Listening to Cambridge's recitation is like tasting a good dish. It has good color and fragrance, rich color at the end, fragrant fragrance and endless aftertaste, which will make you never tire of listening to it and satisfy your ears.
The "color" in Sekangqiao's recitation is everywhere, which forms the unique style of Kangqiao, and at the same time sets off the atmosphere and renders the artistic conception, making Kangqiao's recitation works colorful and beautiful. The word "color" has two meanings here:
Sound characteristics Cambridge's voice is simple and heavy, deep and steady, vicissitudes and classical beauty. Moreover, Cambridge's voice is very plastic, combining rigidity with softness, freely retractable, expressive, vivid, superb and full of extraordinary appeal and affinity. The voice of Cambridge is unique, and no one can imitate or copy it. His mellow and flexible voice, natural and simple timbre, elegant tone quality and wide range make his voice full of boundless charm like the sea and unrestrained male character.
Emotional color Every work read by Cambridge is full of emotional color. In the process of listening, we obviously feel that the emotional pulse of Cambridge is beating with the emotional pulse of the author, who is obviously the spokesman of the author. He felt the same way, and his performance was affectionate and righteous, which touched the heartstrings of every audience. What touches people's hearts is indifference. Expressing feelings with sound, expressing feelings with vocal cords, and combining sound and emotion are the eternal essence of Cambridge recitation charm! Cambridge is good at using emotions, but he is not melodramatic or promiscuous. It is a natural expression of feelings and a natural sincere expression. Readers and authors share the joys and sorrows, listeners and readers share the joys and sorrows, and a harmonious emotion is formed between readers, authors and listeners, which is a wonderful and successful reading. Cambridge has keen emotional tentacles, rich emotional colors and distinct emotional knots. We listened to his recitation, sometimes impassioned, sometimes deep and circuitous; Sometimes sad, sometimes gentle. Whether it's sobbing or loud singing, it can be touching and touching. Cambridge's recitation is always emotional, showing the color and level of feelings throughout, allowing the audience to be there, resonate and receive the artistic effect of "close to my heart".
A wonderful reading is bound to be mellow and refreshing. But the "fragrance" here is a feeling, an inner thing, which is contained between the lines and in the whole process of reciting. However, not all recitations are full of fragrance, and only a high level of interpretation can create a vivid sense of smell. The "Fragrance" recited by Cambridge permeates the aura of heaven and earth, blending natural fragrance. The "fragrance" recited by Cambridge is the fermentation of his profound knowledge and cultivation and the external appearance of his introverted mind. "Farewell to Cambridge" is a warm fragrance, and "water turning around" is a fragrant fragrance; We have heard elegant fragrance in Drunken Flower Yin, and cold fragrance in Buried Flower Yin. Athens girl, agarwood is like wine, and returning to the garden is like tea. "BuOperator" has a faint fragrance, while "into the wine" is full of Zui Xiang-the words are dull and cold, and the lines are dull and boring. But after deep processing in Cambridge, it has become a vivid stunner, ingenious and ingenious!
Steal a moment's peace from the noise of the world, listen to the graceful chanting, bathe in the sound of nature, and make your heart full of fragrance. What a pleasant life to enjoy!
Taste is the key to reading aloud. Only charm has taste. Listening to Cambridge recitation is like tasting a pot of old wine, which is mellow, refreshing and memorable. Reading modern poetry and prose pays attention to charm, while reading classical poetry pays more attention to rhythm and rhythmic beauty. Classical poetry is flat and scattered, forbidden by meter, neat in antithesis, with a particularly strong sense of rhythm. It is catchy to read and easy to read the charm, but it is also easy to follow the old rules and read a taste. It is difficult for a considerable number of reciters to break away from the fixed pattern, stick to the rules, and read classic beautiful articles directly, which tastes like chewing wax. However, the recitation of ancient poetry in Cambridge is original and full of charm, especially the handling of some details, which is tepid and just right, reaching a superb state, which is amazing and amazing! Why can Cambridge write every article interesting, wonderful, different and unique? In the final analysis, it is the embodiment of strength. Easier said than done, it needs real efforts. Just like a chef cooking, you need all kinds of spices and grasp the heat to bring out a good taste. For recitation, "seasoning" is the means of expression, such as tone, intonation, breath, stress, pause, sentence interruption, modality, onomatopoeia, scene reproduction and so on. "Temperature" is the scale of control, handling and handling, which must be skillfully used in recitation to burst out with unique charm. Rome was not built in a day. The skill of Cambridge is the result of accumulation over time, and it is the crystallization of long-term hiding its strength and accumulating strength.
