Year: Tang Author: Wang Wei School: Five Unique Categories:
I leaned alone in the dense bamboo, playing the piano and humming a song.
It's too light for anyone to hear, except my partner, Mingyue.
To annotate ...
Precautions:
1, right and left: right and left means deep, and right and left means bamboo forest.
2, whistling: whistling.
Rhyme translation:
On a moonlit night, sitting alone in a quiet bamboo forest,
Sometimes I play the piano, sometimes I whistle.
The bamboo forest is secluded and deep, and no one knows it.
But with the bright moon, taking pictures diligently.
Mount Emei Yuege
Lipper
Emei Mountain is half moon and autumn,
Water flowing into Pingqiang River ②.
At night, Qingxi flows to the Three Gorges.
Yuzhou see you (4).
[Notes]
① Emei Mountain: located in the southwest of Emei County, Sichuan Province.
② Pingqiang (qiāng): River name, today Qingyijiang, in Emei, Shandong.
Three rounds: here we go. Qingxi: Qingxi Post Station, near Emei Mountain in Ji 'an, Sichuan. Three Gorges: refers to Qutang Gorge, Wuxia Gorge and Xiling Gorge of the Yangtze River, at the junction of Sichuan and Hubei provinces. One refers to the Three Gorges in Li Tou, Beibei in Leshan, Sichuan is peaceful, and Qingxi is in the upper reaches of Li Tou Gorge.
④ Jun: It refers to Mount Emei. One refers to the author's friend. Down the river. Yuzhou: Chongqing area today.
[Rhyming translation]
On a crisp autumn night with bright moonlight, the poet went down the river from Qingxi Post in a boat. The moon reflected on the river, like a good friend, accompanied the poet. But on the way from Qingxi to Yuzhou, the moon is always blocked by mountains on both sides, which makes the poet miss him very much.
On a spring night, I smell the flute in Los Angeles.
Year: Tang Author: Li Bai Style: Four Unique Categories:
Yu Di's dark flying sound scattered into the spring breeze in Los Angeles.
In this nocturne, the willow is broken, and no one can afford to be homesick.
Translation:
Whose home is the melodious flute coming from? As the spring breeze flutters, it spreads all over Luoyang. Just tonight, when I hear the sad "Broken Willow", can I miss home?
When welcoming a messenger to the capital.
Cen Can
The distance from the east home is very long, and the tears are wet and the sleeves are still flowing.
I'll meet you immediately, without paper and pen. Please tell my family that I'm safe.
The first sentence is to write the real scene in front of you. "Hometown" refers to my home in Chang 'an. "Looking east" means pointing out the location of Chang 'an. It has been many days since I left Chang 'an. Looking back, I only feel that the road is long and Xiu Yuan is full of dust.
The second sentence has an exaggerated meaning, emphasizing the passion of remembering loved ones, and secretly revealing the slight meaning of bringing home letters here. The "dragon bell" here means wet. "Dragon Bell" and "Farewell to Tears" vividly describe the poet's deep affection for his relatives in Chang 'an.
Three or four sentences are completely the breath of a traveler in a hurry. When we meet, we can't write letters without pen and paper. Please send me a safe message to my home! Cen Can came here with the ambition of "fame and fortune". At this time, the mood is complicated. On the one hand, he has tenderness and homesickness for the imperial city, on the other hand, he also shows the poet's open and heroic mind.
The advantage of this poem is true, but it is sincere. Poets are good at refining and summarizing the thoughts and words of many people by artistic means, making them typical. Liu Xizai, a Qing Dynasty man, once said, "Poetry can be seen in a convenient place, so it feels kind and tasteful." (See "Art Outline". Poetry has a rich charm among the people and can be deeply rooted in the hearts of the people for a long time. Cen Can's poems have this feature.
