Reflections on the Maritime Silk Road Museum Chapter 1
In the bustling city, in front of the high-rise buildings and "small waist", the museum looks like a short Winter melon is very ordinary, but it gives people a refreshing feeling in the ordinary, showing a unique charm in its gray solemn appearance.
As soon as you enter the hall, you will be greeted by white gauze curtains falling from three sides, and a black "overpass" lined with red "fans" across the center of the hall.
Enter the Chaozhou Woodcarving Exhibition Hall. Various and beautiful wood carvings are displayed in the hall. I once heard my uncle mention that Chaozhou wood carvings are world-famous for their rich, complex, exquisite and exquisite artistic style, and their brilliant lacquer and gold technology are even more admirable. When I saw it in the past, it was indeed well-deserved. Every wood carving was carved vividly and lifelike. When you look at the wood carvings with full concentration, you feel like you are actually there, and the characters in the wood carvings seem to be telling and performing the historical stories of Chaozhou to you. I can't help but marvel at the exquisite skills of those skilled craftsmen!
As I walked, I came to the woodcarving production section of the exhibition hall without realizing it. You won’t know until you see it, but you will be shocked when you see it! First, you need to design the draft, then select materials, paste the draft pattern, and then complete the complex procedures such as blanking, trimming, polishing, and gilding. I couldn't help but be shocked that this small wooden sculpture had to go through so many procedures to complete! I looked at the stone in front of the carving, and then looked at the wood carving after carving, ah! It's such a world of difference!...
"Zhenzhen! Let's go!" I couldn't spend more time to appreciate it, and I had to hurriedly walk into another exhibition hall. First there is the history and culture exhibition hall, then the natural resources exhibition hall, and then the ceramics exhibition hall... they leave in a hurry and say goodbye in a hurry. Although there is a dazzling array of treasures, there is no time to take care of it. All the beauty is just passing by, except for the wood carving.
After leaving the museum and having lunch in Haixinsha Park, I couldn’t forget the process of making Chaozhou wood carvings while walking in the park. Gradually, I came to understand the meaning of what the ancients said, "If jade is not polished, it will not become a tool." It was countless carvings that achieved this almost miraculous success. There is no "ware" that can be finished without carving, and there is no success that comes without effort. People who think they are "jade" and are unwilling to "carve" and have an arrogant attitude will not become a "tool" after all. Even if it is a piece of jade or gemstone, it can only be a piece of rotten stone without digging and carving; even if you are a talented person and are unwilling to put in the sweat, you will never succeed.
On the contrary, if you work hard, even mud can become priceless ceramics; even wood can become exquisite wood carvings; even white paper can become a world-famous painting.
If jade is not polished, it will become useless. If the wood is willing to be carved, it will be finished.
Just like the dream of "a single spark can start a prairie fire", the boat on Nanhu in July turned into a great country in October. It is through "carving" - natural disasters, wind and rain that ape man can become a highly intelligent human being; through "carving" - changes in dynasties and replacements of personnel, Chinese history can have a profound historical and cultural heritage of five thousand years; today's beautiful life is also through "carving" "Carving" - the War of Resistance Against the Enemy, Reform and Opening Up, and the Happy Life Now.
As we live in happiness, we must not forget the sacrifices of our ancestors. They used their blood to carve out the beautiful life we ??have today. Only through the persistent efforts of more than ten generations can we have the peaceful country we have today! As the successors of the 21st century, we should set a goal for ourselves and work hard from now on. Contribute your strength to the motherland!
It is the motherland that gives us a peaceful, happy and comfortable life, but it is Mother Earth that gives us this country between heaven and earth, and gives us life. She once owned a gemstone, a natural resource, and dedicated it selflessly to mankind. However, mankind forgot about this piece of jade after countless "carvings" to turn it into a "vessel". She had no idea that this piece of "jade" was the source of all things. the foundation. After paying a heavy price for this evil result, mankind finally woke up. Faced with the important task of saving "jade", we cannot ignore the responsibility. We must study hard and use our wisdom to make this "jade" return to its former glory in the future. A scene full of life.
