2. Jiang Xue
Birds fly in Qian Shan, but there are no footprints in thousands of miles.
A boat on the river, a fisherman wearing his webworm moth; Fi
2. Jiang Xue
Birds fly in Qian Shan, but there are no footprints in thousands of miles.
A boat on the river, a fisherman wearing his webworm moth; Fishing alone is not afraid of snow and ice.
Jiang Xue, a work written by Liu Zongyuan after he was relegated to Yongzhou, has always been read by people. This little poem expresses ambition. With extremely refined writing, the author outlines a fisherman fishing alone on the snowy river, artistically summarizes the sinister political environment he was in at that time, and shows his strong will not to be afraid, not to yield to the dark forces and his noble quality of not being in cahoots.
The scenery written in the poem is: peaks, no birds, no paths, and no human footprints. The whole land was covered with snow, and an old fisherman in hemp fiber and hat was fishing alone on the Han River. Look, what a vivid picture it is to fish alone in the cold river! What does this picture mean? As we all know, there will never be "pure" landscape poems or landscape paintings in works of art, and in them, the author's feelings and realistic content will always be more or less reflected. In fact, the best in landscape poetry, though full of flowers and birds, is full of mist, but every word must be like a scene, and the sound and taste are always sentimental. This poem is no exception. As long as you know Liu Zongyuan's life experience, you can see this.
3. Two quatrains (Part II)
Du Fu
The water waves in the river, the white feathers of waterfowl, the green and red flowers on the mountain are in contrast, and you want to burn.
I watched it again this spring. When is the year of return?
This poem was written by Du Fu after he entered Shu, expressing his feelings in a foreign land. "The birds in the river are white, and the mountains are blue and white." This is a landscape painting embedded in a frame. The paper is full of ink, and the painting is colorful and has a fascinating charm. You see, the blue waves are rippling all over the river, revealing white water birds, skimming over the river, what a pleasant scenery! All over the mountains and plains are green, blooming everywhere and extremely red. It's like burning a fire, how beautiful and brilliant! White bird feathers are lined with river walls, and blue and white set each other off; Green hills are lined with red flowers, and green and red compete. The word "Guo" makes the waterfowl whiter and whiter with the blue sediment of the river, and writes deeply and picturesque; And a word "desire" endows the flower with anthropomorphic dynamics and swaying. There are four poetic images of rivers, mountains, flowers and birds, which are depicted in four colors: green, green, red and white. The scene is fresh and pleasing to the eye. However, the poet's will is not here, and then, the pen path turns sharply and sighs.
"I saw it again this spring. When is the year of return?" The word "read through" in the sentence refers directly to the season of writing poetry. The scenery in late spring and early summer is not beautiful, but it is a pity that the years have passed and the return date is far away, which not only does not arouse the interest of playing, but evokes the sadness of wandering.
The artistic feature of this poem is to write sadness with joy. Only by saying that spring is harmonious can we compare the poet's eagerness to return home. It does not reveal homesickness directly from the scenery, but compares the poet's deep homesickness with the difference between objective scenery and subjective feelings.
4。 Pingping's modal discourse
Lipper
Beautiful people who see the bright clouds, think of their clothes and see flowers come to see them.
If Yushan didn't see her, it would be Yaochi meeting under the moon.
The first song, with seven words added: "Clouds need clothes, flowers need capacity", makes Yang Fei's clothes look like clothes and feathers, surrounded by her plump jade capacity. The word "Xiang" has both positive and negative understandings. It can be said that when you see clouds, you think of clothes, and when you see flowers, you think of looks. It can also be said that you think of clothes as clouds and looks as flowers, so the interaction is uneven, and the seven words give people a feeling of flowers. Next, "the spring breeze blows the sill to show the flowers", and the beauty of peony flowers is more colorful in the crystal dew, which makes the above sentence more full. At the same time, the wind dew symbolizes the grace of the king and makes the painted face more spiritual. Below, the poet's imagination suddenly rose to the Yushan and Yaotai groups where the Queen Mother of the West lived in heaven. If it weren't for "meeting" and "meeting", the poet pretended to choose, and he would surely see such a beautiful face only in fairyland! Yushan, Yaotai and moonlight, with simple words, set off a beautiful face, which naturally reminds people of a person as white as jade and a warm white peony flower. At the same time, the poet did not show any trace, and compared Yang Fei to a fairy, which was really exquisite.
