Writing background: This essay was written in September 1926. After the "March 18th" tragedy, Lu Xun was included in the list of 50 wanted criminals in Beijing's cultural and educational circles by Beiyang warlords. Therefore, he could not openly confront the northern warlords and was forced to leave Beijing at the invitation of Xiamen University on 1926. When Lu Xun arrived at Xiamen University, it was the summer vacation and the students had not yet started school. When Lu Xun was in exile and depressed, he often recalled the past when he was a teenager, so he wrote this essay and published it in Mangyuan, with the subtitle of "Returning to Life".
Author information: Lu Xun (188 1~ 1936), the founder of modern literature in China. Formerly known as Zhou Shuren, the word Yushan,
Yu Ting, later renamed Cai Yu, was born in Shaoxing, Zhejiang. 19 18 in may, the diary of a madman, the first vernacular novel in the history of China literature, was first published under the pseudonym of Lu Xun. His works are mainly novels and essays, and his representative works are: collection of novels "Scream", "Wandering" and "New Stories"; Prose collection "Morning Flowers Picking Up in the Evening"; Literary treatise A Brief History of China's Novels; A collection of prose poems "Weeds"; There are 18 essays such as grave, hot wind collection and Gai Hua collection. Chairman * * * commented that he was a great proletarian writer, thinker and revolutionary, and the mastermind of China's cultural revolution, also known as "soul of china".
The writing background from "Hundred Herbs Garden" to "San Tan Yin Yue" This essay was first published in the semi-monthly "Mangyuan" with the subtitle of "Coming Back to Life Six". The "past events" involved in this article are two periods of Lu Xun's childhood life. At that time, China was under the rule of corrupt and incompetent Qing Dynasty, which humiliated the country and exercised feudal autocracy at home. He wrote from "Hundred Herbs Garden" to "San Tan Yin Yue".
The writing background is: the essay "From Baicao Garden to San Tan Yin Yue" was written on1September, 926 18. After the "March 18th" tragedy, Lu Xun was included in the list of 50 wanted criminals in Beijing's cultural and educational circles by Beiyang warlords. Therefore, he could not openly confront the northern warlords and was forced to leave Beijing at the invitation of Xiamen University on 1926. When Lu Xun arrived at Xiamen University, it was the summer vacation and the students had not yet started school. When Lu Xun was wandering around and depressed, he often recalled the past of his youth, so he wrote this essay and published it in Mangyuan, with the subtitle of "Reviving the Past" when it was published.
After the March 18th tragedy, Lu Xun was included in the list of five ambassadors in Beijing's cultural and educational circles by the reactionary authorities. It was difficult for Lu to openly fight against the reactionary forces, and he was forced to leave Beijing at the invitation of Xiamen University on 1926. When Lu arrived at Xiamen University, it was the summer vacation and the students had not yet started school. He recalled the past and wrote this article.
Author: Bai ... Bookstore in 1926 September 18. After the "March 18th" tragedy, Lu Xun was listed as one of the five ambassadors of Beijing's cultural and educational circles by the reactionary authorities. 1926 Lu Xun was forced to leave Beijing at the invitation of Xiamen University because it was difficult to openly fight against the reactionary forces. When Lu Xun arrived at Xiamen University, it was the summer vacation and the students had not yet started school. Recalling the past when he was a teenager, he wrote this essay and published it in a magazine (Mangyuan). There is a subtitle "Reviving the past" under the question. Later, Mr. Lu Xun compiled them and nine other essays into this collection of essays.
From Baicaoyuan to San Tan Yin Yue: San Tan Yin Yue is a famous private school in Shaoxing in the late Qing Dynasty. Mr. Lu Xun 12 years old is studying here, and the teacher is Mr. Shou Jinghu. San Tan Yin Yue, the small living room between three long rooms, was originally the study of Shou Jia. Mr. Shou Jason Wu has been teaching here for 60 years. The flavor of "three pools printing the moon": The "three pools printing the moon" mentioned by Mr. Lu Xun in his famous article "From a Hundred Herbs Garden to a Three Pool Printing the Moon" is near the former residence of Mr. Lu Xun in Shaoxing City, Zhejiang Province, where Mr. Lu Xun studied as a teenager. So, why is it called "three pools printing the moon"? It turns out that the "three flavors" come from the old saying that "reading classics tastes like rice beams, reading history tastes like Yao biographies, and reading a hundred flavors like sugar". Reading four books and five classics is the basis of eating rice and flour; Reading Historical Records tastes like drinking wine and eating delicious food: reading books like "A Hundred Schools of Thought contend" tastes like soy sauce and vinegar (like seasoning for cooking). The plaque of "Three Tans Printing the Moon" was written by Liang Shanzhou, a famous calligrapher in Ganjia period of Qing Dynasty. At that time, there was such a woodcut couplet hanging on both sides of the plaque: "I am silent and filial, and I love reading too much." The "three flavors" in "From Herb Garden to San Tan Yin Yue" means: reading classics is like eating staple food; Reading history is like eating vegetables; Look at other things, like spices. About "Three Flavors": The descendant of Mr. Shou, a teacher of Lu Xun's private school (San Tan Yin Yue) said that "Three Flavors" refers to the warmth of cloth, the fragrance of vegetable roots and the long taste of poetry and books. Cloth refers to ordinary people, and "warm cloth" refers to being willing to be ordinary people, not being an official or a master; "Vegetable root fragrance" means being satisfied with simple food and not eager for the enjoyment of delicious food; "Poetry has a long flavor", that is, to seriously understand the profound content of poetry, so as to obtain a deep and long flavor.
