I'm going to drink
Tang Li Bai
I don't see you, how the Yellow River's waters move out of heaven, entering the ocean, never to return.
I don't see you, how lovely locks in bright mirrors in high chambers, though silken-black at morning, have changed by night to snow.
oh, let a man of spirit venture where he pleases, and never tip his golden cup empty toward the moon!.
since heaven gave the talent, let it be employed!, spin a thousand pieces of silver, all of them come back!.
cook a sheep, kill a cow, whet the appetite, and make me, of three hundred bowls, one long drink!.
master cen, Dan qiusheng, will drink, and don't stop drinking.
let me sing you a song!, please listen to me.
what are bell and drum, rare dishes and treasure?, I wish I'd stay drunk forever.
sober men of olden days and sages are forgotten, and only the great drinkers are famous for all time.
prince Chen paid at a banquet in the Palace of Perfection, ten thousand coins for a cask of wine, with many a laugh and quip.
why say, my host, that your money is gone?, go and buy wine and we'll drink it together!.
"Coming into Wine" is not long, but it is full of five tones and extraordinary weather. It is full of pen and ink, full of grief and indignation, and wild, and its language is extremely bold and calm. Poetry has the momentum and power to shake the ancient and modern times, which is certainly related to exaggeration. For example, the poems repeatedly use huge numbers ("Thousand Daughters", "Three Hundred Cups", "Fighting for Ten Thousand Drinks", "Thousand Golden Jubilees" and "Worrying for All Ages") to express heroic poetic feelings, and at the same time, it does not give people an empty and grandiose feeling. Its root lies in its rich and profound inner feelings, and the underlying wine words. Five Flowers Horse, Golden Jubilee, hand them to the boy to exchange for good wine, with you, sell the eternal sorrow.