3. One move, one look, and you get rid of the steed and fly away; Another example is the dragon flying in the sky, which comes from nothingness and returns to nothingness. It is almost crazy and contains the aura of heaven and earth. 4. Calligraphy incorporates the perseverance, boldness and enterprising spirit of Confucianism, and also includes the emptiness, dispersion, quietness and leisure of Laozi and Zhuangzi, and often omits the worldly glitz in brushwork in order to be ethereal and far-reaching.
5. Look at its strength without losing, show its posture without boasting, and its pen is flowing. 6. Du Shijie is strong and strong, and his brush painting is thin. If there are no leaves in the frost forest, the waterfall will fly.
7. Play in the sea, jump cranes and swim in the sky. 8. Floating like a cloud, agile like a dragon. Iron book silver hook, the most ancient and modern.
9. Huai Su's pen, like the sword of a strong man, seems moving, but in fact it twists and turns. 10. Raise the brush and apply it a few times, and a flying dragon will jump out of the paper.
The dragons he painted are lifelike, magnificent and varied. Chen Rong often doesn't draw the whole dragon, or the dragon's head, or the dragon's claws, flickering, as if to smell its sound, as if to see its shape, and splashing ink into clouds, spraying water to melt the fog, which is wonderful, and it is called "Suo Wenglong" (as Chen Rong said).
1 1. The brush fonts are scattered, large and small, open and closed, and the line thickness changes obviously, with ups and downs. The last line is crooked, so crooked that it is almost overwhelming. But this tendency is not blunt, but more freedom, which embodies his arbitrary side and has his own style.
Chen Rong took a steep stance, and his writing was oblique or positive, heavy or light, with a beauty of "she began to vent her anger like a thunderbolt". He writes quickly, with a strong pen and great effort.
12. The brush is unpretentious. 13. The teacher's calligraphy is a symbol of the years, with powerful strokes.
14. Make public, it is not bound at all, even the whole line goes down, like the escape of the gods, coming and going without a trace. 15. The teacher's brush strokes are as fragrant as petals.
2. What are the good words and sentences that describe calligraphy works: 1, full of pen and ink. B ǐ hā nmb pen and ink are used freely and fully. It describes calligraphy and poetry.
2, the pen walks the dragon snake bǐ zǒu lóng shé' s dragon snake leaps. Describe the vigorous and free brushwork of calligraphy.
3, dragon and phoenix dance lóng fēi fèng wǔ like a dragonfly, like a phoenix flying. The original description is unrestrained and magnificent.
Nowadays, calligraphy is described as a lively, flexible and lifelike plastic arts of dragons and phoenixes. 4, dragons and snakes flying lóng shé fēi dòng describes the vitality and vividness of calligraphy.
Su Shi wrote in the poem "Xijiang Yuepingshan Hall": "I haven't seen the old fairy for ten years, and the dragon and snake fly to the wall." 5. Luan Piao Feng Bo luán piāo fèng bó Luan: a legendary bird like a phoenix.
Originally, calligraphy was described as unrestrained and uninhibited, and it was also compared to the separation of husband and wife in high flyers. 6. Luan Xiangfeng Road Xiang 'an Xi Angfang ZH: Gao Fei.
Metaphor calligraphy flying posture. Beauty hairpin: describes the beauty and diversity of calligraphy or poetry style. 7. Get to the point. At first, rê 9mê sā nfè n described calligraphy as a strong brushwork, but now it is more deeply and powerfully analyzed, described and discussed. The approximate word force penetrates the back of the paper, depicting the essence of calligraphy.
Good sentence: 1, pick up a pen and daub it a few times, and a flying dragon will jump out of the paper. The dragons he painted are lifelike, magnificent and varied.
Chen Rong often doesn't draw the whole dragon, or the dragon's head, or the dragon's claws, flickering, as if to smell its sound, as if to see its shape, and splashing ink into clouds, spraying water to melt the fog, which is wonderful, and it is called "Suo Wenglong" (as Chen Rong said). 2. The fonts are staggered, big and small, open and closed, and the line thickness changes obviously and fluctuates.
The last line is crooked, so crooked that it is almost overwhelming. But this tendency is not blunt, but more freedom, which embodies his arbitrary side and has his own style. Chen Rong took a steep stance, and his writing was oblique or positive, heavy or light, with a beauty of "she began to vent her anger like a thunderbolt".
