Hard Pen Calligraphy Appreciate Hard Pen Calligraphy Pictures 1
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Introduction to hard pen calligraphy
Basic posture
First, sitting method
The pen writing posture is usually sitting posture. The method requires that the head is straight, the body is straight, the feet are flat, the chest is raised, the elbows are flat, the line of sight is one foot, the left hand presses the paper, and the right hand writes, so as to be natural.
Second, the writing method
What is the popular pen writing method? Three-finger tiger's mouth method That is, the front end of the first joint of thumb and forefinger clamps the pen holder from the left and right sides; The side edge of the first joint of the middle finger presses against the pen holder from bottom to top; The nib fell on the tiger's mouth. Although the ring finger and little finger can't touch the pen, the middle finger must touch it. The five fingers are slightly bent to the palm of your hand, so as to be solid and empty, and avoid clenching fists.
Third, fingering.
Reasonable use of fingering can write strokes with different thicknesses.
Fingering is a method to complete the writing process of a stroke or a word with finger movements as the main part and wrist movements as the auxiliary part. Refers to the specific performance of finger movements in the process of writing. When the angle of holding the pen before writing is about 45 degrees, the bending degree of the five fingers should be kept moderate. When writing, fingers do telescopic movements from time to time when sketching, so as to change the angle of the pen tip and the thickness of strokes, thus obtaining the "aura" of words. To master the correct fingering, it is necessary to use finger movements to minimize wrist movements when writing.
Learning method of pen character
To learn to write, there are two elements: one is method, and the other is perseverance. Practice pen writing must pay attention to the following aspects:
First, training should start with regular script.
Regular script embodies the structure of Chinese characters and the basic rules of calligraphy. Only by mastering the writing skills of regular script can we change from slow to fast, and practice makes perfect, laying a solid foundation for writing a good running script.
Second, choose a good copybook
How to choose a copybook can be considered from two angles: one is that you like it, so that you are more intimate and interested in learning, and your grades are naturally good; The second is to suit your own writing characteristics, so that you can get twice the result with half the effort when practicing.
Third, master the posting method.
The best way to post is to read the post? Morty. Post? Recite posts.
Reading posts is to prepare extension posts and temporary posts, focusing on observing the frame structure, combination ratio, stroke layout and stroke characteristics of Chinese characters, so as to have a good idea and lay a good foundation for the next writing. As Huang Tingjian said in On Books: If you are fascinated by the scenery, you will write as you please.
Mochi is to cover the copybook with transparent paper and print it out. Through this practice, you can master the writing method of stippling, control the font size, and gradually change your bad writing habits.
Sticking is to put the copybook in front of you and write according to it. Only in this way can we fully grasp the correct writing of Chinese characters-the strokes are urgent, the structure is neat and stable, and the stippling echoes. First, you can cultivate your observation of Chinese characters and see the relationship and subtle changes between stippling and stippling, and between components; Second, we can understand the characteristics of this word in form and charm, so that the writing is smooth and patchwork. The key to posting is "careful comparison", that is, to see the differences between the words written by yourself and the words on the copybook in the starting position, length, retraction and spacing of stippling. What you don't like, correct it. Correct it if it is not in place. You must study hard.
Reciting is the form of memorizing words without looking at the copybook. Only when the face is real and the back is similar can you learn to get home. At the same time, we should pay attention to Ning Shaojing and not overdo it. Every word should be practiced dozens or hundreds of times. Try to learn and write well. For words that are difficult to write or difficult to write, we should focus on practice and breakthrough.
Practice writing, as long as you are determined, confident, diligent, good at analysis and comparison, and have perseverance, you will certainly achieve the expected goal.
Pen-lifting method
All strokes can be completed in three stages: starting, writing and collecting.
First, the writing method
The methods of starting a pen include protruding pen, pointed pen and combined pen.
(1) Starting method: refers to the pen tip pausing on the paper;
(2) Pointing to strokes: it means that strokes are quick and light, and the strokes are sharp;
(3) Joint stroke: refers to the shape associated with the previous stroke.
Second, the brushwork
Mainly refers to the method of finding the change of straightness relationship at a certain stage through the action of finger force in the process of stroke writing.
Third, the pen collection method
(A) stocky brushwork
When closing the pen, the pen tip still stays on the paper to make a gesture, which means to return to the front.
(2) Closing stroke method
When the pen is closed, the nib quickly leaves the paper and a sharp point appears.
(C) even the potential to close the pen method
When you close the pen, you can pick it up at will, which is mostly used for running books.
Pay attention to the change of pen starting and closing when writing. In other words, if the same stroke appears twice or more in the same word, it is necessary to rewrite the law.
