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In a big mulberry field, young girls take Sando as their leisure. They sing songs and go home together.
In an adjacent large mulberry field, beautiful girls are holding Sando leisurely, and they turn around and go home together, talking and laughing.
To annotate ...
Between ten acres: refers to the land of suburban fields.
Mulberry pickers: Mulberry pickers. Leisure: a broad and leisurely appearance.
Ok: Let's go. Say it, will.
Venting: the appearance of harmony; Speaking of crowds.
Death: return; Say it.
Useful (44) Not useful (13)
References:
1, Jiang Liangfu et al. Dictionary of Appreciation of Poetry in Pre-Qin Dynasty. Shanghai: Shanghai Dictionary Publishing House,1998: 213-2142, translated by Wang Xiumei. The Book of Songs (I): National Style. Beijing: Zhonghua Book Company, 20 15: 20.
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Wei is located in the north, "the bitch is poor and frugal" (Zhu Yu). However, China's ancestors were industrious and optimistic. Feng Wei's Ten Mu (between ten mu) outlines the fresh and quiet pastoral scenery and depicts the relaxed and happy working mood of mulberry pickers.
The sun is setting, the twilight is about to rise, the cattle and sheep are hedged, and the smoke is gradually rising. The setting sun is oblique, shining through the green mulberry leaves into a wide mulberry field. The mulberry pickers who have been busy all day are ready to go home. Suddenly, voices calling for partners and friends came from the mulberry field. People are getting farther away, but their laughter and songs seem to be still spinning in the mulberry field. This is a picture of mulberry fields returning late between ten acres.
Expressing happy mood with relaxed melody is Feng Wei's most distinctive aesthetic feature in Ten Mu and Three Points. First of all, it is related to the proper use of modal particles. The whole poem is six sentences, and the text is repeated. After each sentence, the modal particle "Xi" is used, which naturally lengthens the tone and shows a relaxed mood. Secondly, more importantly, it is related to the content of poetry expression. This poem shows the scene where girls call their partners and friends to go home together after work. Therefore, the word "Xi" contains a relaxed and soothing atmosphere after intense labor; It also contains a sigh of satisfaction and pleasure in the face of the fruits of a day's labor. Poetry and poetry, intonation and artistic conception have reached a perfect unity. The so-called moving cat needs no carving. Another article in The Book of Songs, The Cricket in Nan Zhou, also takes the labor scene and feelings as the theme. However, due to the different labor scenes described, the melody rhythm and aesthetic taste of poetry are also different. Nan Zhou's Ephedra tells the labor process of a group of women picking plantain seeds. It shows the girls' skillful picking skills and cheerful working mood through the constant change of picking actions and the rapid increase of harvest results. Structurally, four words and one sentence, with a word "zhi" added every other sentence, are short and powerful, thus making the whole poem lively and compact. Feng Wei's "Ten Mu" and Nan Zhou's "Gooseberry" are in sharp contrast and become the two most comparable labor ballads in the Book of Songs. Between Ten Mu, which was commented by predecessors, is as elegant as Tao (Chen's Supplement to Reading Wind). Tao Yuanming's "Return to the Garden" (Part III) does write: "From morning, I will push away the filth and take the Moon Lotus hoe home. The road is narrow and the vegetation is long, and the evening dew is stained with clothes. " But the former is full of girls' relaxed pleasure, while the latter contains Tao Gong's leisure and detachment. The former is lively, while the latter is gloomy and seemingly strange. ▲