He writes quickly, with a strong pen and great effort. 3. Gu Mo lightly grinds a few perfumes, and the new bath in the inkstone pool is full of light, either strong or tactfully, or graceful and beautiful, or vigorous and brave, or like the spring breeze, or like the deep and cold when the north wind enters the customs.
4. Wang Xizhi has a deep understanding of real calligraphy, calligraphy and calligraphy. His real books are ingenious and dense, opening up a new realm; His grass is long and thick; His running script is full of charm and strength.
People call his words "floating like clouds, agile like dragons"; "Yue Long heaven, the tiger lies in the phoenix pavilion". 5, a pen, if the field of vision is out of control, the horse will fly and go; Another example is the dragon flying in the sky, which comes from nothingness and returns to nothingness. It is almost crazy and contains the aura of heaven and earth.
6, publicity, not tied at all, even the whole line is put down, like a fairy to escape, come and go without a trace. 7. I borrowed a wisp of flying smoke from a meandering stream, polished an inkstone lightly with my hand, and laid a blank sheet of paper for my mood.
8. In one stroke, if the field of vision is out of control, the horse will fly and leave; Another example is the dragon flying in the sky, which comes from nothingness and returns to nothingness. It is almost crazy and contains the aura of heaven and earth. 9. Calligraphy incorporates the perseverance, boldness and enterprising spirit of Confucianism, and also includes the emptiness, dispersion, quietness and leisure of Laozi and Zhuangzi, and often omits the worldly glitz in brushwork in order to be ethereal and far-reaching.
10, although paternal, is not a new coincidence. Judging from its character potential, it is as thin as a dead tree in the middle of winter; Look at his handwriting, if you are hungry.
3. A beautiful sentence to describe Chinese brush characters: 1. Full of pen power: pen and ink are used very freely and fully. Describe calligraphy and poetry. The dragon and snake in the pen: the dragon and snake jumped into the pen. Describe the vigorous and free brushwork of calligraphy. Also for the conductor.
2. flowing, flowing.
3. One move, one look, and you get rid of the steed and fly away; Another example is the dragon flying in the sky, which comes from nothingness and returns to nothingness. It is almost crazy and contains the aura of heaven and earth.
4. Calligraphy incorporates the perseverance, boldness and enterprising spirit of Confucianism, and also includes the emptiness, dispersion, quietness and leisure of Laozi and Zhuangzi, and often omits the worldly glitz in brushwork in order to be ethereal and far-reaching.
5. Look at its strength without losing, show its posture without boasting, and its pen is flowing.
4. Good words and sentences about Chinese calligraphy: pen and ink are horizontal, pen strength is firm, pen strength is dangerous, pen strength is full, spring insects and autumn snakes, pen skill Mo Miao, pen dragon snake, pen bottom dragon snake, pen bottom spring breeze, pen sweeping a thousand troops, pen old ink show, words see the heart, Ding Zhen Cao Kai, Ding Cao Zhenyong, wood three points, force through paper back, writing three points. The middle is magnificent, vivid and fluent, beautiful in style and changeable in charm, floating in the phoenix, dancing in the phoenix, flying in the dragonfly, flying in the phoenix, peaceful and fluent, taught by foreign teachers, better than nature, dancing in the dragon and phoenix, dancing in the dragon and snake, dancing in the dragon and snake. Stiff and powerful, combining rigidity with softness, stiff and clumsy, vigorous and simple, naturally stretched, natural and natural, self-interested, flowing, like a cone painting sand, vigorous and vigorous, restrained and concise, smart and beautiful, gorgeous and natural, smart and beautiful, Wang Yang is arrogant, Wang Yang is arrogant and vigorous. You can't learn the sword, draw sand and ink, draw insect graffiti, be ingenious, smart and delicate, smart and unrestrained, smart and carefree, fat and thin, learn books in clinic, doodle with letters, pheasant, pheasant, tense, willow bones and muscles, tense, iron painting silver hook, Tang Linjin post, silkworm. Luan Piao Feng Bo, Luan Jing, Luan Xiang Feng Tiao, beautiful women hairpin flowers, fallen flowers and cigarettes, cotton wrapped in iron, ink debt mountain product, angry and desperate for a horse to run to the spring, angry and thirsty for a horse, flying like clouds, playing in the sea, spitting jade.
