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Guqin music Luming Literature and Luming Literature, ancient songs and Qin Le. See the first article in the Book of Songs. Xiaoya}. It was originally used for banquets in the Zhou Dynasty. It is one of the last four songs in the Han Dynasty. Cai Yong {Fu Qin} and (Cao Qin) both have this track. According to legend, Du Kui spread from the end of Han Dynasty to Zuo Wei to celebrate the New Year, and Jin made a tribute poem. Tang Hanyu: "In his hometown, the song' Luming Literature' came." (Preface to Sending Yang Shaoyin): "This spectrum is handed down by Zhao, the so-called Kaiyuan legacy." (Interpretation of the Book of Rites) In the Ming Dynasty, Zhang included this song in Li Ya Pu, and it was still published until the late Qing Dynasty. Whether the existing Qin Le is related to the songs of the same name recorded in history remains to be studied. Guqin music Guangling powder, Guangling powder, Qin music. Also known as wide-sided stop. One of the Hunan-Chu Qudan tunes in the Han and Wei Dynasties was used for both ensemble and solo. Ji Kang was killed for opposing Sima's dictatorship. Before his execution, he calmly played this song as a sustenance. In the Ming Dynasty, Song Lian's postscript "The Legacy of Taikoo" said: "His voice is furious and can't be taught." These, from both positive and negative aspects, all show that this song has shown some resistance to the rulers. The existing music score was first seen in The Secret Music of Magic. According to the editor of the book, this spectrum was handed down from the Sui Palace, from the Tang Dynasty to the Song Dynasty, and later passed down. In addition, there are biographies such as Xi Lu Tang Qin Tong. The subtitle of each spectrum segment has the purpose of "taking Korea" and "throwing swords". Therefore, people close to it think that it originated from Nie Zheng's Song of Killing korean king in Cao Qin. There are forty-five stanzas in the existing music score. Divided into: open finger segment, minor sequence segment, major sequence segment, positive sequence segment, chaotic sequence segment and subsequent sequence segment. Among them, the head and tail parts seem to be obtained by later generations, while the three parts before and after the positive tone are likely to retain the form of phase and Daqu. The "slow tone" used in this song is unique to this song. Guqin music "plum blossom three lanes" and "plum blossom three lanes", piano music. The storage of music was first seen in Magic Secret Music. Jie Yue: In the Jin Dynasty, "Huan Yi Xiao was the plum blossom tune, and later generations took Qin as the three unique skills." The overtone tune in the song is repeated three times in different emblem positions (hence the name "agriculture, countryside and farmers"), showing the noble and peaceful static state of plum blossoms. Another urgent tune shows that plum blossoms are not afraid of the cold and sway with the wind. Many paragraphs end in the same tune. Guqin music Black Nightingale and Black Nightingale, Qin music. It was originally a western folk song expressing the theme of love in the Southern and Northern Dynasties. The existing piano score was first seen in The Secret Music of Magic. The theory of Liu Yiqing, king of Linchuan, quoting Shu Yuezhi from Tang Dynasty to compose music was used by later generations. There are words such as "feeding back" and "fighting for the nest" in the score, which shows that the piano music is about the activities of the second dock and chicks. The soft dance in the Tang Dynasty, the Ci school in the Song Dynasty and the Qupai in the Yuan Dynasty also have this intention. Guqin music "Jieshi Tune to Orchid" and "Jieshi Tune to Orchid" are the earliest piano scores in existence. The original is in Japan, and there are also photocopies in China. Handmade paper in the Tang Dynasty still retains the writing style of early word spectrum, which has high historical value. This song originated from Qiu Ming (AD 494-590) in the Southern Liang Dynasty. The title of the song is preceded by the title of the song, which is only seen in Qin music. It is inferred that the content of Youlan should be expressed in Jieshi tone. Jieshi dance was popular in the Southern and Northern Dynasties. According to the Book of Southern Qi Dynasty, Wei Wudi's poem Jieshi is regarded as Jieshi Dance, which has four chapters. "The existing music score is also divided into four beats, and the Jieshi tune may be the tune of Jieshi dance at that time. As for Youlan, a poet Bao Zhao once wrote the lyrics of Qin music with the same name, which can be found in Yuefu poems. The content is to express his talent through orchid finger, which is consistent with the mood of existing tunes. There are many versions of orchids. There are melodies