Xichun Bin's application to Japan was well received. At the beginning of the night snow, the wheat is looking forward to it. Entering the city, looking around for depression, cold water is green. Twilight gradually rises, and the defensive angle mourns. I feel sad from it and feel sorry for past lives, because I am watching this song. Yan Qian, an old man, thinks there is sadness in "millet separation".
Huaizuomingdu, Zhuxi is a good place with few saddles on the initial journey. Ten miles after the spring breeze, the wheat is green. Since Huma went to see the river, he abandoned the trees by the pool and still hated talking about soldiers. It's getting late and everything is empty. It is not surprising that Du's reward is too heavy now. Vertically speaking, although the dream of a brothel is good, it is difficult to be affectionate. The 24th Bridge is still there, the waves are swaying, and Leng Yue is silent. After reading the red medicine by the bridge, you will know who you should live for every year.
Most of Jiang Kui's poems describe personal life experiences, and few describe state affairs. Yangzhou Slow is a rare chapter in his collection. By describing the tragic decline of Yangzhou after being robbed, the atrocities of the Nuzhen aristocratic rulers were exposed and the feelings of worrying about the country and the people were expressed.
The first eleven sentences of the word are divided into four layers to lament the dilapidated state of Yangzhou. The first three rhyming sentences get to the point from their own whereabouts: long-distance crossing Yangzhou. Because Yangzhou is a prosperous historical city and a scenic tourist destination, it is natural to dismount and watch. The use of "great name" and "beautiful scenery" here is not for praise, but for setting off, using history to set off reality, which is a melody that wants to suppress first and then promote. Then in the second rhyme, the pen turns from history to reality. The realistic picture is not the prosperity of Du Ming and the beauty of a good place, but the tragedy of depression: Shili Strip is desolate. The author visited Yangzhou at this time in winter. The "spring breeze" in the sentence is not what it really refers to, but through Du Mu's poems, it symbolizes the prosperity of the past, and it is easy to remind people of the grand occasion of "Yangzhou Road Shili Spring Breeze". The phrase "try our best to make the wheat green" is similar to that in Du Fu's "Spring Hope", which means "Although the country has broken mountains and rivers, the vegetation will be green in spring". One of the words "doing" is all-encompassing, describing the degree of desolation, which is extremely sad. Why is Yangzhou, once a famous city, so desolate now? Therefore, the three rhymes and three sentences reveal the reasons: the Nuzhen aristocratic military group invaded the south twice in the third year of Jianyan in Song Gaozong (1 129) and in the thirty-first year of Shaoxing (1 16 1), and the land of the Huai River and the Huai River was completely lost, and Yangzhou suffered great damage. Although the disaster of the war has passed, the broken scene left by the fire can not be eliminated for a long time. According to historical records, the main road in Song Xiaozong has been deserted for six years (1 170), and more than 400,000 mu of farmland in Jianghuai East Road was deserted. The sentence "I'm tired of talking about soldiers" is meaningful: it not only shows the profound disaster brought to the people by years of war; He also strongly condemned the capitulationists for bending their knees to flatter the enemy and destroying rivers and mountains; It also shows the gnashing hatred of the military group of nuzhen nobles. In particular, the word "disgust" combines the sufferings of the people, the fatuity of the court, the evil of the enemy and the author's feelings, which is concrete and profound. Chen Tingzhuo said in Bai Yuzhai's Ci Hua: "The word' I'm still tired of talking about soldiers' contains endless hurtful words. Others are tired of talking about it for a thousand times, and they don't have this charm." This is an insightful comment. At the end of rhyme, on the basis of vision, we further write and render the atmosphere from the auditory aspect. "Clear Corner" was written in a state of chaos, and the sound was unbearable. The word "cold" indicates festivals and seasons, which corresponds to the word "solstice" in the preface, and also implies the author's subjective feelings. The word "empty" in "All in an Empty City" corresponds to the three sentences of "green wheat" and "abandoning the pond tree", which focus on the present, but the present has a past, which makes desolation more common and easier to touch the feelings of "sadness".