5, flat
Lipper
A red dew is fragrant, and the rain is heartbroken.
Excuse me, who looks like Han Palace? The poor swallow leans against her new makeup.
The second song begins with the sentence "a piece of red dew condenses fragrance", which writes both color and fragrance; Not only the natural beauty, but also the dew beauty, which is a step further than the previous Revlon. With the story of the King of Chu, "The Nature of Wushan Rain Wasted Heartbroken" humanized the flowers in the previous sentence, pointing out that the King of Chu was a goddess heartbroken, but in fact, the goddess in the dream could not get the present beauty! After that, Zhao, the queen of Emperor Han Chengdi, was a peerless beauty, but Zhao still had to rely on new makeup. Those who looked like beauties in front of her eyes did not need makeup, which was naturally amazing. This song also respects the topic by depressing the goddess and the flying swallow and raising Yang Fei. According to legend, Zhao is light and can dance in the crystal plate held by imperial secretary, while he is relatively fat, with the inherent saying that "the ring is fat and thin" (Yang Guifei's real name is Yuhuan). Later generations fabricated the facts accordingly, saying that Yang Fei liked these three poems very much and often recited them. Gao Lishi thought it was a great insult, because Li Bai had ordered him to take off his boots. He called Yang Fei a great shame, saying that Li Bai had despised Fei Yang's fat with the thinness of swallows and her fornication with swallows, and her palace was a mess. If there is such a meaning in Li Bai's poems, first of all, he can't escape from Xuanzong, who has knowledge and culture, and Yang Fei is not a man without cultural accomplishment. According to the original poem, it is obviously impossible to suppress the ancient and respect the present and forcibly misinterpret it.
Step 6: Clear tone
Lipper
Famous flowers fall in love and laugh like kings.
Explain that the spring breeze is infinitely hateful, and the agarwood pavilion is northward.
The third song returns to reality from the fairyland ancients. The first two sentences, "Famous flowers pour over the country and care for each other, which makes the king smile." The beauty in "Pour Out the Country" refers to Yang Fei, of course. The poem only points out here that the peony and "dumping the country" and "dumping the country" are combined into one, and the words "smiling and looking" are unified, so that the peony, Yang Fei and Xuanzong are integrated. Because of the "laugh" in the second sentence, the "show infinite hatred for the spring breeze" in the third sentence was aroused. The word "spring breeze" is synonymous with the king. This sentence makes the moving beauty of peony full of interest, and the king laughs. Of course, there is no hate, and the hate is relieved. At the end of last year, the place where Yang Fei enjoyed flowers was "Chenxiang Temple North". How elegant and romantic it is for people to lean on the flowers outside the diaphragm.
7. Jueju (Tang) Du Fu
"Two orioles sing green willows, and egrets cover the sky."
My window framed the snow-covered western hills. My door often says "goodbye" to ships sailing eastward.
On the emerald willow branches, two orioles are talking. A group of beautiful egrets are flying into the blue sky. Du Fu lives in an inn. He opened the window and saw that the opposite Xiling Mountain was covered with snow that would last for thousands of years. Then he looked at Qianmen River. The ship is going to Wu Dong far away. It's spectacular. Appreciation: The first two sentences, "Two orioles singing green willows and a row of egrets flying into the sky", are about moving scenery. In front of the hall, orioles sing among the green willows, and get a close look; The second sentence is that egrets fly to the sky, which is a vision; The last two sentences, "The window contains the autumn snow in Xiling, and the boating gate in Wan Li, Wu Dong", describe the static scenery. The two verbs in the first two sentences are "Ming" and "Shang", and the last two sentences are "Han" and "Bo", which are dynamic and static. The third sentence is about the snow in Xiling, which is a vision. Every sentence of this poem contains a scene, in which the moving scene, the static scene, the close-up scene and the long-range scene alternately reflect each other, forming a colorful, beautiful and peaceful picture scroll, which is refreshing and never tires of reading.
