After listening to this name, I know that she is a calligrapher or a beautiful woman, which makes people a little daydream. Later, this name became the only special prize in the Fourth National Women's Calligraphy Exhibition. When I was young, I studied calligraphy; When I was in college, I studied art; When I was in Chen Zhongkang, I began to study books again. It is from these sporadic conversations that I was surprised by her obsession with calligraphy-how can a beautiful young woman be so obsessed with the space of Su Mo? She said that she would write every day, until late at night, until she was tired, and that life was simple just for work, writing and family. I finally asked her, "Why do you like calligraphy so much?" "1, curious. 2。 Write a sense of accomplishment. 3. Love for China's classical culture. 4. Being respected and liked. " Then he added: "Is it true? ! "This is the answer she gave me. It's true. It really makes me feel that she really has a simple feeling for calligraphy. Moreover, she is a simple woman, simple, honest and pure, without a trace of lead and whitewash. In the era of more and more complicated interpersonal communication, such women are rare. Zhu Pingpang is a native of Wenzhou, which is a major commercial city in China. In the past ten years, one master of calligraphy has emerged like a flood, which is incredible. Just because of those old gentlemen whose names I can't name, Lin,,, or the literary society and? I think the main reason is that people's feelings for traditional art are slowly sprouting in their hearts. This subjective thing cannot be ignored. In the humanistic environment where calligraphy is recognized and respected, seeds like Zhu Pingpang can grow freely. All along, I only know that Zhu Pingpang is a backward student, so I don't need to think about it. It is also the word "Wenzhou Xiang". You have me and I have you, but it's only recently that I concentrate on her creative works. Mr Sun Xiaoyun once said that calligraphy is a woman's "needlework". When calligraphy is becoming more academic and professional, it seems to be more professional and artistic for women, not just for fun and to ease the petty bourgeoisie. Faced with dozens of Zhu Pingpang's calligraphy sketches, we have to pay less attention to her creation because of these more professional calligraphy factors, from brushwork to line texture, from word formation to space, from method selection to choice, from composition to composition. In fact, Zhu Pingpang also learned the calligraphy system from the classics of Wei and Jin Dynasties. But few people, especially women, set foot in Zhao Mengfu, Su Dongpo, Min Nangong and Dong Qichang. Although people habitually think that the calligraphy system of Erwang is a writing method more suitable for temperament, it is difficult to find out who has had serious, systematic and even in-depth close contact with this system throughout the contemporary female calligraphy creation. Why? Because the technology of the two kings system is too complicated and the style is too introverted, it is not easy to grasp. This view of mine may be verified by the technical analysis of contemporary female calligraphy works. Zhu Pingpang takes cursive script as the main direction, and it is very important for her to grasp the lines and lines of classical calligraphy, which not only stems from a lot of training, but also from her profound understanding and understanding of ancient pen-using techniques! I think she must have got it from Chen Zhongkang and others, and she realized it with her heart. If you talk to her about calligraphy, you will feel her understanding of calligraphy. Some of them are no longer the common sayings in the workshop, but should be regarded as the professional sayings of the college. For example, the revision, handling and selection of topics such as "peace", "danger", "momentum", "space" and "morality" are unambiguous. She will say that sometimes I like to tease her by asking questions, which makes me deeply understand her understanding of calligraphy. In fact, the most valuable thing about Zhu Pingpang's works is his grasp and control of the structure and overall situation of his works. Because of their own thinking mode, women's perception of graphics is not as good as that of men. Therefore, the most difficult thing for female calligraphers to overcome is the structure of calligraphy, which can only be sublimated to a good level, such as Zhou Huijun, Sun Xiaoyun, Zhang Gaiqin, Wei Siqin and so on. On this topic, I have no gender discrimination against calligraphy, which is a realistic problem. This is also a female calligrapher's ability to copy ancient classics or the creative expression of "potential" in shaping structure in calligraphy. We can fully appreciate this point in a large number of Zhu Pingpang's works. She has a strong understanding, copying and compatibility of ancient classics, and her works can properly integrate the postures of Erwang, Su, Mi, Zhao and Dong, but rarely the structure is out of control, which is very rare, and it is also an advantage to continue to go higher in the future. Today, with the development of calligraphy, more and more women begin to participate in calligraphy creation with professional mentality and state. It seems that just as a "female red" has been unable to surface, so the professionalism of calligraphy has stood in front of everyone. Zhu Pingpang received a master's degree from the Calligraphy Department of China Academy of Fine Arts on 20/0/2. I think she not only wants that diploma as a weight, but also wants to go further and higher in order to realize how important the professionalism of the college is to her beloved calligraphy. A beautiful woman, a calligraphy girl, is so persistent, persistent and hardworking in front of her beloved calligraphy. However, she has no regrets about all this! Qingben Jiaren, a beautiful female calligrapher, wrote not only works, but a kind of complex that will never disappear with plain pen and ink on rice paper! She can write graceful sketches with fluent wrists; She can sketch a beautiful dance from the moment she writes. (Text/Qi Yuxin)