Questioner's question 2009-07-22 15:4 1
What does it mean to cry with two sleeves? 2009-07-23 15:47 "The tears of the two sleeves are not dry" means that the tears of homesickness can't be wiped away, so that both sleeves are wet, but the tears just can't stop. This sentence expresses the feelings of missing relatives with exaggerated rhetoric, and also lays a high foundation for the following writing to bring a book home to "report peace".
I don't know the answer adoption rate: 7.4% 2009-07-2215:10 ① miscellaneous poems in the mountains.
Wu Jun
Seeing smoke coming out of the mountain,
Peeking at the sunset in the bamboo forest.
Birds fly on the roof (3),
Clouds floated out of the window.
[Notes]
1 mountain: the place where the mountain meets the sky.
② kuì: Look through the gap.
③ eaves (yán): eaves.
Free translation
The peak is filled with mist.
The afterglow of the sunset falls in the gap of the bamboo forest.
Birds are flying happily on the eaves.
White clouds floated out of the window.
This article is one of the three poems in the mountain. It is about the quiet living environment in the mountains, showing a leisurely mood. Shen Deqian said that this is "four sentences about scenery, which is unique".
Miscellaneous poems in the mountains
What you see-Shan Lan in the twilight, sandwiched between bamboo-is a picture of a slow sunset.
Birds fly leisurely under the eaves of others, and a faint cloud slowly floats out of the window.
Enjoy 1:
These four landscape poems have their own styles. Before each sentence, if we read the words "Look at that" in one breath, a wonderful picture will appear before our eyes and a beautiful music will ring. Du Fu's quatrains: "Two orioles sing green willows, and a row of egrets go up to the sky. The window contains autumn snow in Xiling, and the Wu Dong Wan Li boat stops at the door. " Looking around, I feel deeply, combining different scenery to form a special environment, giving people a fresh feeling. That's the style.
Appreciation 2:
The poem describes the poet's interesting life in the mountains: surrounded by mountains, bamboo and wood are flourishing, birds are flying on the eaves of others, and clouds are floating outside the window. This kind of seclusion exhausted the dust of the world and expressed the poet's comfortable and leisurely mood casually and vividly.
The whole poem is only four short sentences, one sentence and one scene, but each sentence is inseparable from the theme of "in the mountains", which is a common phenomenon in quiet mountains. When the sun sets, you can only see the oblique glow of its veins in the cracks of the bamboo forest, indicating that the bamboo forest is dense and lush, and the first two sentences of the fun in the mountains have been heard. Birds come and go on the eaves, and white clouds pass through the window, all of which show that the poet lives on a high and steep terrain, while in the Maolin bamboo cultivation, birds always live in front of and behind his eaves, which reflects the tranquility and detachment of the mountain residence, away from the hubbub.
Shen Deqian once said this poem: "Four sentences about scenery are unique." It means that this little poem concentrates all the pen and ink on the scenery, which is different from the general structure from scenery to characters or from scenery to lyric, and opens up a new format. In fact, although each of these four sentences is a scene, people are always in it. For example, "seeing" and "peeking" in the first two sentences all indicate that there is someone behind the scenes, and the scene written is only seen by people, not purely objective description. As for "on the roof" and "in the window" in three or four sentences, people's existence is more clearly revealed. Moreover, the poet's joy in living in the mountains has been hinted at in his landscape writing, and his calm and detached state of mind can also be seen here.
Wu Jun is an expert in writing landscapes. The reason why these four short poems can outline the characteristics of Shan Jutu lies in the author's proper choice of observation angle. Smoke is seen by mountains, sunset is seen by bamboo, birds are on the eaves, and clouds are outside the window. In this way, Shan Lan, Sunset, Birds and Clouds were written in an unusual way, which brought the subjective color that the poet saw in Shan Jutu and had typical significance. It's like photography, which takes the same image, but everyone has his own opinion. And a frame of successful works can always capture the characteristics and interests of the scenery from a novel and ingenious angle, just like Wu Jun's imitation of the landscape.
