Author: Du Fu
Original text:
Yang Shuhua, 30 inches in diameter, is covered with white felt.
Lotus leaves in western Yunnan fold green money.
No one has seen bamboo shoots,
The baby on the beach sleeps next to its mother.
Translation:
The fragments of Yang Shuhua that fell on the path were like a white carpet.
Lotus flowers dotted on the stream are stacked together like copper coins.
Next to the bamboo shoots in the bamboo forest, no one noticed the tender bamboo shoots that just broke through the ground.
The newly hatched duckling snuggled up to the mother duck and fell asleep sweetly on the beach.
Appreciate:
This song "Wandering" is about the scenery in early summer. The first two sentences describe the scenery, and the last two sentences describe the objects in the scenery. The scenery blends with each other and has its own wonders.
The poem shows a beautiful early summer landscape: flying poplars are scattered on the path, as if covered with a layer of white felt; And patches of green lotus leaves in the stream are dyed, like round green money piled on the water. The poet turned his eyes and suddenly found a young pheasant hiding beside the root of a bamboo shoot, which was really hard to see. On the beach, the chicks snuggled up to their mothers and fell asleep peacefully. The first sentence of Tanjing describes the flowers scattered on the road, and the words are concise and vivid. The words "dot" and "fold" in the second sentence vividly describe the state of lotus leaves in the stream, which makes the whole sentence come alive. In the last two sentences, Pu Yin Long said that when reading Du Xinjie, it contained a kind of pity for Xiao Ji. Judging from the whole poem, it may contain pity for Xiao Ji, but it is too profound.
These four poems, one sentence and one scene, literally seem to be independent, one poem and one painting; Together, they form the natural landscape of the countryside in early summer. Careful observation and description reveal the author's lingering appreciation of the wonderful natural scenery in early summer when he strolls through the forest stream, and he feels lonely when he is quiet. These four sentences, such as couplets in the seven laws, are correct and can be carefully stitched back and forth and taken care of. The first two sentences describe Huayang and He Qing clearly, which implies the meaning of streams in the forest. The last two sentences describe pheasants and chickens, but they are all in the sand of the forest. Take care of the front and back, set off each other, and blend in the sloppy. This poem is exquisite and lifelike, its language is popular and vivid, its artistic conception is fresh and meaningful, and it is full of profound and simple life interest.
Du Fu's quatrains are full of happiness. Seeing the guest is sad and not awake.
The quatrains are full of joy, but the guests are not awake.
Author: Du Fu
Original text:
Seeing the guests worried,
Hooligans come to Jiangting in spring.
That is, send bloom to further study,
Then I feel that Yingying's speech is too Ding Ning.
Precautions:
1, rogue: This refers to breaking the rules and retreating, which is extended to naughty and provocative here. Seeing that he was immersed in the sadness of staying at home, the rogue spring scenery deliberately came to Jiangting to tease people's sadness.
Appreciate:
This quatrain was written in the second year of Du Fu's living in Chengdu Caotang, that is, the second year of Dai Zong Shang Yuan (76 1). The title is full of interest, which means that you can write casually if you are interested. Don't write all, don't write all, and it's not the same time. Judging from the contents of these nine poems, there is another place where it can be found that it was written in spring.
The scenery around Du Fu's Caotang is beautiful, and his life there is relatively stable. However, poets who have suffered from chaos have not forgotten that the national disaster has not been removed, so it is difficult to return to their homeland; Despite the flowers in front of me, the worries of home and country still haunt me from time to time. In Du Yi, it is said that the word "Hakka worry" is the outline of nine poems. This poem is about the feelings of Hakka worry writers who are bothered by spring. Seeing the sadness of the guest but not waking up shows that the poet is immersed in the sadness of the guest and can't extricate himself. The word "not waking up" describes this kind of intoxicated and confused psychological state. However, spring scenery is inhuman and rushes into the poet's eyes. Spring is pleasant, peach blossoms are in full bloom, and lovely deep red loves light red? However, in the minds of poets who are entangled in guest worries, how disturbing it is that the spring scenery suddenly falls on Jiangting! You see, it bloomed in a hurry before the poet's eyes, making Yingying cry frequently, as if playing tricks on a wanderer in a country full of worries. Here and now, such a mood, such a bloom warbler falls, the pure goddess is really advanced, and her attentions are too rash.