Let us use our sweat to carve our lives, use our hands to paint the future of our motherland, and use our wisdom to bring gems back to life!
The hour hand silently pointed to the word "3", and I embarked on the return trip from my study tour with joy, and with a pure feeling, I embarked on the journey of life.
Reflections on the Maritime Silk Road Museum Chapter 2
On May 11, 20xx, we came to the Jianchuan Museum with an uneasy mood. Here, history is reappearing. Looking at these museums, it is like a historical scroll passing by in front of you.
The Jianchuan Museum is located in Anren Ancient Town, Dayi County, Chongzhou, Sichuan. It has 18 museums, which are divided into four series: Anti-Japanese War Series, Red Age Series, Earthquake Series, and Folklore Series. There are different museums for viewing under each series.
Entering the museum along the road, the first thing you pass is the Chinese Veterans Handprint Square. The powerful palm prints and the rows of bright red blood prints are displayed in the square in an orderly manner. I believe that there is a story behind every palm print, a legendary deed. Although their stories have been diluted bit by bit by this time, the blood prints will always stand in the Veterans Handprint Square of the Jianchuan Museum. .
Next, we came to the Mainstay Pavilion. On the side of the Mainstay Pavilion is a partial map of the Great Wall, with a statue of Mao Zedong "Guiding the Country" on it. In this museum, various Anti-Japanese War cultural relics are displayed. Although these have been seen in various Anti-Japanese War films, seeing them here gives a different feeling. Those are So real.
Perhaps the one that touches me the most is the 5.12 Earthquake Relief Memorial Hall. The next day is May 12, which has been five years. As a Sichuan native, the Wenchuan Earthquake will leave a deep mark on it. in our hearts. That day, so many people left so far away. Before we could react, they left one by one. In the museum, although there are only some pictures, looking at these pictures, my eyes can't help but moisten, and the scenes of that year and day in 2008 come back to me from the bottom of my heart. Earthquakes are ruthless, but there is love in the world. In the face of the earthquake, everyone united to resist this natural disaster. When I look at the application forms for volunteers from those people, I feel extremely depressed. These are the things around us, which happened five years ago. They are the same as us. The statue of the teacher protecting the students, the pictures of rescuing classmates, and the tools used for disaster relief are so real. All of them, even ten, twenty, or a century later, are still lingering. The Ya'an earthquake not long ago was fortunately not as severe as it was back then. It was resolved not long after, and history has not repeated itself. Otherwise, it would have left a psychological shadow on many people. Although, it also left a scar on many people. A lot of psychological shadow.
After that, I visited a few more museums. When I visited the Three-Inch Golden Lotus Museum, I lamented the sadness of women with bound feet. They have been bound since birth, wearing shoes that are not much bigger than the palm of their hand. It is estimated that every step of the way It's excruciating pain. Perhaps, it was not just the feet that were bound at that time, but also the traditional thinking that a woman's lack of talent is a virtue, her husband is heaven, etc., which caused so much suffering to women. Looking at the Prisoner of War Hall, I lamented the strong will of those soldiers and their tenacious character who would rather die than surrender, and hated Japan's brutal acts. Take a look at the Red Age Mirror Museum. The mirrors are printed with lights and shine on the walls.
Due to time constraints, there are still some museums that I didn’t have time to see. This visit was a fruitful one.
The above is written in order to meet the submission requirements, and I will fill in a more realistic plot below.
I went there with a very dissatisfied mood, because we each paid 90 yuan to visit this museum. In addition, I really couldn't stand the car without windows, and the car drove so slowly, watching the cars passing by one after another, and I didn't get much sleep last night. After hours and breakfast, I finally vomited in the car. If I vomited, just vomit, and it would be fine. Unexpectedly, this was different from the past, and there would be a second attack. After riding in the car for more than an hour, I finally arrived. Alas, after riding for so long, I can go home. It took more than an hour. If I drive faster, I should be able to get home.
