dogwood purple and chrysanthemum yellow, so you can put on your head and enjoy it! "The scenery is now and the life experience is different." In the past, how many people who climbed mountains and felt sad have long since become the past ("no"), but the beautiful nature is real and unchangeable ("yes"). What the author positively affirms here is not only the natural beauty of the present ("the present"), but also the people in the scene and the present life. Adding these two sentences to the ci immediately injected a fresh and fresh source of new ideas, and the sentiment of the ci was obviously divorced from the poetic sentiment.
The author warned his friends to reward the beautiful scenery of the festival and not to disappoint Guang Chen, although he was as drunk as a fiddler. "Life is like sending, why bother?" Life is limited, so we should cherish it. Why complain about the sunset? Although these two sentences use the original poem, they are not melodramatic and broad-minded, and actually fully affirm the value of present life. "Endless past lives, how many spring flowers and autumn moons, that is even more dangerous." These three sentences are transplanted from the original poem "This is the only way through the ages", which is completely contrary to its meaning and more innovative. It's all about turning stone into gold and reinventing yourself. Endless past lives, how many spring flowers and autumn moons sum up endless time and infinite space up and down. Since ancient times, it has been called the universe, and the four sides have been called the universe. The author focuses on octupole, thinking for thousands of years, but feels that in the infinite universe, there is always vitality, so there is no crisis! The author is a famous Confucian philosopher in Song Dynasty. Confucianism believes that the universe, life and ontology are integrated, that is, endless vitality. This vitality is embodied in the life of everything in the world. "Never a breath." (Zhu's The Doctrine of the Mean or The Question) Although life is limited, the vitality of the universe is infinite. The meaning of life lies in living in its proper position, which embodies the ontology of the universe. Limited life will be integrated with the infinite universe. Knowing this, life is full of fun "Ask Niu Shan guests, why bother sticking to clothes alone?" The implication is that this optimistic spirit is permeated. The conclusion of Zhu Ci's and Du Fu's poems is still different in meaning.
Du Fu's poems comfort himself with the impermanence of life, but they are broad-minded and sad and depressed. Zhu Ci, on the other hand, denied the impermanence and sadness of life with optimistic life spirit. And this kind of sadness tortured many ancient poets. In retrospect, the meaning of "the scenery is now, but the life experience is different" is more obvious and profound.
Imagine that the author Chongyang climbed the mountain together, where he was in a mood, so he included Du Mu's poems in pen and ink. River, cloud shadow, swan goose, blue sky, misty rain, purple dogwood and Huang Ju, in the author's eyes, nature is full of vitality, not "how the four seasons roam, how everything grows", "kites fly in the sky, fish jump into the Yu Garden" and "everything grows without harming each other".
On the Double Ninth Festival, people climb mountains together, return to nature, smile, get drunk and stretch their temperament, all of which are full of the interests of "Leshan", "Happy Water" and "Happy Forget Worry". The author's "chest is second to leisure, and it goes hand in hand with everything in the world, each with its own beauty, which is hidden in the words" Notes on the Analects of Confucius ". In the author's ci, it is not the realm of general life emotion in Du Mu's poems, but the Confucian philosophical realm of harmony between man and nature. This kind of realm is no different from the realm of "people in late spring, who have been served in spring, are the top five or six scholars, and are the six or seven boys, bathing in deduction, dancing in the wind, and singing back to their hometown". Zhu Ci praises nature and life, which shows the spirit of China's Confucian philosophy and the realm of Song Ci, and is a great contribution to Song Ci.
This word expresses philosophical thinking, lies in simple explanation, beautiful artistic conception, clear and generous style, so it is interesting but not vulgar.
Poems of Past Dynasties 1 17 quotes the reading continuum to comment on the cloud: "If you are a hero, you look down on Su Xin; If the syllables are harmonious, the servant will command Qin Liu. The custom of washing off the headscarf. " Can be described as literacy. This word belongs to implicit style, focusing on introducing the old into the new, and its artistic attainments are different from Du Muyuan's poems. Although the original poem is almost transplanted sentence by sentence, there are several new ideas, and the whole word is also refurbished everywhere. For example, if we look at the complete words and recall the remark that "Huang Ju has purple peony, which is just as good as full of flowers", we can see that it is not only the purple peony and the flowers of Huang Ju that return to the mountains, but also the life interest of harmony between man and nature. For example, the whole article can be connected with the same kind and completely transformed, only at the height of thought. Small iron turns into gold, but it is wonderful. There is no lack of this new artistic feature in Song Ci. This is actually a reflection of the cultural spirit of inheritance and innovation throughout the Song Dynasty. The word Zhu Yi is a metaphor for this cultural background.