Version 1
It can only be extracted from the deep mountains after being struck by thousands of hammers. It regards the burning of the burning fire as a very common thing.
Not afraid of broken bones, leaving innocence in the world.
Version 2
It can only be extracted from the deep mountains after being struck by thousands of hammers. It regards the burning of the burning fire as a very common thing.
I'm not afraid of fractures. I want to leave my innocence in the world.
From Yu Qian's Ming Lime Ci
Limestone can only be mined from the deep mountains after thousands of tempering. It regards burning with hot fire as a very common thing. Even if it is shattered, it is not afraid. It is willing to leave a clean body in the world.
Lime hymn: praise lime. Yin: Fu refers to a name of ancient poetry genre (a form of ancient poetry).
Hammer chisel: also called "hammer chisel" or "hammer chisel"; It refers to numerous hammering and digging, and describes that it is very difficult to mine lime. One thousand, ten thousand: function words, describing a lot. Hammer: Hammer. Chisel: to cut.
If you are free: This seems very common. If: as if, as if; Leisure: normal and relaxed.
Broken bone: also known as "broken bone"; Xiongnu: also known as "capital"; Fear: Also called "pity".
Innocence: refers to the pure white color of lime, and also refers to noble moral integrity.
Humans: Humans.
Extended data:
Yu Qian studied hard since childhood and was ambitious. Legend has it that one day, I wandered into a lime kiln and watched the master sing people calcining lime. I saw piles of blue-black rocks, which were burned by the raging fire and turned into white lime.
Deeply moved, I wrote this poem after a little thinking. It is said that Yu Qian was only twelve years old at this time. Writing this poem is not only a portrayal of Lyme's image, but also a pursuit of future life.
By reciting lime, this poem shows the author's valuable spirit of not avoiding difficulties and obstacles and being brave in self-sacrifice to maintain loyalty and innocence. The whole poem uses symbolism to compare things with people and integrate things with people's personalities. Words are in things, but in people, not in people, but in things, as if they came out at once. The style is heroic and magnificent.
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