of "You Lan" and "Snow White" in Sima Xiangru's "Fu on Beauty". It is also recorded in Cao Qin that Confucius wrote Yi Lan when he injured himself. There are other kinds of piano music, such as Yi Lan or You Lan. Solving problems generally follows Cao Qin's theory, and its tune has nothing in common with Jieshi Tiaolan. Guqin music "Huhuqie" and "Huhuqie". Dong, Xue and Chen Kangshi, the famous piano players in the Tang Dynasty, are all good at playing this music. At that time, it was also called "Erhu Jia" or "Erhu Jia" plus Xiao Hu Jia. These two works were first recorded in ancient and modern music, and they were called "the voice of great Hu" and "the voice of small Hu". Shen Jiasheng and Zhu Jiasheng, which were popular in the early Tang Dynasty, were famous for these two songs. Later, Dong inherited the traditions of these two families and compiled biographies. Listening to Dong Da's performance of "The Noise", he said: "This clarinet was composed by Mrs. Cai. She sang its eighteen verses one after another a long time ago." It should refer to "Hu Da Jia", because the existing "Magic Secret Spectrum" by "Hu Da Jia" is exactly eighteen paragraphs. It has the same theme as "Eighteen Beats of Hu Jia", but the music has nothing in common. Guqin music "Shi Liu Quan" and "Shi Liu Quan", Qin music. According to legend, it was written by Liu. This track was written in the Tang Dynasty (see the soundtrack of Jieshitiao Youlan). The stored spectrum is divided into eight parts. Describe the interest of flowing water and streams and washing stones in pillows, which can be found in Qinpu True Story and Cyrus Piano Series. Guqin music Li Sao and Li Sao. Chen Kangshi, a pianist in the late Tang Dynasty, wrote according to Qu Yuan's ci. Wen Zhi of Tunxin Tang Shuyi was recorded as nine beats, which was divided into eleven beats and eighteen beats when it was circulated. The Secret Spectrum of Magic uses the latter, and each beat is based on Qu Yuan's poems, which has a profound grudge. "Qin Xue Jin Chu" said in the postscript of this song: "Depression at first, then heroic." Guqin music "Three Layers of Yangguan" and "Three Layers of Yangguan" are songs of the Tang Dynasty, and the music score of Guqin has been preserved to this day. The lyrics are based on Wang Wei's poem "Send Yuaner to Anxi". There is a saying in the poem that "people have no reason to leave Yangguan in the west", which is repeated three times, hence the name "Yangguan Sandie". Since the Tang and Song Dynasties, there have been various singing methods. There are more than 30 versions of the existing piano score, and there are six kinds of * * *. Among them, The Newly Compiled Piano Music (1530) is the most widely circulated, which was first published in the Ming Dynasty and has been circulated ever since it was introduced and processed by Qin Xue in the Qing Dynasty. In addition, it first appeared in Yin Zhezi's Yi Qin score (149 1) and was also popular in the Ming Dynasty. There are eight paragraphs left in the whole song, and the first paragraph only uses Wang Weiyuan's poems. These six kinds of words, songs and songs have different structures, but the main melody is similar, which shows that they come down in one continuous line. Wang Zhenya, a contemporary composer, has adapted it into a chorus according to the performance score of modern pianist Xia Yifeng (the original score includes "A Brief Introduction to Qin Xue") and filled it with records. Guqin music Yi Dao and Yi Dao, Guqin music. It was written by Pan Tingjian in the Tang Dynasty. In the crisp autumn season, every woman has to make winter clothes for her relatives, so she has to pound clothes, so it is also called "Autumn pestle lane" and "Autumn courtyard pound clothes". Music shows women's yearning for their distant relatives. Yang Lun's "The Legacy of Taikoo" analyzes its music content as follows: "The first feeling of autumn wind beats clothes", "the second injury of fish and geese" and "finally dreaming of flying to the north of Saibei". Pingsha Wild Goose: It was first seen in Yan Hui Secret Newspaper (published in 1649) at the end of Ming Dynasty. Since the Ming and Qing Dynasties, there have been nearly 40 kinds of music books. According to Dai's Dream, Yin Ye studied under Shaoxing pianist Wang Benwu in his early years. The curve is medium. The original text has no words. Qu Qing: Qin Le appeared in the Ming Dynasty, and there was no preface and postscript in the Ming and Qing Dynasties. According to the legend of the Qin family in Shangjiang, it is an abridged version of Qiu Hong. Then, its melody should be divided into four subheadings: "flat sand gathers late", "far down flat sand", "drifting with the reed" and "South Huaibei". Wang Qingshan's "Zhi Xin Zhai Qin Pu" is said to have been written by Mao Minzhong in the