Original text:
The sunflower in the green garden,
Morning dew waiting for the sun
Yangchun budeze,
Everything gives birth to brilliance.
I am often afraid of autumn festivals.
The leaves of yellow flowers are rotting.
From the east to the sea,
Never turn to the west again
If you are young and don't work hard,
The boss is very sad.
Today's translation:
Sunflowers flourish in the garden,
The crystal morning dew rises in the sun.
Spring fills the earth with hope,
Everything is thriving.
Often afraid of the cold autumn coming,
The leaves are yellow and the grass is withered.
Hundreds of rivers flow eastward into the sea,
When can I go back to the west?
If teenagers don't work hard in time,
You can only regret it for a lifetime when you are old.
Appreciate:
This poem begins with "Sunflowers in the Garden", and then water flows to the sea, which means that time is like running water, which is gone forever. Finally, it persuades people to cherish youth, work hard, and don't wait until they are old to regret it. This poem takes things as metaphors, first of all, it uses sunflowers in the garden as metaphors. "Green" means it grows luxuriantly. In fact, under the sunshine and rain all spring, everything is struggling to grow. I know the truth that the autumn wind withers. The rhythm of life in nature is like this, and so is life. If a person doesn't work hard at a good time, he will waste his youth in vain, and it will be too late to regret when he is old. This poem thinks that life is perishable from the beautiful scenery of youth, encourages young people to cherish time, and warns people to rise.
Brief comments:
This is a famous sentence in Yuefu in Han Dynasty. The poem uses a series of metaphors to show that we should cherish time and work hard as soon as possible. The first four sentences of this poem paint a beautiful spring scene for us. The green sunflowers in the garden are still stained with dew. After sunrise, the dew dried and the sunflowers were bathed in the sun. Everything is blessed by the rain and dew of nature in spring, shining with unparalleled brilliance. However, they will lose their bright luster and become yellow and faded. Everything has ups and downs, and people also have a process from adolescence to old age. Time is like the water of a river, which flows eastward into the sea and never returns. If you don't cherish time and work hard when you are young, you will only be sad when you are old!
establishment and reign of a kingdom
Looking at Gao Dong in the dusk, what is the desire to migrate?
Trees are all autumn colors, and mountains are only sparkling.
The shepherd brought the calf back, hunted horses and brought birds back.
Care for no acquaintances, Long song pregnant with Cai Wei.
At dusk, I stood at the entrance of Gaodong Village and looked down, wandering around without any thoughts in my heart. Every tree is yellow, and every peak is painted with the afterglow of the sunset. Cattle-herding children ride their calves home, and hunters ride back their prey. I was depressed when I saw that these people didn't know each other, so I sang the song "Picking Wei" in the Book of Songs.
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Shan Ye's "Wang Ye" and "autumn scenery" are Wang Ji's representative works, which are somewhat hesitant and melancholy in a leisurely mood.
"I hope I will look forward to it and I will rely on it." Gao is a water town. Gaodong refers to a place in Longmen, Jiangzhou, his hometown. After retirement, he often traveled to Beishan and Gaodong, calling himself "Donggaozi". "Depend" means wandering. "What do you want?" In Cao Cao's "Short Songs", the meaning of "the moon stars are scarce, blackbirds fly south, and there are no branches to lean on" shows the feeling of boredom and hesitation.
The following four sentences describe the scenery seen at dusk: "All trees are in autumn, only the hills and mountains are bright. The shepherd brought the calf back, hunted the horse and brought the bird back. " Looking around, it is autumn everywhere, and it is more and more bleak in the afterglow of the sunset. On this quiet background, the close-ups of shepherds and hunting horses, with an idyllic pastoral atmosphere, enliven the whole picture. These four poems are like a picture of Shan Jutu on an autumn night. Light and color, long-range and close-range, static and dynamic match well.
