Cicheng people speak "truth", while Ningbo people sound "tight". Cicheng people talk about "true policies" (policies), while Ningbo people talk about "police".
Cicheng has two and a half miles of streets, including six big buildings in the Ming Dynasty, and as many as 30 big buildings before Qianlong. In the town of 2. 17 square kilometers, there is an ancient city of 0.48 square kilometers. As for memorial archways, stone carvings, wood carvings, inscriptions and plaques, they are everywhere. Portrait of Confucius by Wu Daozi in Tang Dynasty, stone tablet by Wang Anshi in Cixi County, Dongguan archway in Hongzhi period in Ming Dynasty, Rong En archway in Shunzhi period in Qing Dynasty, dozens of inscriptions by calligraphers Yu Shinan and Su Dongpo in previous dynasties, Painted Terrace Door by Yue Feng, representative work of wooden terrace door in Ming Dynasty, Weng Zhong Brown Stone by Sima Lin in Southern Song Dynasty, and officials of civil and military affairs,
There is an eye-catching inscription outside the wall of Confucius Temple: "All civil and military officials, military and civilian should dismount here". Go to the Confucius Temple, the most holy teacher, and get off the horse (car) in awe. Among the stones piled up in the yard, there is a stone tablet, which is an epitaph written by Zuo for the father of Academician Heng of Cicheng. Zuo and Yang Taiheng were officials of the same dynasty. This tablet was carved in the first year of Guangxu.
It seems that in Cicheng, when I look back, it is the Ming and Qing Dynasties, even the Tang and Song Dynasties. Since the establishment of the county seat in the Kaiyuan period of the Tang Dynasty, the symbols of various dynasties have met here, and I have a feeling of intersection of time and space. One moment I read the chapter of the Tang Dynasty, and the other moment I became a Pearl Princess. The ancients sent too dense signals, but I feel that I am not facing history, but crossing it. So I saw the new Cihu Academy in the Qing Dynasty, Derun Academy in Cicheng in the middle of the Tang Dynasty, and Baofeng Academy in Cicheng in the Yuan Dynasty. A scholar who came here with his father is called Luo Guanzhong.
Walking to the Shigu Pavilion in Cicheng, I couldn't help thinking of the past. I feel that there are too many talents in this hometown of Jinshi, and even the air is filled with cultural atmosphere. The locals showed me around Feng Zaici's former residence. Feng is a famous local family. Of course I want to see Feng Jicai's ancestral home. The locals took me to a yard, pushed open a door and said that Feng Jicai's father was born in this bed.
I understand that Feng Fu's son, that is, Feng, who is nearly two meters tall, was not born in Cicheng, but in this space of 2. 17 square kilometers, with 5 19 Jinshi. That factor, that gene, weaves the life latitude and longitude of Feng's descendant Feng Jicai.
All my friends call him Dafeng. He is obviously superior. Who can be older than him? On September 9th, I walked into the Beijing Painting Academy to see an exhibition: Four Carriages by Feng Jicai. This is the essence of his life at the age of 70. Then, in his words, he began to enter the ranks of "post-70s" today.
Taihō likes to do things in parallel, and these four carriages blossom in parallel: painting, literature, cultural heritage protection and education. I just saw the greatness of Dafeng.
Because of literature, there are literati paintings that are so sensitive to light and shadow. The Feng Jicai Folk Culture Foundation was established by selling paintings to raise money. He once said that from 2000 to 20 10 and 10, more than one million villages disappeared. No one knows how many of these disappearing villages are traditional villages. At present, there are about 10000 ancient villages with important historical value. Starting from the protection of cultural heritage, it also inspires the responsibility of education. "I attach importance to the cultural preservation of the university and pursue the museum of the college. Classical and pure cultural spirit should first be embodied by universities. Behind the college should be the idea of independent thinking, positive freedom; The face of the college should be the profound cultural accumulation and the cultural temperament bred by Ming Che's calm eyes. "
I think the more Yue Feng develops, the more he looks like his ancestors. Cicheng people have long said that Dafeng looks like Feng's ancestors, but now, we can feel the factors of his 2,000 juren and 5 19 Jinshi and Cicheng Academy, such as stone carvings, wood carvings, stone tablets, plaques, archways, handicrafts, painted doors and so on. The wooden platform door is an Amin dynasty building under the protection of national key cultural relics. It was sealed by the emperor to an official in Cicheng and also belonged to the Feng family. Is the minister of punishments, equivalent to the current minister of public security.