Then, after waiting for a long time, the counselor was troubled by all kinds of things. He wanted to take pictures in this way and that. We were just here to act as backgrounds and extras. After half a day, we were free to move around, visiting this and that. In the end, we just ran around just to get a stamp. However, some places were really good. My feet were so painful that day. Thinking about those clothes. If someone with three-inch shoes walks so many roads like we do, will his feet be broken?
Among them, the most satisfying thing was the lunch that day. I haven’t eaten so richly for a long time.
Maritime Silk Road Museum Reflections Part 3
As soon as you enter the museum, you are greeted by a hall with signboards that clearly introduce the distribution of the exhibition areas. The museum is divided into five floors, divided into east and west areas.
First of all, I came to the "Exhibition Hall of Fine Ancient Painting Art", where paintings from the Ming and Qing Dynasties are displayed. I can be said to be a complete layman when it comes to paintings, but I can also feel the profound, elegant, green and beautiful spiritual world that literati painters convey through their pen and ink paintings. Coincidentally, I met a regular customer of our museum here. He is also a porcelain player. He runs his own shop and loves old kilns. We briefly chatted about porcelain. I said that we often have exchange meetings and he is welcome to attend, and he is very happy to go. At this point we visited separately.
Following the spiral structure on the second floor, I came to the "Exhibition of Fine Calligraphy Art of the Ming and Qing Dynasties" on the third floor. The main line is the fine calligraphy works of famous Ming and Qing dynasties collected or circulated in Beijing. Showcase the characteristics of Beijing calligraphy art. I just took a brief look here. The focus is on the fourth floor.
On the fourth floor there is the "Exhibition of Bronze Art of Yan State", which focuses on reflecting the cultural features of the bronzes of the Yan State and displays Beijing's earliest bronze art in terms of casting technology, modeling, and decoration.
There is also the "Peking Opera Cultural Relics Exhibition" on the fourth floor. There are those beautiful masks, costumes, and a teahouse for listening to the opera. Sitting at the small table and watching the drama being performed on the big screen in front, you can I can truly and intimately feel the comfortable and enjoyable mood of the people who came to the teahouse for leisure at that time.
On the fourth floor, there is also the "Exhibition of Ancient Porcelain Art" that I pay the most attention to and look at most carefully. It is divided into four exhibition halls: Song, Liao, Jin, Yuan, Ming and Qing. Mainly unearthed cultural relics from important sites, tombs and kilns in Beijing. The exhibition fully displays the exquisite porcelain unearthed and handed down from various historical periods in Beijing, reflects the various stages of the development history of ancient Chinese ceramics and the development trajectory of Beijing's history at that time, and embodies the historical style of the Chinese treasure - ancient Chinese porcelain art.
There are so many works here that surprise me, even shock me. I had only seen many of them in books before, but I didn’t expect to see them in person this time, which made me very excited. I saw a plum vase that was very similar to the Cizhou kiln on display in our museum, but it was labeled as a plum vase from a vat kiln with white glaze, carved flowers and black filling. This was the first time I heard about the Gongwa Kiln. After returning home with questions, I learned a little bit about it online. It turned out that the Gongwa Kiln was located in Chifeng and was one of the famous kilns in the Liao Dynasty in China. The kiln was famous for its wide variety of products and It is famous for its porcelain with typical characteristics of Khitan nomads. But I still don’t know how to distinguish them specifically. To me, they all look like Cizhou kiln.
There is another thing that impressed me very deeply, which can be said to be a bright spot, that is, the Yingqing exquisite bowl, which was made during the Qianlong period. The exquisite bowl is commonly known as "Sesame Leak". Its wall is really too thin, and patterns can be carved on it. After being coated with transparent glaze, it is really crystal clear. Just imagine how someone once used this thing to hold lotus seed soup and eat it, how they felt!