How to write basic strokes
Writing regular script with a pen, the shape of the basic strokes is basically the same as that of China's calligraphy. However, due to the different writing tools, the strokes of pen characters are different from those of brush characters, but simpler. First of all, look at the pen, horizontal stroke and vertical stroke are the same, as long as you gently stroke the pen to the lower right, but don't drag it for too long. Then there is paddling, and attention should be paid to the changes in the severity of different paddling during paddling. There are two different ways to collect pens. Show the front and the back. Exposing the front is simple, just pick up the pen. Pay attention to straightening, such as drawing horizontally, drawing vertically and drawing pointedly. When closing the pen, gently push it back with the nib, and then pick up the pen. Do it.
It's easier said than done. Because we write with pens and other hard pens for too long, the habits we have formed are also deeply rooted. If you want to correct and form new habits, this is not just talk, you need to practice seriously.
First, the key point: pay attention to the strokes from light to heavy. When collecting a pen, it's like collecting it vertically, pushing it up to the left and lifting it up again. The left point, the right point and the long point are only changes in the length of the direction. Don't write too short and too curved. Also pay attention to the left side, don't write it off. As shown in the figure:
1, oblique point: start from the pen tip potential, incline from the lower right, and close the pen.
2, the left point: from the pen tip potential, the left is inclined downwards, and the pen is closed.
3, straight point: the same short vertical, not long.
Second, horizontal: start the pen lightly to the right, then stroke it upward to the right, gradually increase the pause when closing the pen, and then gently push it to the left before lifting the pen. Note: when you start writing, the direction changes suddenly. Don't turn into a pen. Don't write too much. Don't fold obviously when you close the pen. In addition, we should pay attention to the radian changes in the short transverse direction and the long transverse direction. As shown in the figure:
1, the momentum is long and horizontal: start and close the pen, and the pen is lighter.
2, sharp momentum: sharp momentum starts from the pen, from light to heavy, and closes the pen.
3, short horizontal: there are two kinds of pen and sharp potential, and the pen can be light and heavy.
Third, vertical painting: vertical painting is the same as horizontal painting, and gently write to the right before writing. Write straight, not crooked. There are two kinds of pens. Hanging the needle is simple, just lift the pen. If you are hanging vertically, you need to stop, gently push to the left, and then lift the pen. As shown in the figure:
1, hanging the needle vertically: start the pen, straight down, gradually lighten, and close the pen.
2, hanging: from the pen, straight down, close the pen, back to the front.
3, sharp and vertical: starting from the pen tip, gradually increasing, closing the pen, returning to the front.
Hook: The hook drawing method of pen characters is the same as that of brush, but the hook drawing method is simpler. Stop at the end of the previous stroke and pick up the pen quickly. Pay attention to the direction outlined. As shown in the figure:
1, vertical hook: first, hang the pen, from heavy to light, and hook it to the left.
2. Oblique hook (hook): Bend down to the right when starting the pen, and hook to the right when closing the pen.
3. Cross hook: From the nib potential, the pen is concave to the right and gradually flattened, and the pen is hooked to the left.
4. Vertical hook: the bend should be turned, slightly lighter.
5. Cross hook: The hook should not be too long.
6. Cross folding hook: the folding position suddenly moves.
V. Left: The shape is the same as the brush font. The pen is the same as the one above. Pay attention to the direction of the pen No strokes can be bent except vertical strokes. Especially don't tilt the pen away. As shown in the figure:
1. Long strokes: bend to the lower left when starting, from heavy to light, and move forward when closing.
2, short: the pen is stunned and tilted to the lower left. It should be short, not too curved, and the rest are oblique.
6. Squeeze: After picking up the pen lightly, turn to the pen at the lower right, gradually increase the intensity from light to heavy, reach the heaviest before picking up the foot, and then quickly raise the pen horizontally to the right. Pay attention to the suggested length. As shown in the figure:
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2, flat: only the shape is flat, the rest are similar.
3. Anti-si: it is the extension of oblique point.
7. Folding: The folding of pen characters is much more energy-saving than that of brush characters. You don't need to pick up the pen too much, just change direction after a short pause. Be careful not to deliberately imitate the brushwork of calligraphy and gild the lily. In addition, we should pay attention to skimming, don't write horizontally, don't turn vertical folds into vertical bends, and don't skim. As shown in the figure:
1, horizontal folding: first make a short horizontal, slightly folded, then make a vertical downward, and stop writing.
2, vertical folding: first do vertical folding, slightly to the left, then do horizontal folding, close with a pen.
Eight, pick (lift): start the pen horizontally and immediately lift the pen to the right. Don't write horizontally.
Start with a pen, write on the right, fade away, and close the pen.