The last nine sentences of the word are divided into four layers to express Xiaomi Li's sadness. The first rhyme is two sentences, expanding the ci realm with Du Mu's story. Shang Jun is about the past, and Shoujing is about the present. From the past to the present, cherishing the past means hurting the present. In the past, Yangzhou was prosperous for a while, and many poets and poets sang for it, leaving behind masterpieces that have been told for generations. It also attracted many romantic talents to visit here, leaving many anecdotes. Among them, the story of the Tang Dynasty poet Du Mu and his poems are the most popular. Therefore, it is envisaged in the poem that if Du Mu is still alive, he will be surprised to revisit Yangzhou and see the terrible situation in front of him. Here, I use Du Mu's wine glass to water the pieces in my chest and express my deep affection. Starting from the significance of Du Mu's Poems Farewell and Farewell, this paper points out that even Mu, a famous poet who is good at expressing feelings with things, can't write all these bleak scenes and sad feelings even if he has the exquisite talent to write "cardamom" words and "brothel" poems. The rhyme "heavy enough to be shocked" means that it is unbearable to write, and this rhyme "hard to be affectionate" has entered a new level and is unbearable to write. Three rhymes and two sentences, and then go back and write the real scene. The whole word is no longer based on the prosperity of the past, and here suddenly appears "Twenty-four Bridges are still there", which makes the meaning of the word ups and downs and eye-catching. It secretly pointed out that the scenery remains the same and the world has changed, which makes people feel melancholy. There is a poem in the Tang Dynasty that "there is a moonlit night on earth, and a rogue is Yangzhou" (Xu Ning's "Recalling Yangzhou"). In the past, the moonlight in Yangzhou was quite poetic, but now it has become a cold "Leng Yue". The reflection in Running Water in Winter is silent, silent and desolate, which once again renders the tragic atmosphere in the poem. At the end of the rhyme, the two sentences ended with cross-examination, with deep feelings and infinite sorrow. In the past, "Yangzhou Peony was the best in the world" (Wang Guan's "Yangzhou Peony Spectrum"), the flowers did not know the great changes in the world, but just opened and died. This further laments the misfortune of "Du Ming" becoming an "empty city", strengthens the tragedy of destruction and sadness of parting, completes the expression of the theme of the whole word, and at the same time, it also sends out the aftermath, leaving people with endless reverie.
Jiang Kui once put forward in Poems of Baishi Taoist that poetry should be "remembered in the sentence and meant in the text". "Yangzhou Slow" can be said to be a masterpiece to realize his artistic ideas. This word is full of beautiful scenery and artistic conception. The first part is mainly a tragic scene, and the second part is mainly to express sadness. However, the author is full of sadness when writing tragic scenes, and describes tragic scenes when expressing sadness. Feelings are attached to the scenery, and the scenery turns into feelings. Empathy turns into scenery, and scenery is lyrical. The blending of scenes has its own characteristics. Secondly, it is to use standard facts to send gifts to far away places. There are seven places where Du Mu's poems and events are used, but the author does not comment on and miss Du Mu, but uses Du Mu's historical facts to compare the difference between the past and the present, to compare the pain of "difficult fu" and to express his deep affection. This highlights the sadness caused by witnessing the tragic situation of the old country after the robbery, which is really indescribable. Thirdly, it shows a variety of feelings, and it is infinite. The word begins with "stay less" and writes about scenery; What you see in your eyes and hear in your ears; Write your thoughts according to what you have seen and heard. In the concrete narration, there are images of "abandoned pond trees", voices of "empty city" and "clearing corners", silence of Leng Yue and ripples of cold waves. Sound, tangible, dynamic, static, seamless, full of emotion, effectively express ideas and deepen the theme.
There are many prefaces in Jiang Kui's poems, which often provide clues for understanding the meaning of words. For example, the word order explains the writing time, reason, content, theme and so on. Moreover, the preface itself is lively and interesting, which matches the words and complements each other. It can be seen that preface is not dispensable, but an integral part of the complete artistic image of the whole word.
Zhang Yan, a poet in the Song Dynasty, once praised this song "Slow Yangzhou" and Qin Guan's "Man Ting Square" (the morning clouds are blooming) as works with both charm and charm. In fact, the recollection in Qin Guan's ci that "the cardamom hated for a long time, but the dream of ten years was just amazing" is just a personal life experience and a feeling of loneliness and boredom; The word "Jiang Kui" is sentimental about one's home country, and sadness leads to chaos. From this point of view, this word is better than Qin ci. Wang Fuzhi's "Jiang Zhai Shi Hua" said: "Writing a mourning for Syaraku with a happy scene will double his sorrow and joy." In this poem, the sentence of "A cardamom poem, a beautiful brothel dream" is also written in gorgeous language, and it seems that it cannot be attributed to "incompatibility with Xiaomi's sad serious will". Of course, there are many sighs in this poem, but there is little passion. Compared with the patriotic rhetoric of Xin Qiji and Chen Liang, the poem "Leaving Sorrow" is naturally a deep and sad song.
"The twenty-four bridges are still there, the waves are swaying, and Leng Yue is silent." These people all have grammar. (Volume II of Zhang Yan's Etymology)
The sentence "Twenty-four Bridges" is the focus of the word "Dang". The so-called word is effective, and the first place is glorious. It is impossible to refine words, but it is not easy to refine. (First, Cheng Hong's Ci Xie, Volume 4)
Baishi's "Yangzhou Slow" says: "Since Huma went to see the river, I have abandoned the trees in the pool and still hate talking about soldiers. Twilight, clear corners and cold winds are all in empty cities. " I wrote a few words about soldiers, and the scene is vivid. The words "I'm still tired of talking about soldiers" contain infinite hurtful words. Others are tired of thousands of words and don't have this charm. (Chen Tingzhuo's White Jade Zhai Thorns, Volume II)
The meaning of number is not deep, but the wording is unique throughout the ages, and the more you taste it, the more it changes. "From Huma to see the river" is just a few words. Writing about the post-war scene, let him say a thousand words, there is always no such charm. "Twenty-four bridges are still there, the waves are swaying, and Leng Yue is silent. Read the red medicine by the bridge and know who is born every year. " Elegance and exquisiteness are more than halal. (Comment on Chen Tingzhuo's Yun Shao Ji)