The concrete manifestation is that although the glyph is a little longer, it is divided into white, neat and rigorous, the middle palace is tight, the main pen is elongated, bold and unrestrained, and there are four sides, exquisite and vivid.
However, the structural arrangement of his calligraphy is bold and vigorous, and most of the fonts are spread to the right, but the center of gravity is still very stable, without the feeling of leaning, and it has the interest of putting danger in righteousness.
Ou Yangxun's calligraphy was famous in the world as early as the Sui Dynasty, and spread abroad. In the Tang Dynasty, people and books are ancient and perfect, and their characteristics can be summarized by the word "dangerous strength".
During the Wude period of the Tang Dynasty, when Tang Gaozu Li Yuan was in power, Emperor Koryo sent messengers to Chang 'an to buy Ou Yangxun's calligraphy because he loved Ou Yangxun's calligraphy.
Tang Gaozu Tang Gaozu sighed after hearing the news: "I didn't expect Ou Yangxun's reputation to be so great that even the distant little Illinois knew it. When they see Ou Yangxun's handwriting, they must think he is a big man. "
Generally speaking, the combination of calligraphy and lines should be fair. If it exceeds the general standard of fairness, it is considered to be partial. However, if we consciously straighten some lines and make some lines interesting, then we can get the artistic effect of seeking stability in danger as a whole. This is the reason why "European style" calligraphy is beautiful.
Ou Yangxun's Calligraphy