5. Good words and sentences describing calligraphy are full of pen and ink: pen and ink are used freely and incisively.
Describe calligraphy and poetry. The dragon and snake in the pen: the dragon and snake jumped into the pen.
Describe the vigorous and free brushwork of calligraphy. Also for the conductor.
Huang Ting: There is the Taoist classic Huang Tingjing, and the Jin people have the lower case Huang Tingjing. In the old days, there was an idiom to comment on calligraphy: "Writing Huang Ting at first is just right".
Later, the metaphor was just right. Spring earthworm autumn snake: metaphor for poor calligraphy, bending like the trajectory of spring earthworm autumn snake.
The sword has been drawn and the bow has been drawn. Describe the situation as tense and explosive.
Later, it also refers to the vigorous and magnificent calligraphy. For example, Zuo Qiuming wrote Chunqiu Zhuan, and summarized and explained the calligraphy of Chunqiu into several examples.
Later, because of the classification examples, the style of the book was described as "draw inferences from one instance and draw inferences from another". See "Draw inferences from one instance".
Penetrating the back of the paper: Originally, calligraphy was vigorous and powerful, but now it is also used to describe vivid and profound poems. Fly like a dragon, fly like a phoenix.
The original description is unrestrained and magnificent. Nowadays, calligraphy is described as a lively, flexible and lifelike plastic arts of dragons and phoenixes.
Flying dragons and snakes: describe the vitality and vividness of calligraphy strokes. Su Shi wrote in the poem "Xijiang Yuepingshan Hall": "I haven't seen the old fairy for ten years, and the dragon and snake fly to the wall."
Luan Piao Feng Bo: Luan: a legendary bird like a phoenix. Originally, calligraphy was used to describe chic.
It is also a metaphor for the separation of husband and wife in high flyers. Luan Xiang: Jane: Fly high.
Metaphor calligraphy flying posture. Beauty hairpin: describes the beauty of calligraphy or poetry style.
Get to the point: the initial description of calligraphy was strong (according to legend, Wang Jinxi wrote on the board, and the ink penetrated into the board three points deep), and now the analysis, description and discussion are more profound and powerful. Similar characters permeate the back of the paper, which appropriately describes the roots of calligraphy.
Iron painting silver hook: painting: strokes; Hook: hook. Describe the vigorous and beautiful calligraphy.
Graffiti: letter pen: write casually. Graffiti: The figurative words are poorly written and scribbled casually.
Later, people used "letter graffiti" and "graffiti" to describe poor handwriting or careless writing. Graffiti of letter: letter: listening, freedom; Letter pen: write casually; Graffiti: The figurative words are poorly written and scribbled casually.
Later, people used "graffiti" or "letter graffiti" to describe poor handwriting or careless writing. Others claim to believe that graffiti is to show modesty.
6. Sentence-making techniques to describe the brushwork in the novel: In "The Dragon Slaughter by Eternal Adversity", Zhang Sanfeng wrote 24 words: "The Wulin is supreme, and the sword slays the dragon. Command the world, don't dare to disobey. If you can't rely on heaven, who will argue with you? " There is not only a set of excellent calligraphy, but also a set of extremely eye-catching swordsmanship. The word * * has 2 15 strokes, so this swordsmanship also has 2 15 strokes. Bald men are using General Pei's martial arts, which was changed by a poem written by Yan Zhenqing. The 23 words * *: The Great King made Liuhe River and became a valiant soldier. If the war horse is a dragon and tiger, how magnificent Tengling is! "There are 3 strokes per word, ranging from 16 strokes, as well as 28 strokes of Eight Mang Meng Shan Posts by Zhang Fei and Stone Drum brushwork by Jiangong. In The Condor Heroes, Zhu Ziliu fought against the Mongolian prince with the real cursive script "A Record", but there were big holes everywhere with the regular script "Fang Bei", Zhang Xu cursive script "Yan Zitie" and official script "Zan". The most typical is Zhu Ziliu's cursive martial arts. Cursive martial arts is full of "the beauty of writing", and its body language is exaggerated and vivid, so it has a strong visual effect. It is written in the novel: (Zhu Ziliu) suddenly took off his hat and threw it into the ground, dancing with long sleeves, rushing and rushing, and his