There is another piece of craftsmanship that is absolutely exquisite, that is, the Jingdezhen kiln blue and white glaze drama stage character pattern pillow, this porcelain pillow It is carved into the form of a stage, with beaded curtains rolled up on the stage, and many actors are performing a play, reflecting the popular social fashion of drama in the Yuan Dynasty. The porcelain pillows are exquisitely carved, integrating architecture, stage and porcelain sculpture art, showing the dramatic art of the Yuan Dynasty and the superb porcelain making craftsmanship of Jingdezhen kiln workers. The figures and stage inside the porcelain pillow are also so exquisitely carved. Moreover, its stage beams and railings are very thin, and I am afraid that they will break at the slightest touch. I don’t know how it was preserved so completely until now. It really makes me excited and emotional!
Many of the exhibits in the ceramics exhibition hall are so eye-opening to me. Unfortunately, my memory is limited and I cannot list them all here. I really hope I still have a chance to look more carefully.
Reluctantly left the fourth floor and came to the fifth floor.
The fifth floor is the "Exhibition of Ancient Jade Art", which is divided into three parts from the Neolithic to the Northern and Southern Dynasties, the Sui and Tang Dynasties to the Liao and Jin Dynasties, and the Yuan, Ming and Qing Dynasties.
This exhibition starts from the perspective of showing Beijing's jade culture and reflects the development history and artistic characteristics of jade in Beijing. I like green and white jade very much. It looks very pure. Some of it can be said to be crystal clear. It makes people like it just by looking at it.
There is also the "Old Beijing Folk Customs Exhibition" on the fifth floor. In this exhibition hall, small clay figurines can be seen everywhere to imitate the lively and festive wedding scenes at that time, revealing the simple folk customs and sentiments of that time.
In addition to these, there are also paper-cut exhibitions, kite exhibitions, Beijing snack exhibitions, and clothing exhibitions. I remember that there was a window flower that impressed me very much. It was a flower petal with twelve zodiac signs cut out, and each image was lifelike. The teacher was at the scene, and the program team was conducting interviews at the time. The lucky cow that the teacher cut out on the spot even amazed the onlookers. I wish I had such skillful hands.
Time passed in such a hurry, and the museum was about to close. There was no other way, so I reluctantly left Shoubo. I really want my family to come and see it, it’s definitely a worthwhile trip. What left me was so much surprise and so much shock. I am still in a state of excitement. This is the best gift I received at the beginning of the Year of the Ox.
Reflections on the Maritime Silk Road Museum Chapter 4
During the summer vacation, my good friend Ding Yi and I went to Beijing for a trip. Within eight days of traveling, I visited Tiananmen Square, Water Cube, Bird's Nest, Capital Museum, Tsinghua University, Mao Zedong Memorial Hall, Badaling Great Wall... The one that impressed me the most was the Capital Museum.
We first came to Beijing’s proud “Tiananmen”. We just took one look at it and were stunned. Mrs. Guaiguai is so spectacular that we can’t even imagine it, especially the portrait of Chairman Mao. It turns out that Mao Zedong looked like this. The majestic Tiananmen Square has three floors, red walls and yellow tiles, so majestic!
The next day, I came to the Bird's Nest. When I first saw the Bird's Nest, I felt it was truly worthy of its name. It really looked like a Bird's Nest, with densely packed steel bars and steel columns intertwined together. It was very beautiful!
On the third day, I came to the world-famous Capital Museum, which is so big. Yeah! After walking several steps, I finally saw the door. I bought the ticket and stepped into the gate. I saw a building on the left. Inside was bamboo carved from stone. The bamboo was tall and thick and formed a big circle. I walked in and it turned out to be a movie theater. After watching the movie, I learned more about the history of Beijing. We came to the second floor, where Beijing porcelain is on display, including Guanyin Bodhisattva, the three-headed and six-armed god, Tathagata Buddha, Maitreya Buddha and so on. These Buddha statues are lifelike and have different expressions. Some have serious expressions, some are smiling, and some have peaceful expressions... Because they are made of colored porcelain, these Buddha statues are smooth, round, and shiny. The third layer is really eye-opening for me! It’s Peking Opera facial makeup. Guan Yu with a face as black as a jujube looks very majestic, Qin Hui who is smiling evilly is annoying, and Sun Wukong with a painted face gives people a feeling of supernatural power... This is the first time I have seen so many facial makeup, it is really worthy of it. A treasure of Chinese folk art.
