Appreciation of Huang calligraphy
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Mr. Huang's artistic creation
Huang's landscape painting creation has gone through three stages: learning from the past, learning from nature and integrating the past. Before the age of 60, he was mainly a teacher of the ancients; 60-70 years old, mainly teachers; After 70 years old, Huang's landscape paintings show the characteristics of self-reliance, maturity, rich style and gloomy mood.
From the pen and ink point of view, it belongs to tradition? Black, dense, thick and heavy? In other words, the accumulation of pen and ink is dozens of times and the level is very deep, which is the most remarkable feature of his landscape painting. From the color point of view, there are faint ink prints, vibrant ink landscapes, colorful cyan, more colorful splash ink and heavy colors, and Jiao Mo thirsty pen with pure lines. From the perspective of inheritance and innovation, we can find the shadow of an ancient brushwork, but it is not the ancients at all. His flower-and-bird paintings are unique and elegant. Calligraphy was studied in Zhong Dingwen and Jin and Wei Dynasties. Wang Xianzhi and Yan Zhenqing are used in cursive script, and Zheng Wengong tablet, Shimen inscription and Chu Suiliang are used in regular script. Learn from others' strengths, show your will, and be honest, fair and elegant. The profound knowledge and rich practice of painting and calligraphy make Huang's research on the history of painting theory have profound and unique insights.
The main manifestations are as follows: ① vigorous and colorful. In view of the phenomenon of combining rigidity with softness in Qing dynasty landscape painting, he briefly summarized? Thick and gorgeous? Four words, as his pursuit of artistic realm and aesthetic standards, and raised it to the height of China's national character. (2) Advocating creation. He believes that the purpose of learning from the ancients is to inherit and carry forward the fine traditions of the nation. If teachers want to be short-lived, they should abandon the old-fashioned copying and learn from nature. 3 pen and ink are virtual and real. In terms of technique theory, he summed up the rules of Chinese painting with ink, and put forward five strokes: flat, round, left, heavy and varied, and seven strokes: thick, light, splashing, breaking, dyeing, burning and leaving. Learn to draw. He advocates literati painting with profound knowledge, noble character, solid skills and creativity.
Huang's painting creation has clear theoretical guidance, and his theory contains a summary of creative practical experience. His landscape painting and painting theory enrich the expressive force of landscape painting, which is of great significance in the development of modern Chinese painting.
Huang is a great master of China painting in the 20th century. Before he was 50 years old, he followed a hundred schools, dating back to the Tang and Song Dynasties. After that, I visited Huangshan Mountain on the 9th, Jiuhua Mountain on the 5th, Mount Tai, Wuling Mountain, Yandang Mountain and Bashu Lake on the 4th, and spent half a day. Became a generation of famous craftsmen after 70. His paintings are condensed and sublimated on the basis of deep study of tradition and Excellence, and then merged into his own artistic personality. Compared with other masters of painting in the 20th century, Huang is more educated and literate. Besides the creation of landscape paintings, he has made outstanding contributions in the fields of epigraphy, art history, poetics, philology, and the collation and publication of ancient books.
Huang believes that painting is concerned with appearance, and should not focus on the beauty of appearance, but should strive for internal enrichment and pursuit? Nami? . He added:? The highest realm of Chinese painting art is pen and ink. ? Huang systematically combed and summarized the previous experience in the use of pen and ink, and summarized it in his later years. Five strokes and seven inks? Say five strokes? For what? Flat, stay, round, heavy, change? ,? Seven ink? Namely. Thick ink, light ink, broken ink, dirty ink, splash ink, Jiao Mo, Su Mo? Various laws. So that all the pen and ink can be presented with the pen as the bone? Thick and gorgeous? Images.
Therefore, Huang established the aesthetic standard of Chinese painting in practice and theory. This is an unprecedented historical contribution. Huang's landscape in his later years is full of vitality and round brushwork. Black, dense, thick and heavy? Is the most prominent feature. Its artistic conception is far-reaching, leaving no traces of carving, and it is full of fun, which makes the viewers move. From such an image of the aftermath and Gao Hua style, people feel the strong tension of China's national cultural spirit.