Daosheng knelt in front of his aunt's makeup. Tao Sheng didn't say a word for a long time and couldn't help thinking. It's getting colder and colder in autumn, so Ji went to pay his respects. -Guan Daosheng's Autumn Deep Post
Mrs. Jin Zuntang and your nephew Master Ji met again here, and I think my aunt knows about it. -Guan Daosheng's Autumn Deep Post
Guan Daosheng (1262- 13 19), born in Zhongji, Yaoji and Huating (now Qingpu, Shanghai), was born in Maoshan, Deqing (now Maoshan Village, Moganshan Town), a famous female calligrapher, painter and poet in Yuan Dynasty. Smart since childhood, able to write poems and draw pictures, she married Zhao Mengfu, and was canonized as Mrs. Wei in four years (13 17).
In his later years, Zhao Mengfu was promoted to Bachelor of Hanlin and Doctor Rong Lu. His official position has been in the government since the first grade. However, Zhao Mengfu was still at the mercy of the descendants of the Song Dynasty and could not display his ambition. He was often depressed by shame, so he devoted himself to painting and calligraphy. Guan Daosheng once wrote several poems about the fisherman and advised him to go home. One said, "Life is expensive as a vassal, but fame and fortune are not free. It's like a boat, I want to go home and rest! "
After five years' delay, Guan Daosheng's beriberi recurred. After repeated requests by Zhao Mengfu, he was allowed to send his wife back to the south in April of the following year. Depart from Dadu (now Beijing) on April 25th and arrive in Linqing, Shandong on May 10. On May 10th, the sixth year of Yanyou, Guan Dao died in a boat and was buried in Taishan, James (now Dongheng Village, Luoshe Town, Deqing County). Three years later, Ye Zhao died. The two were buried together at the southern foot of Dongheng Mountain in Deqing County, Huzhou.
Good at painting ink bamboo and plum blossoms, with beautiful brushwork. He also created landscapes, Buddha statues, poems and calligraphy. His calligraphy style is similar to that of Zhao Mengfu. I once wrote Xuan Ji's Picture Poems with five colors, and the brushwork was absolutely perfect. Dozens of volumes, such as the Diamond Sutra, were presented to famous mountains and monks all over the world. He is the author of Chronology of Zhu Mo (1). Handed down from ancient times, the works include Shuizhu Tujuan (collected by the Palace Museum), Autumn Deep Post, Embroidered Buddha Map in Mountain Building, Changming Temple Map, etc. His poems are good, and he once wrote A Brief Introduction to Guanyin Bodhisattva.
Appreciate the life handwriting of "Thousand Characters", and put the calligraphy of Zhao Mengfu, Guan Daosheng and Yong into the volume. The secretary of the library supervised it and said, "It is also a miracle to let future generations know that a father and son are good at writing." He painted a bamboo stone painting on the powder wall of Zhanfo Temple in Huzhou, about ten feet high and one foot five or six feet wide. Part-time landscape and Buddha statue.
Guan Daosheng has a famous poem "I Nong Ci". It is said that when Zhao Mengfu was 50 years old, she wanted to take a concubine like a celebrity at that time, but she was too embarrassed to tell her that she knew and wrote this poem. Zhao Mengfu read "I Nong Ci" and was deeply moved. He never mentioned concubinage again.
The full text of "I Nong Ci" is as follows: "You Nong Nong, you are very affectionate; A lot of feelings, hot as fire; Twist a piece of mud to make you and me. Break the two of us together and mix them with water; Twist the other you and shape the other me. I have you in the mud, and you have me in the mud: life with you, death with you. "