②
House of Bamboo
Wang Wei (Tang)
I leaned alone in the dense bamboo, playing the piano and humming a song.
It's too light for anyone to hear, except my partner, Mingyue.
This is a poem describing the hermit's interest in leisure life. Poetry uses words to create language and scenery (secluded, deep forest and bright moon), while writing people (sitting alone, playing the piano and whistling) is extremely unremarkable. However, its beauty lies in its natural and simple style, which depicts the fresh and attractive artistic conception of the secluded forest on a moonlit night, blends the scene into one, contains the special artistic charm of beauty, and has become a masterpiece through the ages. Playing the piano and whistling reflects the silence of the bamboo forest on a moonlit night, and reflects the darkness of the deep forest with the light and shadow of the bright moon. On the surface, it seems bland and casual, but in fact it is ingenious.
This poem also shows a state of tranquility. In the first two sentences, the poet sat alone in the deep and dense bamboo forest, playing the strings and blowing a long whistle. In fact, no matter "playing the piano" or "whistling", it embodies the poet's elegant and free-spirited temperament and is not easy to cause others to sing. So the last two sentences said, "It's too light for anyone to hear except my comrade, Mingyue." I live in a secluded forest, and I don't feel lonely because the bright moon still shines on me all the time. The personification technique is used here, and the bright moon sprinkled with Yin Hui is regarded as a bosom friend, which shows the poet's novel and unique imagination. The style of the whole poem is quiet and leisurely, as if the poet's mood and natural scenery are integrated.
This little poem has four sentences. Looking at it separately, there is neither touching scenery nor touching love; I can't find out which word is poetic eye, and it's hard to say which sentence is warning.
In describing the scenery in the poem, only six words are used to form three words, namely "secluded place", "deep forest" and "bright moon". For the moon that shines on the earth, there is nothing new and ingenious about using the word "Ming" to describe its brightness. It's a common saying. As for the first sentence of "Huang" and the third sentence of "Lin", they are actually the same thing, and they all repeat the bamboo forest where the poet lives, adding the words "secluded" and "deep" in front of the bamboo forest, but the explanation is neither "bamboo with three poles and two poles" as mentioned in Yu Xin's Xiao Yuan Fu, nor "bamboo with green water hills" as mentioned by Liu Zongwu. Here, it seems that the scene in front of us is written at will, and there is no effort to describe and describe it.
When writing about people's activities in poetry, only six words are used to form three words, namely, "sitting alone", "playing the piano" and "whistling". For the characters, they didn't describe how they played Xiao Shu, and they didn't express their emotions. For the piano sound and whistle, I didn't spend any ink to write its timbre and sound.
On the surface, the words used in the four poems are unremarkable. But when the four poems are combined together, they have their own advantages and disadvantages, and they contain a special artistic charm. The beauty of a masterpiece in Wang Wei's "Wang Chuan Bie Ji" lies in its naturally attractive artistic conception. It does not win with words, but regards beauty as a whole. Its beauty lies in its absence. To appreciate and appreciate its beauty, we should take its appearance as its spirit, and its spirit is contained in the artistic conception. As far as artistic conception is concerned, it not only gives people the feeling of "secluded amorous feelings" ("My Servant Poems"), but also makes people feel that the scenery of the secluded forest on this moonlit night is so ethereal and clear, and the people who play the piano and shout during it are so carefree, dusty and seamless. On the other hand, in language, we can see the flavor from nature, from plain high rhyme. Its natural and simple style beauty and artistic conception beauty complement each other.