movements were completely out of tune. But he's crazy and insane. At this time, Jin Yong explained that the book he wrote at this time was Zhang Xu's "Self-Remarks" in the Tang Dynasty. Zhang Xu, known as the "sage of grass", is a sage of cursive script. Du Fu's poem "Drinking the Eight Immortals Song" says: "Zhang Xu has three cups of grass, and it bares its hat in front of the princes, and the paper is like clouds. "Long sleeve, crazy run, his pen is written. Only by using the word "pointing at the dragon and snake" can people understand that this is Zhu Ziliu's cursive script "pointing at a Yang book", but it vividly describes the characteristics of cursive martial arts. Calligraphy and Wushu are powerful in actual combat, and one move can defeat the enemy. For example, Zhang Cuishan fought with four Shaolin monks in Longmen Escort Agency at night: "In the darkness, white light flashed, and all four were holding spears. He stepped to the left and grabbed Xige. The man was shocked and cried, and then his left hand swung obliquely from the upper right corner to the lower left corner, hitting another man's waist and ribs. These two strokes are a horizontal stroke and a left stroke of the "No" formula. He succeeded in two strokes, with his left hook straight, his right fist slamming a' point', and his four strokes written as a' no', which made all four enemies cry. "Image: The most typical one is The Condor Heroes. Jin Yong has always described it through the observation and dialogue of Huang Rong, Guo Fu's mother and daughter, and the group of heroes. This road of kung fu was originally created by Zhu Ziliu. " No matter how strong other people's martial arts are, it is really hard to resist his martial arts, martial arts, and civil and military skills without Wen Gen in his stomach. "In other people's eyes, I saw" brush strokes, calligraphy has acupuncture points, acupuncture points have calligraphy. When it is really a silver hook iron pen, there is a scholarly spirit in the majestic. "Guo Jing and other people who don't understand literature are secretly amazed. Huang Rong has both culture and culture. When he saw Zhu Ziliu's wonderful martial arts all the way, he couldn't help admiring it. Guo Fu asked, "Mom, he crossed it in one stroke. What's that? " Huang Rong was absorbed in the battle and casually replied, "The obelisk." I asked inexplicably, "What square monument?" Huang Rong look comfortable, no longer answer. At this time, Jin Yong explained in the article that the Square Monument was originally written by Chu Suiliang, a minister of the Tang Dynasty, and it was a masterpiece of regular script. The predecessors commented that Chu calligraphy is like a "fairy tale". The calligraphy is vigorous and graceful, looking forward to life, and the pen is flying in the air, which is wonderful. Zhu Ziliu's "One Yang Calligraphy Finger Pen" Finally, I once wrote "The Square Monument". I expected to write it after I got his cross, but I kept it in good order and didn't see any failure. After a while, the two of them turned over more than one hundred pens, and Zhu Ziliu's "Talking to Himself" was almost finished. The brushwork also changed, the hand was slow, and the pen was thin and hard, full of ancient meaning. Huang Rong said to himself, "As the ancients said," Huang Rong laughed, "My daughter is not stupid. He pointed at Shi Guwen all the way. Carved on the stone drum with an axe in the Spring and Autumn Period. Do you know what Zhu Bobo carved? " Guo Fu looked down at his pen, but saw that every word written was intertwined, like a small picture, and he couldn't recognize a word. Huang Rong smiled and said, "This is the oldest one. I don't know all the people. "Guo Fu clapped his hands and laughed." This Mongolian fool is naturally even more unrecognizable. Mom, look at his face full of sweat and his hands are in a hurry. "Huo Dou really only knows one or two words about this ancient seal script. He didn't know what the other party was writing, so he couldn't guess the calligraphy shelf and the stroke direction, which was difficult to parry. No one in the world can read "Xuan Jing" written by ancient tadpoles. Think of it as trying to practice internal skills. In his eyes, those are clearly fencing, intellectual fit kung fu, boxing and breathing. " Looking at the stone wall, I saw many words carved on it, but among thousands of words, some strokes are like swords, and there are twenty or thirty * *. This sword is horizontal or straight, left or pressed, which is cultured. "