However, Wang Ji could not find comfort from the countryside like Tao Yuanming, so he finally said, "I don't know each other, and Long song loves Wei." He said that he was lonely in reality, so he wanted to make friends with people like Boyi and Shu Qi.
People who are familiar with Tang poetry may not find this poem particularly beneficial. However, if we read this poem by Song, Qi, Liang and Chen in the Southern Dynasties in the order of poetic history, we will suddenly applaud its simplicity. The poetic style of the Southern Dynasties is mostly gorgeous, like a jewel-like lady wrapped in satin. Walking out of the women's group, I suddenly met a village girl with a cloth skirt. Without makeup, there will be a special charm. Ji Wang's ambition has such a simple advantage.
The genre of this poem is five-character verse. Since Shen Yue and others applied legal knowledge to poetry creation in the first year of Qiyong in the Southern Dynasties, this new genre of legal poetry has been brewing. In the early Tang Dynasty, Shen Quanqi's and Song's regular poems became an important poetic genre. Wang Ji, more than 60 years earlier than Shen and Song, can write such a mature poem as Wild Hope, which shows that he is a man who dares to try new forms. The beginning and end of this poem are lyrical, and the middle is lyrical. After the repetition of emotion-scene-emotion, the meaning of poetry has deepened. This is in line with a basic composition of metrical poetry.
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Hanjiang's early pregnancy.
meng haoran
The south is a wilderness, because leaves are falling, and the wind from the north makes the water cold.
I remember my home; But the winding of Xiangjiang River and the distant separation of Chu Yun.
Tears of homesickness in the journey, see the back of the sail on the horizon.
Where is the ferry? Can someone tell me? (3) Pinghai (4) The evening is long.
Comment and analysis
This is a lyric poem about homesickness. Began in prosperity, borrowed Hongyan to fly south, and made guests homesick. I saw the distant solitary sail in the middle, thought of my own disappointment, and finally wrote the stagnation I wanted to return to.
The whole poem has complicated emotions. The poet envies rural life and intends to retire, but he also wants to ask officials to do things in order to make a big difference. This contradiction constitutes the content of this poem.
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[Original] The water in August Lake here is an air with heaven; Ozawa's water vapor transpiration on the cloud soil is white, and the waves seem to shake the whole Yueyang. I want to cross, but I can't find the boat. I'm lazier than you politicians. It's a shame. When I sit here and watch a fisherman throw fish, I enjoy fishing very much.
[Analysis and Appreciation] In ancient times, there were two rivers (lakes) in Yunmeng, which spanned the north and south of the Yangtze River in Hubei Province. Jiangbei is called cloud and Jiangnan is called dream. These two sentences, together with Du Fu's "Wu in the east and Chu in the south, can see the endless drifting of heaven and earth", are all famous sentences praising Dongting Lake. It's all about the magnificence of Dongting Lake-the water vapor of Dongting Lake is steaming the whole Yunmengze, and the lake is magnificent and shocking Yueyang City.
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Yellow crane tower ①
Don Cui Hao
A long time ago, a yellow crane carried a saint to heaven.
Now only the Yellow Crane Tower is left.
The yellow crane never returned to the earth,
Baiyun will always fly without him.
Every tree in Hanyang becomes clear in the water.
Parrot Island is a nest of sweet grass. ②
But I looked home, and the twilight was getting thicker.
The river is shrouded in mist, which brings people deep melancholy.
To annotate ...
① Yellow Crane Tower: On the Yellow Crane Tower at Wuchang Bridge Head of Wuhan Yangtze River Bridge today, it is backed by Snake Mountain and overlooks the Yangtze River.
Yueyang Tower and Wang Tengting are collectively called the three famous buildings in the south of the Yangtze River. ② Nautilus Island: in the Yangtze River southwest of Hanyang.
judge
The Yellow Crane Tower was built in the second year of Wu Dynasty (223), and it was named after its construction site in the Yellow River. However, Fei Wenxian (sound)
The saying that the immortal drives the crane is found in Tujing and Qi.
