Author: Du Fu era: Tang Dynasty
Four yellow maiden flowers thrive on the road covered, and thousands of flowers bow and the branches are low.
The butterflies in the flowers are dancing, and the soft yinger in freedom is just singing happily.
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Spring breeze warms the air and flowers bloom. The poet walked alone by the river.
On both sides of the path leading to Huang Si's maiden, there are colorful. Poets wander in the ocean of flowers, longing for exotic flowers and herbs; What I smell is a strong floral fragrance. Then, it describes that many flowers are reflected on branches of different sizes and colors. "A Thousand Flowers" has made people deeply moved, but they can't write the texture and weight of flowers, while "Pressing Branches Low" vividly writes the quality and quantity of flowers. The reader seems to see thousands of huge flowers blooming among the branches and leaves. The branches trembled slightly when the breeze blew, which seemed too heavy for the flowers. The words "pressure" and "low" not only describe the number and size of flowers, but also write a slight dynamic from the static state, giving flowers a feeling and arousing readers' extensive association.
"lingering butterfly" should be the inversion of "lingering butterfly" The butterflies wander among the flowers and dance from time to time. If the above two sentences also describe the static charm of flowers, then this sentence writes the dynamic dance of playing butterflies. The "drama" and "dance" here all use anthropomorphic techniques, and write many beautiful dances of colorful butterflies, up and down or so, stopping and flying, flapping their wings and wanting to fly. At this time, the author has taken gorgeous flowers as the background and focused on dancing butterflies, from static to dynamic, further deepening the artistic conception of spring. As the poet "lingered" on Hua Die's lap, there was a delicate cry of an oriole in his ear. At this point, the poet wrote all the feelings of sight, smell and hearing, and expressed spring in many ways. The word "cha cha" certainly takes care of the confrontation with the previous sentence "from time to time", but it also appropriately writes the poet's personal feelings about the artistic conception at this time. When the poet perceives the colorful, graceful shape, fragrant flowers and dancing butterflies in the outside world from the vision and smell, it is also at this time that he perceives the cry of freedom of Jiao Ying from the hearing, which makes the poet intoxicated with the beautiful scenery of nature.
The whole poem is written from the static state to the trembling of flowers pressing branches, and then to the dynamic state of butterflies flying, from vision and smell. From the feeling of shape, color, taste to sound, we can mobilize readers' various sensory organs, feel the beauty of nature and cultivate people's hearts with beauty.