Please briefly analyze the artistic technique of the poem "Langtaosha Beidaihe"?

[original words]

The heavy rain falls on you Yan, the white waves are sky-high, and the fishing boat is outside Qinhuangdao. We can't see a piece of Wang Yang, so who can we turn to for help? In the past 1000 years, Wei Wu waved a whip and left a legacy in the East. The bleak autumn wind is changing the world again today.

"Without Wang Yang, who do you know?" The fishing boat has disappeared. I don't know where it is.

Attachment: online appreciation of this word:

In the twelfth year of Jian 'an of Emperor Xian of Han Dynasty (2007), Cao Cao, then a general, led a great army to conquer Wuhuan in the north in order to clear the border. In August, he broke away from the Fifth Ring Road in Liucheng (now south of Chaoyang, Liaoning Province) and returned home in triumph, passing through Shishan, a moral mother near the Bohai Sea estuary, and boarded the ship. He painted a magnificent picture of the sea with a poem "Looking at the Sea", expressing the poet's ambition to pacify the separatist regime and unify China, as well as his lofty aspirations of self-improvement and omnipotence.

1954, Mao Zedong was in Beidaihe. One day, there was a storm at the seaside and the waves were rough. He jumped into the water, swimming in the sea and fighting in the wind and waves, regardless of the dissuasion of the guards around him. After landing, I was still wanting more, so I wrote this immortal masterpiece "Langtaosha Beidaihe", which showed the unprecedented grandeur of proletarian revolutionaries and the vast mind of Wang Yang. Compared with Looking at the Sea, it has a more distinct sense of the times, a deeper sense of history, a broader sense of the universe and a richer aesthetic ability.

"The imagery of poetry is intended to shock people" (Ron Gilnas, On the Sublime). From the beginning, the word showed people magnificent natural scenery. The sentence "heavy rain falls on the secluded swallow" is empty, giving people the feeling that the rain is like a drum arrow; Followed by "white waves", the momentum is greatly increased. It's about stormy waves like thunder, "heavy rain" and "white waves" flying down and soaring, touching each other, the wind roaring, sweeping the rain and adding fuel to the fire. This scene is really magnificent and magnificent. With Cao's poem "What is water?

The first two sentences of the last film, one is looking up and the other is looking forward to it. With the change of visual angle, the spatial picture also changes from land to sea and from top to bottom. The last three sentences are the gradual passage of sight from near to far, which is very layered. The first sentence of Fishing Boat Outside Qinhuangdao responded to "Youyan", pointed out the location and matched the topic. The artistic conception of "fishing boat" and "you can't see a piece of Wang Yang, so you can know who to go to" may also be taken from the description of the stormy waves by the ancients, but "Langtaosha" is a poem written in refined rhetorical sentences, which turns reality into fiction and controls complexity with simplicity. It's a stroke of genius! Instead of writing about people and ships, it is better to put small images in a vast and huge space, further highlighting the fierceness of rendering "white waves are sky-high" and highlighting the scene of sea and sky in the storm, which is boundless and chaotic, with no cliffs and no boundaries, thus expanding the spatial capacity of the works and showing a vast and profound sense of the universe.

In the first part, the scenery is full of emotion, while in the second part, it is lyrical and full of emotion. Outside Qinhuangdao, there are white waves and Wang Yang everywhere. This scene here and now will naturally remind people of 1000 years ago when Cao Cao boarded Jieshi Mountain to watch the sea and the poem "Watching the Sea". "Cao Cao is a very capable person, at least a hero" (Lu Xun's Wei and Jin demeanor and the relationship between articles and medicinal liquor). During the Mo period of the Eastern Han Dynasty, powerful people began to split up. "Snobbery makes people fight, and heirs also fight with each other" (Cao Cao's Ge). After years of melee, the people were miserable, and Cao Cao's talents rose, "holding the emperor to make the princes." After decades of fighting, it finally swept away the divided clan warlords and powerful forces, unified the northern part of China, promoted the development of productive forces, and played a certain progressive role in history. At the same time, he is also a famous writer, and his poems are "vigorous and powerful enough to cover everything." (Liu Xizai's A Brief Introduction to Arts and Literature in Qing Dynasty) shows his political ambition, great talent and enterprising spirit, and also reflects the miserable life of the people at the end of Han Dynasty, which is the first example of Jian 'an literature. The next paragraph begins with nostalgia, reverses time and space with the phrase "the past goes back to the Millennium" and shows the picture of history. "Wei Wu brandished a whip, and Jieshi left a legacy to the East" is like a vivid silhouette, which simply and vividly outlines the majestic posture of Cao Mengde riding his horse and whipping up the mountain and landing on the sea. "Whipping" is a typical dynamic image with rich connotations. As a fragmented process, it summarizes the military career of the characters galloping on the battlefield and fighting in the south and the north. As an instant action, it shows the personality characteristics of the characters, such as heroic, bold and unrestrained, fierce victory and so on. "Legacy" refers to Cao Cao's poem "Viewing the Sea", and "Dongjieshi" is the first sentence of the poem. When it is introduced into the word, the word "I" is changed to "He".