Harmony ",it can be seen that the Yellow Crane Tower is named after the immortal riding the yellow crane, which has long been a folk legend. Cui Hao lost his career.
When I came to this building, my feelings and legends were integrated, which touched my inspiration and made this magnificent song. The first half is legendary.
Law: People used to follow the Yellow Crane, but this building is empty, only the name of the Yellow Crane! I am deeply touched by the painful experience.
On the other hand, Yellow Crane flies to the next level: Yellow Crane flies, white clouds are leisurely, and the yellow crane never revisited earth.
White clouds are still long, just "empty"! Four poems in one breath, turn around. although
Sticking to the topic of poetry, borrowing cranes to empty buildings, white clouds wandering to write about past and present changes, poets are independent of the figure and feelings of buildings.
The broad mood is also faintly visible. In the second half, write about the prospect of eyes and the life experience and homesickness caused by it.
Qingchuan is lifelike, with lush vegetation, vast smoke and clouds. I feel homesick after a long journey. Where is the township pass? Looking at Hanyang Tree,
Looking at Nautilus Island, on Wangjiang, looking at Xiangguan, looking at the surrounding blockbusters, wandering without any support, and finally feeling "sad".
The four poems are full of passion and flow downstream, forming an organic unity with the first half.
The first four sentences of this poem draw lessons from the folk songs of the Southern Dynasties and Shen Quanqi's Longchi Pian, and use the sentence pattern of pulley rotation.
"Yellow Crane" is repeated in three places, every three sentences are all voiced except the word "yellow", and the fourth sentence is three levels.
After the tail adjustment, the second couplet "gone forever" and "empty leisurely" are not aligned. This does not meet the requirements of the seven laws. But by
It's wonderful to turn it out in one breath. The last two couplets are precise and rigorous, and critics not only don't think it's sick, but also regard it as.
Chuangti, Ziggy, highly praised. According to legend, Li Bai boarded the Yellow Crane Tower and said, "There is a scene in front of him, and Cui Hao is writing poems."
Above "sigh; Later, his poems Nautilus Island and On the Phoenix Terrace in Nanjing were repeatedly imitated (see
Biography of Talented Scholars in Tang Dynasty, Notes on Tang Poetry, and Sui Shu. Yan Yu in Song Dynasty
Cang Review said: "The Yellow Crane Tower should be the first of seven-character poems in the Tang Dynasty." clean
Shen Deqian, a poet, selected this poem into Volume XIII of Selected Poems of Tang Poetry, commenting that "the meaning is the first, the implication is the implication, and the pen is vertical."
Write and then be good at the wonders of the ages. "
When I sit here and watch a fisherman throw a hook, I envy his catch in vain. Yellow Crane Tower
(Tang)
The fairy of the past has flown away by the yellow crane, leaving only an empty Yellow Crane Tower.
The yellow crane never revisited earth, there have been no long white clouds for thousands of years.
Every tree in Hanyang has become clear due to sunlight, and Nautilus Island is covered with sweet grass.
But I looked at my hometown, and the twilight was getting thicker, and the mist of sadness was filled on the river waves.
Changgehang (HanYueFu)
Author: Anonymous green garden sunflower, morning dew waiting for the sun.
Spring fills the earth with hope, and everything presents a scene of prosperity.
I am often afraid that the autumn festival will come and the leaves of Kunhuanghua will wither.
A hundred rivers go east to the sea, when will they return to the west?
A lazy youth, a lousy age.
The sunflowers in the garden are lush, and the dew in the morning is shining, looking forward to the sunshine.
Warm spring rain and dew moisten the sunshine, and everything in the world is thriving and brilliant!
I often worry that when the cold and autumn season comes, the flowers and plants will turn yellow.
Time is like ten thousand rivers in the East China Sea. When will it flow west again?
