Supplementary functions of inscriptions:
One: it is a supplement. Complement the deficiency of painting composition. Painting composition, generally pay attention to writing first. However, in the process of understanding painting, with the change of color and Mo Yun, new contradictions often appear, which need some first-aid measures to make up. Inscription is the best way to make up for the lack of painting language. It can also be said to be the first remedy. Use inscriptions to make up for the lack of understanding of painting. Be careful. If you use them well, it will be icing on the cake. If you use them badly, it will be a complete failure.
Second: it is waking up. Often in the construction of painting language, there will be unexpected situations, which rarely achieve the original design effect, and the color tone is too dark or too flat. Inscriptions can arouse the theme and enhance the spirit of the picture. This requires that the tone and the main color of painting should be compatible, harmonious and incompatible, which will wake up the whole article.
Third: it is hiding. Due to the popularity of painting theory, people have a certain set when appreciating painting and calligraphy works. When we take care of calligraphy and painting works, we will unconsciously think of the author's inscription. At this time, the use of hidden money can play a role in guiding the viewer's aesthetic thinking.
The relationship between the inscription and the content of the work.
One: unify the relationship. The unity of painting and calligraphy is determined by the basic laws of painting and calligraphy. The general trend of artistic structure is to be unified. In the process of creation and appreciation, it is the will and emotion of the aesthete and the maker of beauty that reach an agreement, which leads to the * * * sound. It can also be said that the creative ideals of all creators are to bring the feelings of aesthetes into the artistic conception created by themselves.
Second: contradictory relationship. Painting is different from inscription itself, that is, it has contradictory nature. Calligraphy and painting are contradictory individuals, although they are inherently subject to the same clan. Contradictions can also be exploited. We can use the contradiction between books and paintings to create magical artistic perspectives and produce magical artistic effects, sometimes turning decay into magic, and sometimes turning mediocrity into magic.
There is not enough research on the title of calligraphy and painting art, with a rough understanding and shallow thinking. Where you are incompetent, let yourself supplement it!
Supplementary explanation:
One: the relationship between inscription and seal: the relationship between inscription and seal is * * * * * *. The ancients did not seal inscriptions, and later it gradually became popular to enjoy inscriptions and seal seals. The seal should also be unified with the painting, which should not only obey the unity of the overall layout and style of the painting, but also obey the unity of the content and form of the inscription.
Second: the relationship between seal and painting. The seal can be independently associated with the painting part and not attached to the title. Some reply works have no title content, only the author has a beautiful seal, which is already very spiritual. At this time, even one more word is redundant. This is a special case, which can be called oligopoly. Some of them have only inscriptions and are poor, and they can also be called oligopoly. Special note: this is what I saw on the internet. Share it and learn from each other.