In the contemporary western poetry world, the writing of Xinjiang poetry is still far ahead. This land was known as the mysterious land of the Western Regions in ancient times. Since ancient times, it has left behind countless legends of camel bells and imaginations of fighting and iron horses. The travels of the ancient Silk Road have mixed agricultural culture, grassland culture and commercial culture, brewing rich and splendid The civilization of the Western Regions made those passionate poets unable to help but leave behind beautiful poems singing about this land. The glory of history has given the modern people still living on this land the spirituality of poetry. In the 1950s, there were famous poets Wen Jie's "Tianshan Pastoral", Li Ji's "Towards Kunlun", Guo Xiaochuan's "Westward from Yangguan", Tianjian's "Tianshan Poems" and other odes to the beauty of Xinjiang; in the 1980s, Yang Mu and Zhou Tao , Zhang Deyi represented the rise of new frontier poetry; after the 1990s, poets such as Li Guangwu, Qu Jin, Qin Anjiang, Huang Yi, Shen Wei, Bei Ye, Tiemei, Nanzi, Ding Yan, Wang Zu, Yu Di, He Haitao, Wang Feng, etc. The persistence of poetry by a large number of poets in the border areas makes Xinjiang's poetry writing unique in the contemporary poetry world, and it has always been at the forefront of poetry creation. Obviously, the edge of the region did not affect the cutting-edge and transcendent nature of their poetry creation. The poets not only adhered to their own poetic stance as a regional characteristic, but also the creative practices triggered by various poetic trends of thought were also among these western poets. Tried and tested. Xinjiang poetry has exerted an important influence in the contemporary poetry world because of its unique aesthetic value.