Two Springs Reflect on the Moon
"Two Springs Reflect on the Moon" is a rare masterpiece in China folk instrumental music. Er Quan, the Huishan Spring in Wuxi, Jiangsu Province, is known as the "second spring in the world". The author Hua Yanjun (A Bing) named the music "Two Springs Reflecting the Moon", which not only introduced people into the artistic conception of quiet night, clear home and cold moon, but also seemed to meet people-an upright and tenacious blind artist pouring out his rough life to people. The author uses the five positions of the erhu to play, and with the changes in the strength of various bow techniques, it reveals the depressing and sad mood. After the short introduction, the melody is in a micro-flow, just like the author sitting by the spring meditating on the past. The second phrase has only two bars, which appear six times in the whole song. It starts from the high octave and revolves around the gong yin, breaking the silence in front and starting to soar, revealing the author's infinite feelings. When entering the third sentence, the melody flows in the high-pitched area, the melody is soft and firm, and the mood is more exciting. The theme changed from calm and deep at the beginning to high spirits, which profoundly revealed the author's inner life feelings and tenacious and proud will to live. His frequent use of various techniques in playing makes the music a little sad. This is the emotional expression of a blind artist who has suffered from human bitterness and pain. The theme of the whole song is changed five times, and with the statement, extension and expansion of the music, the expressed feelings are more fully volatilized. This song is deeply touching and weeping, with profound national style and strong artistic appeal. It is widely circulated in the north and south of the Yangtze River and is deeply loved.
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It was originally named "Singing Apart from Night", which was composed by Liu Tianhua, a national musician, in 1928. "Good Night" is an impromptu work when the author gets together with students and friends on New Year's Eve. Under the joyful emotional contagion on New Year's Eve, the author was in high spirits, playing music while playing, and it was instantly formed. The music image of this song is single, lyrical, fresh and lively, giving people a sense of self-satisfaction. The music gives full play to the performance characteristics of erhu in each position. The whole song is divided into three sections, the first section is mainly played on the top handle, and the melody is smooth and rich like a song; The second paragraph is mainly played in the middle, with bright melody and strong passion; The third paragraph is mainly played in the lower part, with high melody and colorful colors. The whole song is short and pithy. The author vividly depicts his happy mood of celebrating the old age and spending a good night with his friends through the light and soft melody. For more than 6 years, this song is still full of exuberant vitality. The joy and passion shown in the song have reached the ultimate performance of musical instruments, and it is a masterpiece in Erhu Music.
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Hua Yanjun (A Bing). According to legend, in the Song Dynasty, Wu Shu was defeated by Yue Fei and fled to the foot of Hui Quan Mountain in Wuxi, lying on the listening turquoise, listening to the loud shouts of military forces in the Song Dynasty with trepidation. Listening to Song is a description of this story, so it is also called Listening to Song. Although this statement is far-fetched, it can also be explained by the heroic spirit and unrestrained feelings of the music. By borrowing things from Song Tao, the author praised the national hero Yue Fei's military power, and at the same time devoted his outspoken character and firm and confident will. The tune is strong and ups and downs; The structure is symmetrical and the main body is prominent. The ambitious intro, like roaring pines shaking the valley, makes people feel a kind of perseverance and heroic spirit. The melody of the music goes smoothly and in one go. The first half leads to a powerful horn tone with weak vibrato and staccato, and the second half adopts irregular free change repetition. The speed and dynamics of the whole song are suddenly changeable, which has dramatic effect. Most of them use one word and one bow in performance, even when the 16 notes are extremely fast, the words are clear and powerful, which is one of the factors that make the music magnificent. This song is a rare masterpiece with rigorous structure, distinct layers, strong emotions and great momentum.
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It took Liu Tianhua ten years to compose this song. The title "Birds in the Empty Mountains" is based on the meaning of there seems to be no one on the empty mountain (Luchai) written by Wang Wei in the Tang Dynasty. On the basis of folk traditional playing techniques, the author uses professional creative skills to compose a piece of music with complete structure and poetic flavor, expressing his love for nature. The music describes the scene of birds singing and being full of life in the deep mountains and valleys. The music imitates the chirping of birds by onomatopoeia, which deeply permeates the composer's emotions. Structurally, there are five paragraphs, plus an introduction and an ending. The introduction is like the call of the mountain forest, the echo of the empty valley, the artistic conception is far-reaching, quiet and fascinating. Then, a very active melody goes on, appearing as the image of "human", which runs through the whole song, sometimes appearing alone, and sometimes combining with birdsong, just like the natural scenery gives "human" fresh and happy mood and free birdsong intertwined. In the music, the wheel finger (the ring finger, middle finger and forefinger of the left hand press the same sound in turn), the large-scale sliding technique and the decomposition of major triad in melody are used, which shows the author's innovative spirit in creation and makes the erhu, an ancient instrument, look brand-new.