It is conceivable that the poet met the quiet nature of the bamboo forest and the bright moon itself in a state of calm and clear mind, and he wrote a book. The formation of poetic artistic conception depends entirely on the consistency between the character's mind and the internal quality of the scenery written, without the help of external hue. Therefore, when I am integrated with things, feelings and scenery, the poet can, as Si Kongtu said in Poetry 10 Nature, "look up, don't take all the neighbors, go their own way, and become spring scenery" and enter the artistic world of "thin words and feelings, leisurely days". Of course, when we say "everywhere" here, we don't mean that poets have no choice but to choose materials easily; When we say "start a spring" here, we don't mean that the poet didn't make arrangements when he was in charge, but he believed it. The poem describes the surrounding scenery, choosing bamboo forests and bright moons, which is consistent with the quiet environment to be expressed; Express your feelings in poetry, one chooses to play the piano and whistle, and then the other expresses it with the tranquility and clarity of mind. This is the immediate matter, and the reason why he wrote this scene and this matter has his own mature poetic thought. Judging from the combination of the whole poem, the poet wrote a piano and whistle while writing a secluded forest on a moonlit night, expressing tranquility with his voice. As for the last sentence of the poem, it not only contrasts with the "people don't know" in the previous sentence, but also plays a role in breaking the dark night. The contrast between these sounds and silence, as well as light and shadow, is ingenious and ingenious in arrangement. There are always four sentences in this little poem. Looking at it separately, there is neither touching scenery nor touching love; I can't find which word is ... "This is quoted from Chen Bangyan's Appreciation Dictionary of Tang Poetry by Shanghai Dictionary Publishing House, page 182. We should not quote other people's articles without a source, which is the minimum respect for the author and the minimum principle of writing.
2. "I am alone in the dense bamboo, playing the piano and humming a song. The voice is so low that no one can hear it except my partner Mingyue. " This is one of the quatrains in Wang Wei's Collection of Wangchuan in his later years.
Let's look at the first two sentences: "I am leaning alone in the dense bamboo, playing the pipa and humming." Hey, bamboo forest also; Small, pinch your mouth and be quiet. The poet believed in Buddhism in his early years, his thoughts were detached and his career was bumpy. After forty, I lived a semi-official and semi-secluded life. As he himself said, "As time goes by, give me peace and get rid of everything." Therefore, I often sit alone in the deep bamboo forest, playing the guqin and expressing my lonely feelings. But the piano didn't seem to be enough to vent my depression, so I gave a long whistle. There is an allusion here. According to Liu Yiqing's "Shi Shuo Xin Yu Qi Yu Yi", "Ruan Infantry screams and hears a hundred paces." Ruan Infantry is Ruan Ji. He was one of the famous "Seven Sages of Bamboo Forest" in the Han and Wei Dynasties. He and Ji Kang were dissatisfied with the feudal ethics at that time and the struggle for power and money within the ruling class. They often gather in bamboo forests to express their wishes. Ruan Ji whistled in the bamboo forest and heard a hundred paces, which was also called a beautiful talk. Wang Wei lives in the bamboo forest and plays the role of Ruan Ji, comparing himself with Ruan Ji and expressing his dissatisfaction with power rape. Bamboo's character, leaves like arrows, quality like hard stone, dry can be broken without changing its straightness, and the body can be burned without destroying its knots. The poet sitting alone in the secluded bamboo is obviously showing that he has the same integrity as bamboo.
Look at the last two sentences: "It's too light for anyone to hear except my comrade-in-arms Mingyue." This is to further exaggerate the lonely mood and atmosphere. The moon shines, not only to show that you have been sitting for a long time, but also to show that only the moon in the sky is a confidant. The bright moon is a symbol of noble people. It shines alone in the blue sky and blue sea. Is it like a poet? Therefore, Wang Wei is regarded as a close "friend". This writing is also good for describing natural scenery. The quiet forest makes people feel dark green, lonely and gloomy, and the picture is dim. Now suddenly, the dark bamboo forest was sprinkled with a layer of silver by "except my comrade, the bright moon" This change seems to add a sense of life, a layer of poetry and loneliness, and the bamboo forest, the bright moon and the poet all blend into a quiet and harmonious night.
