Second, "Qin Yi e Yan" (Tang Li Bai) Yan, dream broken. Qin family, every year in the second quarter of the moon, the willow color by the bridge is printed with seven windows for farewell. Looking at the Cold and Autumn Festival, the ancient road leading to Xianyang has been cut off. The west wind kissed the light of the sun, and in front of us were the tombs and palaces of the Han Dynasty. According to legend, this poem was written by Li Bai, and later generations spoke highly of it, calling it "the ancestor of one hundred generations of lyrics and songs." This is a poem that draws lessons from a painful experience. The first part of the poem is always in personal joys and sorrows, while the second part has experienced ups and downs. Personal sorrow is completely put aside, or integrated into historical sorrow. By collecting the remains of famous dynasties such as Qin and Han dynasties, Xianyang ancient road and Han tombs, we will enter into historical reflection.
Three, "Jinling Wuyi Lane Five Topics" (Yuxi, Liu Tang) Suzaku Bridge on the wild grass, Wuyi Lane sunset oblique. Swallows under the eaves of Wang Dao and Xie An have now flown into the homes of ordinary people. At that time, the poet returned to Luoyang from Hezhou (now Shexian County, Anhui Province) and passed through Jinling, the old capital of the Six Dynasties. However, in the era of poets, Jinling is no longer a bustling place in Jiangdong, but almost an "empty city". The poet felt this and wrote this group of five poems about historic sites. Wuyi Lane used to be the place where the nobles of the Six Dynasties lived, and it was also the most prosperous place. Now the famous Suzaku Bridge is overgrown with weeds, and there are no horses and chariots at the entrance of Wuyi Lane. Only the setting sun slanted on the deep wall of the past. It's a sea change, and life is changeable.
Four, "Tianjingsha Qiu Si" (Ma Yuan Zhiyuan) withered vines and old trees faint crows, small bridges and flowing water, the old road west wind and thin horses. When the sun sets, heartbroken people are at the end of the world. Artistic conception is an important category in China's classical poetry aesthetics, and whether emotion and scenery can be well combined becomes the key to form artistic conception. This poem is very short. There is no autumn word in the whole song, but it depicts a bleak and moving picture of the suburbs in autumn, which accurately conveys the bitterness of travelers.
Five, "Mujiang Yin" (Tang Bai Juyi) a round of sun setting is sprinkled in the water, half river rustling, half river red. The loveliest thing is the ninth day of September. The bright pearl's bright crescent moon is shaped like a bow. This was written by the poet on his way to Hangzhou to make a secretariat. At that time, the court politics was dark and the struggle between Niu and Li was fierce. The poet tasted the taste of being an official and asked to go abroad. After leaving the imperial court, I relaxed a lot, so I wrote this poem. The beauty of the whole poem lies in taking two beautiful pictures of nature and combining them. One is the gorgeous scene of the sunset reflected on the river, and the other is the hazy night when the crescent moon rises and the dew is crystal clear.
Six, "Huanxisha New Songs and a Glass of Wine" (Yan Shu in Northern Song Dynasty) New songs and a glass of wine, the weather is old last year. When will the sunset come back? There's nothing to do, bloom's flowers fall, and it's like deja vu when Yan returns. Wandering alone in the small garden, fragrant path. This is one of the most popular chapters in the poet's works, which describes the mourning for the late spring and expresses the sadness that time flies and it is difficult to catch up. The first piece of the word combines the present and the past, overlapping time and space, and focusing on the past; "Last year" experienced the same late spring weather as "this year", facing the same pavilions, the same songs and wine. However, it seems that under the surface of everything, we clearly feel some irreversible change, that is, the long-lost years and a series of personnel related to them. The next one skillfully borrows the scenery in front of us, focusing on hurting today; Among them, the words "I can't help spending it, but I feel deja vu" have always been praised.
Seven, "Make it in the fortress" (Wei) Bicycles want to ask the party, belonging to the country and living in the country. Pengpeng also floated out of Korea, and the geese heading north also flew into the sky. The vast desert is lonely, and the Yellow River sets the yen. When I arrived at the small pass, I met a spy waiting for the knight and told me that Dou Hu was in Yan. In the twenty-fourth year of Tang Kaiyuan, Tubo sent troops to attack Xiao Bolu in the Tang Dynasty. In the spring of the following year, Cui sent an envoy to Hexi to save our time and defeated the Tubo army in the west. Emperor Xuanzong of the Tang Dynasty appointed Wang Weifeng Liangzhou as the censor, went out to the fortress to comfort himself and inspect the military situation, and served as our ambassador in Hexi, which actually pushed Wang Wei out of the court. This poem was written on the way to the frontier fortress. The poet wrote about the strange and magnificent scenery outside the frontier fortress after entering it. The picture is open and the artistic conception is magnificent.
Eight, "Su Muzhe Nostalgia" (Fan Zhongyan in the Northern Song Dynasty) blue sky, yellow leaves. The autumn wind is full of waves, and the waves are cold and smoky. The mountain reflects the sun and the sky meets the water. The grass is ruthless, and the sunset is even more outside. Dark homesickness, thoughts of chasing travel. Every night unless, sweet dreams make people unable to sleep. The bright moon building is high and lonely. Wine becomes sorrow, acacia becomes tears. When writing this poem, the poet was serving as the propaganda ambassador of Shaanxi No.4 Road in the northwest frontier fortress army, presiding over the military defense of Xixia. This word expresses homesickness. Different from the traditional writing of parting from sorrow and hating, the artistic conception of this word is broader. Autumn scenery, written in the whole film, is broad and beautiful, with no sentimental flavor, which is rare in literati's works.
Nine, "In the Heron Lodge" (Don Wang Zhihuan) The mountain covers the day, and the ocean drains the golden river. The poet who reached the peak was the editor-in-chief in Hengshui County, Jizhou in his early years, and was soon dismissed because he was framed. Wang Zhihuan, who is less than 30 years old, lives a life of visiting relatives and friends and wandering around the world. When writing this poem, Wang Zhihuan was only thirty-five years old. The poet's extraordinary ambition to climb high and look far reflects the spirit of the people in the prosperous Tang Dynasty, and it is a five-character quatrain that has been passed down through the ages.
Ten, "Gui Zhixiang Jinling Nostalgia" (Wang Anshi of the Northern Song Dynasty) came to the scene, which was in the late autumn of the old country and the weather was early. Thousands of miles are like a river, like clusters of Qingfeng. Sail back to the sunset, with the west wind on your back and the wine flag tilted. The colorful boat is cloudy, and the Milky Way heron rises, which is difficult to draw. Miss the past, compete for prosperity, sigh outside the door, and continue to hate. Throughout the ages, it is a shame to look up to it. The past of the Six Dynasties flowed with the water, and the cold smoke faded the grass. Today, business women still sing from time to time, leaving a legacy in the backyard. Wang Anshi was appointed as the magistrate of Jiangning for the first time and wrote many works about history and ancient times. After Wang Anshi was dismissed, he became known to jiangning house for the second time. This word is used as one of these two periods. As a reformer and thinker, Wang Anshi stands tall and sees far. Through the understanding of the historical lessons of the Six Dynasties, this word expresses his dissatisfaction with the social reality of the Northern Song Dynasty and reveals his awareness of being prepared for danger in times of peace.