Du Fu is good at using contrast to deepen his thoughts and feelings in the opposition between emotion and scenery and enhance the artistic effect of poetry. The scene in this poem is like petals falling like tears, and lonely birds are singing their sadness in their spring dreams. Just in the chaos, I am very anxious; One is temporarily safe and the guest is disappointed. Although the feelings expressed are different to some extent, they are all written in happy scenes (Wang Fuzhi's "Jiang Zhai Shi Hua"), which is even more sad. Therefore, in the poem, Wang Jiangting's spring scenery makes him feel like a rogue, but when he sees the spring breeze in full bloom, he feels too Ding Ning, which doubles the poet's troubles and worries. This artistic expression conforms to the reality in life. Qiu commented on this poem and said: when people are comfortable, spring is also affectionate; When people are frustrated, spring scenery also becomes hooligans. (Detailed Interpretation of Du Fu's Poems, Volume 9) It was the poet who fully described the true feelings at that time, which deeply touched the readers' hearts and aroused * * *.
Wandering quatrains (2)
Du Fu's quatrains are the second kind.
The artificially planted peaches and plums are not ownerless,
The desolate old wall still feels like home.
Just as the spring breeze deceives you,
Blow off a few flowers at night.
Make an appreciative comment
The first poem in this group summarizes the guests' worries about spring, and the second poem comes from the first poem, complaining by accusing the spring breeze of deceiving flowers. The first two sentences say that peaches and plums are taken from home. The words "Fei" and "Huan" emphasize tone and emotion. The last two sentences have been read for the second time in spring, but now the spring breeze is bullying again, blowing off several flowers overnight! Just like now. Yes, it's spoken and auxiliary words in the Tang Dynasty. The poet's emotion is in the scene, creating an atmosphere of opposition between emotion and scene. In the poet's view, the spring breeze is intended to deceive God. In the poet's pen, the spring breeze and peaches and plums are personified. Obviously, the poet was annoyed by spring, but he wrote spring breeze to deceive people. Du Fu's quatrains are full of enthusiasm, and he is familiar with the unique lowliness of Mao Zhai.
"The quatrains are full of stars and ripe Mao Zhai's swan song"
Author: Du Fu
Original text:
What I am familiar with is that Mao Zhai is extremely low.
Swallows on the river come frequently.
Dirty piano books with mud,
What's more, flying insects hit people.
Translation:
Swallows on the river know that my hut is too low and too small.
So I often fly here to nest.
The mud brought to the bird's nest by swallows stained my piano and books.
They keep chasing flying insects and touching people.
Appreciate:
This poem describes the disturbing scene that swallows frequently fly into the study of the thatched cottage. The first sentence said that Mao Zhai was extremely low and narrow. He was familiar with the family, but he said he had become a swallow. Even the swallows on the river are familiar with the height of this thatched cottage, so it is probably more suitable for nesting here! So the second sentence continues to say the same thing. Swallows often come, which naturally causes their owners' troubles. Three or four sentences describe in detail the activities of swallows in the layer: not counting the nest stained with mud, flying insects are chased and even people are touched. The poet made a delicate and vivid description with clear spoken language, giving people a cordial and realistic feeling; And through real feelings, it reminds people of this low and small Mao Zhai. Because Jiang Yan often intrudes, it is difficult for the host to take shelter. In this way, the plight of the thatched cottage is written, and the poet's mood is much more disturbing. There is a poem in Wang Si's Du Yi in the Ming Dynasty, which reads: A stranger lives alone, and then he meets many unhappy people. This unpleasantness is caused by the guests' worries, and it is also a lie to attract birds by Yan.
Wang Fuzhi said in "Jiang Zhai Shi Hua": the name of the scene is inseparable. God is infinite to poets. Skilled people have feelings in the middle of the scene. Du Fu's poems are also examples of being good at expressing feelings in scenery. The whole poem was written by Mao Zhai and Jiang Yan, and three or four sentences were scenic words describing the movements of swallows. It is in this detailed description of dirty piano books and beating people that many distant guests are troubled and restless, and they fall in love with each other. Although this unpleasant mood is not a word in the poem, it is all shown in the description of the scenery. The whole poem is full of charm and chewy.
This poem is full of emotion. The poet put pen to paper from swallows, describing their frequent activities such as flying into the study of the thatched cottage, soiling the piano books and hitting people. These descriptions not only highlight the lovely state of swallows, but also vividly show their love for the study in the thatched cottage and their close relationship with poets. The whole poem is permeated with a strong flavor of life, giving people a natural and cordial feeling, and also revealing the joy and leisure of the poet's stable life in the thatched cottage.
The theme of this poem can also be understood as the poet's vivid description of the disturbing scene of frequent swallows flying into the study of the thatched cottage. The feeling that swallows attract birds like deceiving others shows the poet's troubles and restlessness when he lives far away.