Beijing is indeed the capital of our country. It is not only an international metropolis, but also shows the labor wisdom of our ancient people.
Reflections on the Maritime Silk Road Museum Chapter 5
On November 24, all our fourth-grade teachers and students visited the Capital Museum. The museum is divided into five floors, divided into east and west areas.
We visited the ancient painting art exhibition hall, where paintings from the Ming and Qing Dynasties were displayed. Following the spiral structure on the second floor, we came to the Ming and Qing calligraphy boutique exhibition on the third floor. The main line is the fine calligraphy of famous Ming and Qing dynasties collected or circulated in Beijing, showing the characteristics of Beijing calligraphy art. On the fourth floor, there is an exhibition of exquisite bronze art from the Yan Kingdom. It focuses on reflecting the cultural features of the bronze ware of the Yan Kingdom and displays the earliest bronze art in Beijing from the aspects of casting technology, modeling, and decoration. There is also an exhibition of Peking Opera cultural relics on the fourth floor, with beautiful masks, costumes, and a teahouse for listening to the opera. Sitting at the small table and watching the drama being performed on the big screen in front of you, you can truly and intimately feel the people who came to the teahouse for leisure at that time. That feeling of ease and enjoyment.
There is also a boutique exhibition of ancient porcelain art on the fourth floor. It is divided into four exhibition halls: Song, Liao, Jin, Yuan, Ming, and Qing. It mainly focuses on cultural relics unearthed from important sites, tombs, and kilns in Beijing from the Song, Liao, and Jin to the Ming and Qing Dynasties. The exhibition fully displays the exquisite porcelain unearthed and handed down from various historical periods in Beijing, reflects the development trajectory of each stage of the development history of ancient Chinese ceramics, and embodies the historical style of the Chinese treasure - ancient Chinese porcelain art.
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The fifth floor is an exhibition of ancient jade art, divided into three parts from the Neolithic to the Northern and Southern Dynasties, the Sui and Tang Dynasties to the Liao and Jin Dynasties, and the Yuan, Ming and Qing Dynasties. This exhibition starts from the perspective of showing Beijing's jade culture and reflects the development history and artistic characteristics of jade in Beijing. I like green and white jade very much. It looks very pure. Some of it can be said to be crystal clear. It makes people like it just by looking at it. There is also an old Beijing folk custom exhibition on the fifth floor. In this exhibition hall, small clay figurines can be seen everywhere to imitate the lively and festive wedding scenes at that time, revealing the simple folk customs and sentiments of that time. In addition to these, there are also paper-cut exhibitions, kite exhibitions, Beijing snack exhibitions, and clothing exhibitions.
Through this visit, the children's horizons have been greatly broadened. The Capital Museum left us with so many surprises and shocks. It is really unforgettable!
Reflections after visiting the Maritime Silk Road Museum Chapter 6
Because I knew in advance that I was going to the Capital Museum, I searched for relevant information on the Internet in advance. I clicked on the homepage, "The Dragon Subdued and the Phoenix Added The words "human beings" attracted me deeply, so I decided to focus on "it".
I am on the way to take the bus. Through the window, I saw a continuous drizzle falling in the sky and falling on my hands. I was not unhappy but became more excited and excited.
After we got there, the instructor took us to the exhibition hall of "Subduing a Dragon and Giving birth to a Phoenix and Adding a Child", so I was very lucky and happy to wait for the teacher's explanation with curiosity. The teacher introduced: "You are pregnant in ten months. Once you give birth, three days after the child is born, the family will hold a "washing three" awareness, which means to wash away the dirt of the baby's previous life and hope for peace, happiness, happiness and good fortune in this life. Of course, In addition to its etiquette, washing three times also has the function of cleansing the body and preventing diseases."
After listening to the teacher's explanation, I took notes, pondered the teacher's words, and recalled them, and I learned something invisibly. Lots of knowledge.