late Song Dynasty, while Qing Qin Han Wei's "Jiaoan Qin Pu" is said to have been written by Zhu Quan in the early Ming Dynasty. This is as mysterious as the author of Qiu Hong. Zhu Quan said in Preface to Qiu Hong that the author of Qiu Hong is lazy in Xijiang River and poetic mad in heaven. Some people think that Qiu Hong was written by Zhu Quan himself. However, according to the legend and Qiu Hong's original words, it is based on Qiu Hong's sadness of "being in the south and being in the north", and it is similar to the work of Guo Mian, a pianist of Mao Minzhong. The artistic conception and author of this song should still be in doubt. This is the largest number of piano music books with the largest discrepancy. At present, it is also the one with the largest number of people playing and the biggest discrepancy. Guan Shanyue: It was first seen in Wang Yanqing's Meianqin score in the early years of the Republic of China (193 1), with a small style. Nothing to say. Qu Qing: This song of Yuefu Poetry belongs to the category of music played in Han Dynasty. This song was not originally written by A Qin, but it may have been composed by Wang Yanqing with folk music. Since the Six Dynasties, this piece of music has always been regarded as expressing the feelings of opposing military service under feudal rule. Xu Ling's poem "Guan Shanyue": "Thinking of women is high, the window should wake up; ..... spirit of war today, joined the army a few years later; ..... "best represents the artistic conception of this song. Autumn wind lyrics: Wang Yanqing's "Mei 'an Qinpu" in the early Republic of China. The bent body is very small. Have something to say Qu Qing: The original lyrics of Tang Libai's "Autumn is crisp, autumn is crisp, the moon is sky ..." may have been written by Wang Yanqing. It is reported that the autumn wind song of Wugang piano score written by Huang Xian in Jiajing period of Ming Dynasty is a wordless piano piece based on the bass story of Zhang Hansi in the Six Dynasties. At the same time as Huang Xian, Autumn Wind written by Wang Zhi's another piano score of Xilutang is another piano piece with words. The original words are "autumn wind, autumn wind, autumn wind, Hongyan comes, a leaf floats in the golden well, lamenting how much time life can have!" ? ..... want to life can geometry ". The autumn wind chapter won by Maoqing, a Japanese ministry of materials and equipment, refers to the autumn wind poems of Emperor Wu of the Han Dynasty. At present, domestic piano players are playing Qiu Feng Ci in Wang Yanqing's Mei 'an Piano Score, which has nothing to do with the above three ancient scores. Autumn Wind in Wu Ye: In the early Qing Dynasty, Zhuang Yifeng explained in his Piano Music (1644) that it was a new piece he created himself. Twelve printed musical scores were recorded in Qing Dynasty. This shows that it is a successful work. The curve is medium. Nothing to say. Qu Qing: Zhuang himself and the later Qin family did not make a preface and postscript, so Qu Qing should start from the topic. Only Su Jingchun's "Caotang Pu" (1744) in the Qianlong period of Qing Dynasty has the postscript of "the melody is bleak and the rhyme is quiet". Musical score of Xiaoxiang Shuiyun: It was first seen in Zhu Quan's Magic Secret Score (1425) in the early Ming Dynasty, and has been published in thirty kinds of musical scores since the Ming and Qing Dynasties. There were only ten paragraphs at first, and then it gradually developed into a large song with fifteen paragraphs. Nothing to say. Qu Qing: Zhu Quan Qu Xuyun: "This was created by Wang Chu composer Guo Mian. Mr. Yongjia is a native of Yongjia. Every time he looks at nine places, he is shrouded in the clouds of Xiaoxiang, indicating that he is wandering. According to: Guo Mian was a great guqin composer at the end of Southern Song Dynasty, and Jing Chunjian (1260- 1274), Mao Minzhong, Yang Zan, Xu and other "Xia Zi School" musicians all respected him as their teacher. "The reason why Mao Minzhong's woodcut songs and fishing songs are circulated is because of Mao Bu's strong national consciousness. However, musicians of later generations have always believed that the success of these pieces in skills is inseparable from Guo Mian's attainments. Guo Mian's deeds are only scattered in Yu Delin's Pei Wei Zhai Moon Hee and Jue Yuan's Rong Qing Jushi in the Song Dynasty, and there are not as many famous articles as the noble Yang Zuan and his disciples. When discussing the Qin school, Jiang Wenxun in Wuxian's "Music Score of Erxiang" (1833) mentioned that Yan Tianchi said that Yan's piano was "collected by Chen Xingyuan, and later posthumous title flaunters called it Yan's, not Chen's. Isn't the son of Zaifu and the statue of the satrap enough to stir up the world? "Yang Zuan and Guo Mian seems to be the same.