This short poem, with only 20 words, is full of scenery and feelings (static scenery and lonely feelings), vivid (the sound of the piano whistling and the color of Lin Yue), static and dynamic (whistling while sitting alone), real and imaginary (the first two sentences are actually the scenery, the last two sentences are empty for their feelings), and the opposites are unified and set each other off. We read this poem as if we were enjoying a three-dimensional and changeable landscape painting of characters, which is really the author's masterpiece.
③ Mount Emei Yuege
This poem was written by young Li Baichu when he was far away from Sichuan, with clear artistic conception, simple language and smooth rhyme.
The poem begins with "Emei Mountain Moon", pointing out that the season of traveling far away is in autumn. The word "autumn" is upside down at the end of the sentence because of its rhyme. Autumn is crisp and the moonlight is bright ("autumn moon is bright"). The word "autumn" also describes the beauty of moonlight, which is natural and wonderful. The moon is only "half a circle", which reminds people of the beautiful artistic conception of the castle peak spitting the moon. There is Pingqiang River in the northeast of Emei Mountain, now Qingyi River, which originates from Lushan County, Sichuan Province, flows to Leshan County and joins Minjiang River. The second sentence "shadow" refers to the shadow of the moon, and the verbs "enter" and "flow" form a linked predicate, indicating that the shadow of the moon is reflected into the river and goes with it. Life experience tells us that no matter how the river flows, the moon shadow in the water is fixed. "When the moon is gone, I will go." Only when the viewer goes down the river will he see the wonderful scenery of "shadow into the river" Therefore, this sentence not only describes the beautiful scenery of Qingjiang River reflected by the moon, but also describes the darkness of sailing in autumn night. Artistic conception can be described as ethereal and wonderful.
There is someone in the second sentence, and the person in the third sentence has appeared: he is leaving Qingxi Station overnight, entering the Minjiang River and heading for the Three Gorges. Young people who "go to the countryside with swords and shadows and leave their loved ones to travel far away" will be reluctant to leave their hometown. Seeing the moon on the river is like seeing an old friend. However, the bright moon is not an old friend after all. I can only "look up at the bright moon and send my feelings for thousands of miles." The last sentence, "I miss you, but I can't see Yuzhou", can be described as infinite separation.
Emei Mountain-Pingqiang River-Qingxi-Yuzhou-Three Gorges, the picturesque landscape gradually unfolds a picture of the Shu River for readers. Apart from the "Emei Mountain Moon", there is almost no more specific description of the scenery in the poem; Except for the word "four kings", there is no lyric. However, the artistic image of "Emei Mountain Moon" runs through the whole poetic realm and becomes a catalyst for poetic sentiment. It has rich implications: the mountains and the moon accompany Wan Li, which can be seen every night, making the feeling of "missing you" deeper and deeper. The bright moon is approachable and unattainable, which is a symbol of missing friends. Where there is a bright moon singing, where there is a feeling of missing friends in the river, which is intoxicating.
Originally, the expression of time and space changes in short quatrains is quite limited, so the general writing method is not to transcend time and space at the same time. The time and space span expressed in this poem is really free. There are five place names and a * * * cross in twenty-eight words, which is unique among the ten thousand quatrains in the Tang Dynasty. It means "four words in the place name are five, and the ancient and modern eyes are the last words, and they never tire of repeating them" (in Wang Linzhou's language). The reason is that the poet's experience of swimming in the river and his yearning for his friends are permeated in the poetic realm, and the symbolic artistic images of mountains and moons are everywhere, unifying a vast space and a long time. Secondly, the treatment of place names is also full of changes. "Emei Mountain Moon" and "Pingqiang River" are attached to the scenery by place names and are useless; "Faqingxi", "Xiangsanxia" and "Xiayuzhou" are all practical, but their positions in the sentence are also different. I can't feel the trace when I read it. It's wonderful in chemical engineering.