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Hua Yanjun (A Bing) composes the music. Some tunes and playing techniques of the music are similar to those of "Two Springs Reflecting the Moon", but the tunes are mostly performed in bright sound areas, which are more lively, smooth and broad, making listeners feel that bright spring is approaching.
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Liu Tianhua composes music. In the summer of 1918, Liu Tianhua enjoyed the cool under the moon, and he couldn't help feeling touched by the scene. He held the erhu in his hand and looked at the moon to express his feelings. I wrote the first draft of this song and finalized it six years later. The melody of the music is soft and gentle, euphemistic and simple. During the progression of the melody, there are big jumps of six degrees, seven degrees and eight degrees from time to time, which are ups and downs and eclectic. The whole song is divided into three sections, mainly using the spinning method of spreading and spreading, such as spring silkworm spinning, which is continuous; Each sentence with broken tail is a fixed termination type, which has the characteristics of singing and sighing, like the composer's heartfelt admiration. The whole song has the artistic conception of a clear moon, but it is more about the expression of feelings and interests, which can not help but remind people of the poem "Moonlight Night" by Liu Fangping, a poet in the Tang Dynasty: "In the middle of the night, the big dipper languishes in the south. "Tonight, I know that it is warm in spring, and the sound of insects is fresh through the green window screen."
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The representative work of folk artist Sun Wenming. The author is a native of Shaoxing, Zhejiang Province. He was blind in his childhood. Because of his father's poverty, he had to leave his hometown to make a living by divination. After that, he specialized in playing Hu Qin and made a living by busking. Music is a self-portrait of his hard life in exile. After liberation, with the improvement of life and cheerful mood, he has composed eight erhu songs, such as Tanliu, Liubo Qu, Sifang Qu and Peace of Mind. And explore and create in playing techniques, such as "Playing Six" is an imitation of playing a stringed instrument without a thousand pounds; In the song "Peace of Mind", we try to use the four hues and eight octaves to play the octave harmony; The technique of creating the timbre similar to that of the Dong Xiao is used in The Sound of the Xiao at Night.
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Songs in the middle of illness, also known as Anshi or Hu Shi, is Liu Tianhua's first novel, first drafted in 1915 and finalized in 1918. The title of the song means "Where is life going?". In 1915, the author was hit by unemployment, his father's death and poverty, and he became depressed into a disease. He wanted to play the erhu to relieve his worries, but he was regarded as doing nothing by his relatives and friends. He felt in a difficult situation and his future was bleak. In this state of mind, the first draft of the melody "Singing in a Sick Heart" was conceived, and the depressed mood at that time, the sigh of comfort in life, the struggle in adversity and the desperate pain were all poured into the music. But this is not a sad song of despair, but an expected and touching inner monologue. The first paragraph of the music shows the feeling of anguish and hesitation, and the melody is like weeping and touching euphemism. The second paragraph is decisive and powerful, and the melody is relatively rapid, showing a desire to get rid of the pressure of depression and an ambition to swear to fight against the surrounding dark forces. The third paragraph and the conclusion express the sigh and difficulties of constantly strengthening the will to struggle and struggling forward in adversity. When the development of music reached its peak, the melody suddenly stopped, the mood took a turn for the worse, and the 12-degree downward glide caused a sad effect, and the whole song ended in a vibrato like a groan of pain. In the title, the author puts forward the problem of "comfort" in life, which is manifested incisively and vividly through the music from time to time, from time to time, from time to time, from time to time, from time to time, from time to time, from time to time, from time to time.
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Three Jilang, a piece of music from the Three Treasures Buddha, was once adapted by the dulcimer Yan Laolie into Cantonese music "Thunder in Dry Days", which shows people's joyful mood when it comes to rain after a long drought. The other parts of the music are melodious and melodious, and the rhythm is smooth. The erhu and orchestration are carefully handled to make the music more pleasant.
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Liu Tianhua wrote it in the spring of 1931. "Bright Walk" is an inspiring March, with a bright and firm melody and flexible rhythm, which shows the intellectuals' constant pursuit of progress and brightness in the old society. In music, the decomposition of the main chord is used to form the horn tone, which plays a leading role in music. The whole song is divided into four sections, with an introduction and an ending. On the basis of the cyclical variations available in the traditional Chinese folk music, it adopts the characteristics of western complex trilogy and has a strict structure. In the introduction, you can hear the sound of firm and tidy steps, and then there is a drumming rhythm and high-spirited tone. The melody of the second March style is smooth and beautiful as a song. The third paragraph is repeated, transposed and constantly presented in an elastic sound pattern, just like people striding with vigorous steps and strutting forward. At the end, when the mood reached its climax, the technique of tightening and repetition was used to make the music more enthusiastic; Finally, a melody simulating the decomposition of the main triad of the bugle call appeared, which made the whole song full of vitality, enterprising spirit and optimism and confidence in the bright future.
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