We appreciate Cambridge's recitation works, and we can feel his emotional catharsis of joy, kindness and hatred everywhere, his talented second creation and his wonderful interpretation of color and fragrance. In the classic reading, he walked all the way, pitching the past and the present, and wandering freely, as if he were in no one's business.
In today's recitation world, Cambridge is an insurmountable benchmark, and he created immortal magic with perfect artistic attainments! He awakens the sleeping words, magnifies the chanting atmosphere, and achieves elegant fashion.
Cambridge's classic reading poeticized the realm of smoke and dust; Cambridge's shallow singing intoxicated an era!
Author: Autumn Moon in Pinghu
Singing lightly and dancing poetically —— Listening to the beauty of Cambridge recitation
Every time I listen to Cambridge's recitation, I am always moved by his unique voice and sincere feelings and will be intoxicated for a long time. Nowadays, there are many so-called "reciting everyone", but not many people can really interpret poetry with affection, beauty and taste, but Cambridge can do it. The beauty of Cambridge's recitation is worth savoring and enjoying.
The beauty of sound is one of the charms of recitation, and a wonderful recitation cannot be separated from the golden sound and jade sound. The Voice of Cambridge is sincere, gloomy and meaningful in Wen Ya, with simple sound quality, mellow tone, a bronze chime and the fragrance of an empty valley and a secluded orchid. The range between alto and bass, combined with unique vocal skills, rich and delicate emotional infiltration and changeable language expression, made him feel comfortable when reciting.
Voice is born, and people with good voice conditions abound, but not everyone can use it properly and give it aesthetic value. The voice of the host and announcer is good, but they are not all masters of recitation, and the difference between broadcast recitation and recitation is also great. Recitation focuses on the expressive force and appeal of language, and broadcasting and reading are basically scripted. Cambridge is a man with both advantages and good performance.
In practice, the beauty of sound is contained in the recitation language, which is hierarchical, colorful and rhythmic, that is, a vocal language with cadence, rich voice and emotion, which requires high artistic accomplishment and skilled language control ability. In the recitation of classical poems, Cambridge brought the beauty of her voice to the extreme, whether it was impassioned "Man Jiang Hong" and heroic "Nian Nujiao", or shallow singing "Slow Voice", weeping "Burying Flowers", heartbroken "Pipa Line", or fresh and lively "Spring Dawn" and leisure and tranquility.
No matter whether it is new poetry or ancient poetry, it generally has a sense of rhythm, especially classical poetry, which pays more attention to flat and even antithesis and has harmonious phonology, so that it is catchy and easy to read and sing. Therefore, when reciting poetry, we must follow the unique internal rhythm of the work and express it in a gentle way. However, it is difficult for ordinary people to have a good sense of proportion and behave appropriately. Appreciating Cambridge's poetry recitation is natural and smooth, like flowing water, unpretentious, pleasing to the eye, like drinking a clear spring, like soaking in the spring breeze. Why? Because Cambridge is proficient in temperament and has a profound literary foundation. Cambridge has made great achievements in ancient poetry. He can not only recite, but also write. He knew the author's mind well and won the correct writing. In fact, Cambridge recitation is not without skills. The key is that the use of skills does not show traces, which makes people feel unskilled. This is a state.
When poetry is recited, it is not infectious to pursue a lyrical and emotionless recitation, but if the emotion is not used properly, it will affect the reading effect. Some people think that when reading, they can be emotional, so they abuse their feelings, and as a result, they overuse their feelings, which is counterproductive. It is important to express your feelings naturally, and you can't do it deliberately. When we appreciate Cambridge's recitations, we are all expressing our feelings, but none of them are deliberately sensational. Even the sad works such as Poem of Burying Flowers, Jiangchengzi and Yulin Order do not express their grief, but express their heartbreak and unbearable through the rendering of music. Calligraphy pays attention to "blank space", and poetry recitation also has the skill of "blank space", which sounds like gossamer, but the emotion continues; After a pause, the artistic effects of "silence is better than sound" and "listening to thunder in silence" are produced. Touching people are indifferent to feelings. Only by learning to use emotion can we recite the poem well. Cambridge recites verve and uses emotional beauty.