Dafeng said: culture has given me far more than what I have done for it.
The first floor of No.9 Beijing Painting Academy is really not a livable place. There are too many guests, and people sit together and stand together, turning the originally cold weather into a cage steaming. However, enjoying this sauna will never affect the spirit of the gods. Therefore, immortals, because newcomers are generally the leaders of all walks of life in culture and literature, think of the poem in Dafeng's "Rain Bamboo Map" and only remember these words: sparse and dense rain, thick and light, deep and shallow. Today is a dense rain, profound and affectionate.
On this day, elders and juniors, everyone and Xiaoji, sit in a row and eat fruit. Dafeng invited two friends to speak. He said that one is the most eloquent in the literary world, of course, Wang Meng; One is the worst eloquence in painting, of course, Merrill Lynch. Wang Meng said that Dafeng pulled not only four carriages, but also seven or eight carriages. Today's exhibition should be called eight horses. It is not a good thing to say that Taihō always puts forward various suggestions and always wants to protect culture and heritage. (Laughter) I remembered Dafeng's appeal in Southern Weekend: Is it crazy to "marry" Cicheng between Ningbo and Fenghuang Ancient City? Wang Meng said that Dafeng is very popular overseas, especially among women. It has won the hearts of European women for the Chinese nation and is also a contribution to the Chinese nation. Of course, Dafeng is not a macho man, but everyone. Merrill Lynch said that for Taihō, literature is a lifelong companion and painting is the window to the soul. Merrill Lynch himself has walked at least 30 thousand kilometers every year for many years, but Dafeng often goes where he has walked. Nowadays, in such an impetuous era, Merrill Lynch and Dafeng, two people who have stepped into the 70-year-old threshold, have such persistence! These two "post-70 s" can persist on the court like this! (Applause)
I remembered Dafeng's poem I just saw in the exhibition hall on the second floor: "People are in heaven and earth, and their hearts are connected with four seasons."
However, if you want to connect at four o'clock, you must have basic skills. I saw two paintings by Dafeng in the exhibition hall on the second floor. The Riverside Scene at Qingming Festival is 25×200cm, 1972. One is a 22×38cm copy of the sketch of Song Dynasty by 1973. I understand how everyone is tempered. Dafeng said that the best way to keep time and years is to turn them into poems and paintings. "I like the feeling of the pen walking on the paper. At this time, I feel that the river of my thoughts runs through a diverse and eventful place of life. " "The fate of our generation is entangled with the times too deeply and too tightly, and the word responsibility is taken for granted. One end of it is in the bone and the other end is in the pen tube. " "Writing often comes from a heavy heart, and writing is the inner way out."
Shakespeare said, man, you are really a masterpiece.
China culture itself is a thousand-year-old family. Dafeng comes from Cicheng and also from thousands of years of China culture. Culture is not a light rail, but a long and rich accumulation. I have always liked a painting by Dafeng called Expectation. The trees are dense and there are two half-open doors in the middle. I don't know whether they are made of wood or bamboo, but seeing the sunlight coming from the depths of the tree and the projection of the horizontal and vertical bars of the door seems to be endless yearning and warm yearning.
Feng, who was born in the 1970s, may be driving a carriage with eight horses, or pulling a sleigh with flying deer like Santa Claus, bringing more surprises to the world. I am looking forward to it. (Chen Zufen)