In addition to "washing three things", what impressed me the most was the origin of "New Year's money". I listened carefully to the teacher's explanation: "Why did old people give New Year's money to children in ancient times? Because there was a A monster called Sui waits for an opportunity to worm its way into a child's body when he or she is sleeping, so adults put New Year's money on the child's forehead to prevent it from entering. "This is the origin of the interesting "New Year's money".
How about it, it’s interesting!
We also visited other exhibition halls and learned about many ancient customs, jades, antiques, etc., and learned about some traditions of ancient my country.
Through this interesting practical activity, I learned about some traditional folk customs in Beijing, learned more about antiques, jade, and porcelain, and learned about the origins of some things. I will definitely study hard and become a lecturer when I grow up. I can know so much knowledge, how profound it is! I firmly believe that I will realize my ideal!
Let me swim in the ocean of knowledge and explore that knowledge happily!
Reflections on the Maritime Silk Road Museum Chapter 7
One day during the summer vacation, my little aunt asked my cousin and me to visit the Shanghai Museum. The new Shanghai Museum is located in the center of Shanghai, on the south side of People's Square. It is a treasure house of the essence of Chinese culture and a symbol and window of Shanghai’s social civilization and culture.
The entire building of the new Shanghai Museum is shaped like a circle at the top and a circle at the bottom, which symbolizes the traditional Chinese saying: "The sky is round and the earth is round". Viewed from a distance, the circular roof and the upper arc of the arch make the entire building look like an ancient Chinese bronze. The construction area is 40,000 square meters, with one and a half floors underground and four and a half floors above ground. The total building height is 29.5 meters.
My cousin and I couldn't wait to walk in. Wow! There are so many people in the museum, including foreign friends from all over the world, and many visitors from all over China.
After reading the introduction, I learned that the Shanghai Museum has a total exhibition area of ??12,000 square meters. The first floor is the Ancient Chinese Bronze Hall, the Ancient Chinese Sculpture Hall and the exhibition hall; the second floor is the Ancient Chinese Ceramics Hall, Judelou Ceramics Hall and Exhibition Hall; the third floor is the Chinese Calligraphy Hall, the Chinese Painting Hall, and the Chinese Seals Hall; the fourth floor is the Chinese Ancient Jade Hall, the Chinese Coin Hall, the Ming and Qing Furniture Hall, and the Chinese Ethnic Minorities Hall. Craft museum and exhibition hall. However, there are still some that are not open, so we did not visit them all.
What impressed me the most was the Ancient Bronze Hall on the first floor, because my cousin and I visited this hall the most carefully, and we were the only ones who visited it all. There, I learned that bronzes are a relatively important category of all cultural relics, and this is especially prominent in China. Bronze ware is well-known at home and abroad for its large quantity, high quality, and high artistic and scientific value. Therefore, the identification of bronze ware has become the most important knowledge in the identification of cultural relics.
I heard that there are a large number of bronzes in China. The reason is that they are too large and can be found everywhere, making it difficult to determine for sure.
Bronze vessels are not only numerous in number, but also in rich shapes and varieties. There are wine vessels, food vessels, water vessels, musical instruments, weapons, agricultural implements and tools, carriages and horses, daily utensils, currency, seals, etc. Among the wine vessels alone, there is Jue. There are more than 20 types of utensils, such as horns, gourds, 斝, zun, pots, 卣, fangyi, gongs, 罍, 眀, spoons, jins, etc., and each type of utensil has a different style in each era. The styles of the same type are also colorful, and the bronzes in different regions are also different, just like a hundred flowers blooming, colorful, so the bronzes have high ornamental value. Bronze has an extraordinary appeal.
While visiting, I discovered that these bronze vessels have a distinctive feature, which is the characters engraved on the bronze vessels, and these characters are exactly inscriptions in gold.
After 2 or 3 hours, my cousin and I finished visiting the museum. There are so many items on display in the museum. Some of them are donated, some are unearthed somewhere, some are on loan, etc. It makes me dizzy and dazzled.