Poetry recitation is inseparable from music accompaniment, which can render the atmosphere and set off feelings. But some people can't use music well, and as a result, recitation and music can't be integrated and have no effect. In fact, the choice of recitation music is quite particular, and it must be consistent with the genre, theme, subject matter, timbre and age of the work, and cannot be misused. For example, reciting modern poetry with guqin or music is obviously uncoordinated; Reciting ancient poems with piano or electronic piano music is neither fish nor fowl. I heard a famous announcer recite Cao Cao's "Short Song" accompanied by cello music, and the effect was greatly reduced. Others use piano music as long as they recite modern poems, and guzheng music as long as they recite classical poems. How can they recite poems well without treating specific works? I especially admire Cambridge's poetry recitation. One of the reasons is that the theme of his recitation works is perfectly combined with music. Every time he recites a work, he has to repeatedly select and compare it in his own music library, and then re-edit it through recording software according to the style, content and length of the poem. Some of them need a few pieces of music and even add sound effects. The procedure is very complicated, and it is by no means a simple process. Sometimes, for a piece of music, I will not hesitate to pay or ask someone to write it. When we were intoxicated with Cambridge's recitation, we really didn't know how much trouble and hardship he had paid for it.
A series of emotional recitations, a series of wonderful music and beautiful pictures, this is the sound painting MV of Cambridge that we saw on the Internet. Almost all works in Cambridge are the fusion of sound, poetry and painting, creating a fresh and ethereal poetic space. It can be said that there are paintings in poems, poems in paintings, and beautiful artistic conception, which is refreshing. At present, the MV of China's ancient poems is almost blank. With the development of society and the popularization of computers and the Internet, great changes have taken place in the world's aesthetic tendency and appreciation interest. Simply reading poems with music can no longer meet the needs of people's appreciation. As a special form of literary expression, ancient poetry MV is becoming a fashion day by day.
Recently, Cambridge and his assistants have made unremitting efforts to realize everyone's good wishes. As long as you search for "Cambridge recitation works" on major websites, you can enjoy the Cambridge version of audio and video MV. In this pure and quiet literary paradise far away from the hustle and bustle of the market, Cambridge is used to cleanliness and loneliness, and does not want to become a hot online celebrity. He just wants to do his bit to inherit and carry forward the excellent traditional culture of the motherland and inspire and awaken people's interest and hobbies in ancient poetry. Although he still faces many difficulties such as funds and materials, he said that the road he decided would go on because he was also fulfilling his dream!
Author: fishing boat sings late
Words don't amaze and die endlessly —— A record of recitation artist Kang Qiao
Kangqiao, a well-known recitation artist in China, has accumulated a large number of recitation works by virtue of his persistent pursuit of recitation art and profound literary skills, and won the favor of countless listeners and audiences in the form of elegant and fashionable music and painting MV. Cambridge's recitation is in place, skillful and sincere, reaching the point of perfection, and it is unique in the recitation field with its distinctive characteristics and irresistible charm.
Cambridge pursues the realm of "language is not surprising and never stops" in recitation. The kung fu of practicing words and sentences and the ability to enter the play are very incomparable. Long-term broadcasting and hosting work and literary practice have sharpened his keen sense of language and music, and created his skillful and superb language expression ability. Whether it is classical poetry and prose or modern poetry and prose, he can be familiar with it, play it with relish and show it incisively and vividly.
Cambridge is good at using emotions and feeling people in recitation. He has always opposed such wanton feelings as moaning and affectation. Feelings should be felt and revealed naturally. Sensitization must be tepid and just right. He often said, "when reciting, you should feel the same way and share joys and sorrows with the author." Only by resonating with the author can the audience resonate with you, and recitation is infectious. " When someone recited Farewell to Cambridge, the tone was too sad and depressing, which affected the aesthetic feeling of the poem and violated the author's original intention. Some people recite "Man Jiang Hong" for fear that they can't express strong and intense feelings, so they shout loudly, which backfires and has a poor effect.
Cambridge is good at reciting, but never plays with skills. Skills are used to express. When using them, it is necessary to master the temperature and not show traces. The highest level of skills is no skills. Some people think that classical poetry rhymes fluently, so it is enough to recite it in a unified mode. In fact, in Cambridge's view, there is a different story behind every poem. The author's mood is different and the way of expression is different. The recitation of each poem is different. When necessary, we should break the inherent metrical restrictions, readjust the use of skills such as sentence breaking, sentence stopping, stress, intonation and tone, and express the connotation of the poem accurately and perfectly.
