2. Further, some people think that Wang Guowei's thoughts are similar to those of Shao Yong in the Northern Song Dynasty. Shao Yong believes that the observer of things is not the eye; The heart that is not the purpose of visualization is not the heart of visualization, and the reason of visualization is also unreasonable, asexual and lifeless in the world, so-called poor and knowing; The so-called sex person knows everything; The so-called life, those who know it, these three are the true knowledge of the world.
"The realm with me" and "the realm without me" are important parts of Wang Guowei's "realm theory". It is generally believed that "the realm with me" and "the realm without me" refer to the subjective emotional state shown by the author in his works. If the emotion is strong and straightforward, such as "Everything is my color", such as "Tears ask flowers without words, red strokes across the swing" and "I can be lonely in the cold spring and cuckoo in the sunset", it is "my realm"; Express feelings in a subtle and euphemistic way, and reach the realm of "I don't know what I am and what I am", such as "picking chrysanthemums under the east fence, leisurely seeing Nanshan", "Cold wave, Bai Niao leisurely falling" is "a place without me"
What Wang Guowei mentioned in the fourth final version of Ci Hua on Earth is consistent: "Without self, people can only get it in silence. If you have my place, you will get it when you are quiet. Therefore, one is beautiful and the other is grand and powerful. " All artistic conception comes from people's heart, and the artistic conception of poetry is nothing more than people's state of mind. In fact, "having my own territory" and "not having my own territory" are emotions corresponding to the heart. Basically, the artistic conception of poetry can be divided into these two categories.