Li Jiansheng's Social Evaluation

Mr Ouyang Zaoji, an 83-year-old famous poet and calligrapher, read Mr Li Jiansheng's calligraphy works and wrote poems to show his encouragement. The poem said: "The waves of Jincheng are rolling in the spring tide, and the vast sea is hard to meet the arrogance of a generation. Where are the characters in the Qin, Han, Jin and Tang Dynasties? Why are they afraid of Taoism? " Xia Shifeng, a famous poet, wrote in his seven poems "Calligrapher Mr. Li Jiansheng" published in 2002: "The brushwork is vivid and shows kung fu, and the seal script is passed on to Feng Zhen. The downtown area is covered with golden phoenix dance, and purple flowers are dancing in the colorful clouds. Auspicious period is written for the elderly, and Yixing has a clean book. Hanging a dragon seal in the room is elegant, and the artistic lent is so intoxicated. Mr. Lin of Hai Wang wrote a couplet: "Yan Ren has a clear rhyme in his chest, and the cloud flows from the bottom of Confucianism's wrist. "Mr. Lighting King wrote a couplet:" Clouds and raindrops fly to moisten cranes, and mountains and rivers and valleys are amazing. "

In 20051February, Hong Kong calligrapher (Xuan), an internationally renowned health expert, wrote this evaluation on the art of calligraphy: [The outline of Chinese character history points out: "Chinese characters are beautiful in meaning and feel in the heart; The voice sounds beautiful; Formal beauty is to feel the eyes. " "The book, the trace of the heart is also." Calligraphy is an artistic creation, and the use of pen, ink, modeling and composition will all produce formal beauty and interest. Li Jiansheng's "Mo Bao" is intended to be a brushwork, and the words are in rhyme. The truth of the font and the literal realm complement each other, and the pen is in the heart, and the text is on the paper. The charm of calligraphy lies in the font, the form of calligraphy expresses the soul, and the charm of calligraphy is incisively and vividly in the pen and ink. Li Jiansheng's "Mo Bao" has a unique frame, unique momentum, strong pen and ink, and soft words, which set each other off. The artistic image, artistic appeal, artistic sentiment and artistic inspiration of calligraphy are all on the paper. ]

Fuzhi Yang: Li Jiansheng has a wide range of calligraphy, and all kinds of calligraphy are involved. Qing Princess Han Yuan said, "The law is solemn at the end, and it should not be bloated, and it looks like a puppet. And sitting and lying, looking forward to the trend of words, the beauty is similar. " It is on this basis that Li Jiansheng's official script and seal script are mixed, combining the essence of Fang Jun in Weibei and Cao Quanbei. Not ancient and arrogant, dignified and steady, simple and transparent. Use the pen to hide or reveal, the strokes are round and changeable, the head and feet are stretched, and the reverse pen is used well. For example, Qin Lisi said, "When you write, you will catch it like an eagle." In a real sense, it also achieved what Liu Xizai said in the "Outline of Art" in the Qing Dynasty: "The seal script is vigorous and the official script is short and dangerous"; The masters of regular script, Fa Yan, Liu and He, are even more self-contained. There is no lack of dignity and spirit.