"Worry about the world first, and enjoy the world later" comes from Yueyang Tower written by Fan Zhongyan, a writer in the Northern Song Dynasty, so it can be inferred that this scenic spot is Yueyang Tower.
Yueyang Tower is located in the west wall of Yueyang Ancient City, Hunan Province, overlooking Dongting and Junshan. Since ancient times, it has been known as "Dongting is the world's water and Yueyang is the world's building", and it is also known as "the three famous buildings in the south of the Yangtze River" with the Yellow Crane Tower in Wuchang, Hubei and the Wangtengting Pavilion in Nanchang, Jiangxi. 1988 1 has been designated as a national key cultural relics protection unit by the State Council. The main building of Yueyang Tower is19.42m high,14.54m deep and17.42m wide. It has three floors, four pillars, cornices, helmet tops and pure wood structures. Four nanmu gold pillars in the building go straight to the top of the building, surrounded by corridors, rafters and purlins, which are mutually tenoned and integrated.
The Story of Yueyang Tower was written by Fan Zhongyan, a writer of the Northern Song Dynasty, on September 15th, the sixth year of the Northern Song Dynasty (1046), at the request of his good friend, Taishou Teng of Baling County. Among them, the poems "Worry about the world first, then enjoy the world" and "Don't rejoice in things, don't grieve for yourself" are well-known and quoted sentences. This paper describes the outline of Dongting Lake to set off Yueyang Tower. Teng was accused of using official money without authorization. Fan Zhongyan took this opportunity to implicitly advise him not to be happy with things, not to be sad for himself, and tried to infect old friends with his feelings of salvation and optimism of "worrying about the world first, and enjoying the world later". This is the fate of this paper, and it also determines the style of combining narrative with discussion. The Story of Yueyang Tower transcends the narrow realm of simply writing landscapes and architectural scenery, and integrates the dark changes of nature, the ups and downs of rain and shine, and the "feeling of seeing things" of "moving guests", thus focusing on discussing political ideals and expanding the realm of the article.