Cambridge's success is not accidental, but the result of long-term loneliness, hard study and hard practice, and the result of all-day research and hard work. With its excellent education and strong strength, Cambridge has opened up a unique road of recitation art and was awarded the title of recitation artist. He deserved it!
Author: ordinary people
Classic reading charm Cambridge
Cambridge teacher's reading is full of voice, smile and infinite charm, a must!
Colorful, interesting and pleasant to listen to, I like Cambridge's poetry reading!
Cambridge's recitation is unique, so-called unique, everyone demeanor!
This is the sincere praise of netizens for Cambridge recitation!
Cambridge is creating immortal magic with his fiery passion and tireless artistic practice!
For many years, Cambridge has been wandering between poems and songs, devoted to classic reading, and is a hot online reading celebrity.
As the originator of audio-visual reading of China's classical poetry, Cambridge took time out from its unique perspective and brought the charm and artistic conception of oriental classical poetry to the extreme with its wonderful interpretation. His extraordinary recitation has conquered countless listeners and audiences, and he is a rare and veritable strength recitation artist!
Reading classical poetry is the most difficult to grasp in reading. Although many people have tried it, it is all mechanical and superficial, so it is difficult to find the profound connotation of the work and show its unique significance. Efforts are often thankless, so they are generally reluctant to get their hands on them. Why are classical poems difficult to recite? There are three reasons: 1. Classical poetry is difficult to understand and perceive. It is concise, highly concentrated and profound, and often uses allusions. It's hard to understand. When reading, we must first understand the author's thoughts, emotions and creative intentions, so as to fully understand the spiritual essence of the work. If you recite a work with a little knowledge, you will definitely not be able to read the thoughts and temperament inside, and it sounds uncomfortable to scratch your boots. 2. Emotion is difficult to grasp, but the emotion of classical poetry is not so easy to grasp. The thoughts and feelings of the ancients are more subtle and reserved than those of modern people, and sometimes they are hidden in the depths of their works, so they must be felt and appreciated in order to express them accurately. Li Shangyin's untitled poems, with profound images and vague emotions, have rarely been properly expressed in recitation. 3, the use of skills Some people think that classical poetry is neat and harmonious, catchy, and the best to read. Yes, classical poetry has a strong sense of rhythm, even children can read it. But not everyone can understand the taste and realm. The reading we usually hear is almost a tone, a pattern, and there is no artistic beauty at all. Many people either pretend to recite or follow the rules; It's either exaggeration or groaning. They don't know skills at all, they are arbitrary, arrogant and grandstanding. Reciting modern poetry can be freely played, and reciting classical poetry pays attention to technical content. Tone, intonation, stress, pause, etc. It should be used comprehensively, and a perfect interpretation of works requires good understanding and spirituality.
The success of Cambridge recitation benefits from his comprehensive strength. He has profound attainments in the study of ancient China. Proficient in poetry and prose writing, familiar with the artistic essence and creative law of classical poetry and prose. At the same time, he is a senior announcer and host. Twenty years of artistic practice have forged his calm and heavy voice and super expressive language. His understanding and perception of classical literature is unparalleled. Therefore, the recitation of ancient poetry in Cambridge permeated his outstanding talent. He accumulated a lot of money, lifted weights easily, and read classical poems with ease.
Cambridge's voice is deep, steady and mature, full of vicissitudes of life and classical beauty, with super appeal. He has rich feelings, sophisticated language, skillful techniques and solid foundation. His recitation works are almost wonderful, charming and well received!
Cambridge has formed its own unique artistic style in classical poetry recitation, which is unique in the recitation field! Many of his works have been used as audio textbooks by more and more primary schools, middle schools and universities, winning countless fans.
Cambridge's recitation of ancient poems injected fresh life into the ancient and boring words. His creation of ancient poems and the combination of sound and pictures made us feel the magical charm of the traditional culture of the motherland. Some people commented: "This is a feat that has made great achievements for the present and blessed future generations." It embodies a sense of social responsibility and historical mission of a recitation artist.
Cambridge is a peak, and his artistic achievements and personality strength are leading and inspiring groups of followers to return to the classics and perform brilliantly!
Cambridge, a singer who lived a drunken life, China's budding classic reading is even more wonderful because of you!
Author: Twilight Cloud