When I was young, I didn't cherish time and didn't work hard. When you are old, you can only regret and grieve in vain.
Yuefu poetry is a genre that can best represent the achievements of Chinese poetry. It often uses fu, bi, xing, intertextuality, and repeated singing to express its feelings, and this song "Long Songs" represents this feature. The author compares the fleeting time of Shaoguang to the return of a hundred rivers to the sea, feeling that "young people don't work hard, but old people are sad" and urging the world to cherish time and make a difference. The whole poem rises from the green sunflowers, and is associated with the changes of the four seasons. Compared with the river, it draws the conclusion that we should seize the time and work hard, and its comparison method is obvious.
"Long song" is suitable for expressing deep affection. This poem is expressive, descriptive, lyrical, sighing and encouraging, which makes the whole poem full of delicate connotations and endless implications. It not only inherits the tradition of "singing and chanting", but also has great formal aesthetic feeling, which is convenient for repeated chanting.
Wang Ye-Wang Ji
Wang Ji
Gaodong ① Twilight, Depend on ② What you want!
Trees are all autumn colors, and mountains are only sparkling.
The shepherd brought the calf back, hunted horses and brought birds back.
Care for no acquaintances, Long song (3) huai.
Comment and analysis
This poem "Shan Ye and autumn scenery" is one of Wang Zhen's representative works. It is full of affection, simplicity, freshness, fluency and naturalness in the scenery, trying to correct the shortcomings of Qi Liang's flashy and gorgeous.
The first couplet is both narrative and lyrical, and the next six sentences are always carried. The first sentence casts a thin twilight on the "looking" middle scene of the middle two couplets; The second sentence is called the last sentence; Make the whole poem shrouded in faint sadness. The lower jaw couplet is about autumn scenery in the dusk, knowing each other, mountains and trees, a piece of autumn color, a touch of light. Depression and silence aroused the poet's sense of helplessness. Neck couplets describe the moving scenery of Akita, with mountains, trees, autumn colors and twilight as the background, showing the picture of "shepherds driving calves back, hunting horses and bringing birds back". This is a typical scene at dusk in autumn in Shan Ye. Since it is "return" and "return", its dynamics from far to near are also faintly visible. If these shepherds and hunters are old acquaintances, they can talk and laugh with them (the migration of Tao Qian). However, this is not the case, which leads to the ending of the couplet: "I have no acquaintance", and I can only use Long song to express my distress. Wang Ji worships Tao Qian, but he doesn't get comfort from rural life like Tao Qian, so his pastoral poems sometimes show hesitation and disappointment.
This poem washed away the habit of carving in the Southern Dynasties, but developed a new martial art form that was gradually legalized since the Southern Qi Yongming. It is already a relatively mature five laws, which have a great influence on the form of modern poetry.
Hanjiang's early pregnancy.
Author: Meng Haoran
The south is a wilderness, because leaves are falling, and the wind from the north makes the water cold.
My home is wandering by the river, and the sea of clouds is far away.
Tears of homesickness in the journey, see the back of the sail on the horizon.
The smoke in the wind blurs where the ferry can be, and the vast river ripples in the sunset.
Rhyme translation:
Flowers and trees wither, and geese fly south.
The north wind is blowing, and a river is cold in spring.
My hometown is Naluxing Mountain, and the cottage is in perfume bay.
Looking at the distant Chu land, Chu land is vast in the clouds.
The tears of homesickness have run out, and the life of the tourists is so bitter.
The lonely sail is far away, and the scene is ugly.
I want to ask someone, where is the lost ferry?
I can't see anything at dusk, only the river and the sea are endless.
Comments:
This is a lyric poem about homesickness. Began in prosperity, borrowed Hongyan to fly south, and made guests homesick. I saw the distant solitary sail in the middle, thought of my own disappointment, and finally wrote the stagnation I wanted to return to. The whole poem has complicated emotions. The poet envies rural life and intends to retire, but he also wants to ask officials to do things in order to make a big difference. This contradiction constitutes the content of this poem.