From Baicaoyuan to Santan Yinyue Writing Background There is really a big garden behind Mr. Lu Xun's former residence, that is, Baicaoyuan. In the afternoon, I came here, and it has been 20 years since I first met in this article. Located in my teenage dream, there are only some weeds, not as many herbs as I thought.
An ordinary garden, some nameless weeds and hard soil constitute an ordinary landscape of a hundred herbs garden. There are naturally several trees, one of which is hung with the symbol of "Baicaoyuan", but I doubt that it is either a Gleditsia sinensis tree or a mulberry tree, because it is neither tall nor a purple mulberry. The long summer has passed, and now it is autumn, and cicadas can't sing for a long time; Without vegetable fields, wasps have to lie on cauliflower elsewhere; I was surprised to find that the son of heaven (lark) suddenly jumped from the grass to the sky, but only around the short mud wall, I couldn't see the humming of the oiled bird and the play of the cricket. I think of teacher Wang's reminder that Manglietia has the fruit of lotus and Polygonum multiflorum has the root of edema. My heart is full of childhood fun.
Mr. Lu Xun's description of the Herbal Garden is so mysterious and interesting that I feel confused when facing the steep life today. The early Herb Garden may not be so interesting, but Mr. Wang's wonderful hands are of great significance. When I was a teenager, I just felt interesting and fascinated. So far, there are many metaphors behind feelings. Think again. After all, a hundred years later, the Herb Garden was as good as Mr. Wang said, and it was destroyed by Cang Sang. However, I like the paragraph about the beautiful snake very much, but everything about the Herbal Garden does not add color to the eternal beautiful legend of Herbal Garden. I often wander in the watery night in the farm yard, expecting the beautiful snake to call my name. I hope to hear someone call my name gracefully, although my heart is full of infinite fear.
There is nothing in the herb garden now, only some nameless weeds that never stop; Short, gray grass tips are swaying in the wind, and today I recall my husband's pride with awe.
The article about Herbal Garden is included in Morning and Evening Flower Collection, but there is no "flower talk" throughout. Mr. Wang said: the flowers with dewdrops are much better, but I can't. Mr. Wang's "can't" may be that the flowers are ruined, leaving only weeds.
It's less than half a mile to the east from Lu Xun's former residence. You need to cross a spacious street, and then walk across a stone bridge. The stone bridge is three pools reflecting the moon. That door is still black and oily, which can be described as a lot of things, but it is a little broken. Lang Lang's reading sound came from other places, and when he arrived at San Tan Yin Yue, only the lingering sound was like a lifetime ago. There is also a picture of a sika deer crouching under an old tree, which has already died. I think my husband saluted the plaque and the deer when he was young and called him: worship Confucius. Funny, maybe ironic. Other than that, it's boring. The bookstore is small and dark, and the light from the wooden window can be squinted, but it is not very clear. A big lock locked the table. An old man with glasses is selling souvenirs. He looks a bit like Mr. Xue.
Suddenly, I feel that the Herbal Garden is very good. Because the three pools reflect the tasteless taste of the moon, the benefits of the vanilla garden can be easily obtained. So that's what happened! What I know is not limited to my hatred of old-fashioned teaching. I was impressed by the three pools printing the moon, which was dark and sultry, but the Herb Garden was bright. Bright spring light up my childhood, and I have my own herb garden in my heart, which is destroyed by the sound of reading.
What is the writing background of "From Herb Garden to San Tan Yin Yue"? When Mr Xun was forty-five, he wrote an article recalling his childhood. This is a small flower "picked in the evening", and the text inside contains innocence and simplicity. According to the structure of the article, it was written in 1926 9. 18. Lu Xun was teaching at Xiamen University at that time.
After the March 18th tragedy, Lu Xun was included in the list of five ambassadors in Beijing's cultural and educational circles by the reactionary authorities. It was difficult for Lu to openly fight against the reactionary forces, and he was forced to leave Beijing at the invitation of Xiamen University on 1926. When Lu arrived at Xiamen University, it was the summer vacation and the students had not yet started school. He recalled the past and wrote this article.
1. From Baicaoyuan to San Tan Yin Yue.
2. From Baicaoyuan to Santan Yinyue: Starting from the life of Baicaoyuan, the author points out that it was once "my paradise". Slowly, when I grow up, my family will send me to study, so I have to leave my paradise. The article goes on to write about my study and life in San Tan Yin Yue. Lu Xun lived in Santan reflecting the moon for seven years. He still remembers the display of the three pools reflecting the moon, the kindness and respect for the teachers, from which it is not difficult to realize his deep affection for this period of life.
3. Appreciation of "From Baicaoyuan to San Tan Yin Yue": "From Baicaoyuan to San Tan Yin Yue" is a beautiful movement to compose childhood memories. In this well-known prose, the author described a childlike world for people with poetic brushwork.